THIS PRODUCT WAS NOT PIRATED.
- ARRRRRRR! -
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Little Richard - The Specialty Sessions
┌───────────────────────────────────────┐
│ Supplier ..: Mr Dog │
│ Packager ..: The Lesbo Fiend │ ░ ░░░
│ Rel. date .: Jun-15-2008 │ ░ ░
│ │ ░░ ░
│ Artist.....: Little Richard │ ░ ░░░░
│ Album .....: The Specialty Sessions │ ░░░
│ Genre .....: Rock │ ░░░
│ │ ▒███▒
│ Catalog # .: ABOXCD │ ▒█░▓▒█░
│ Source ....: CDDA │ ▒█░ ▒█░
│ Language ..: English │ ▓▒░█ ░▒███▒ ██
│ Size ......: 303,6 MB │ ▒█▒▒░░▓▓▓▒▓█▒░ ██▒░▓
│ Label .....: Ace Records │ ██░▒▒▒▒▓▒▒▒▓▒█▒▓░ ███▓▒░█
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█ █
█ █
█ --------------------------------------------------- █
█ THIS IS *NOT* A SUBSTITUTE OF THE ORIGINAL. █
█ --------------------------------------------------- █
█ █
█ █
█ NR TRACKNAME TIME █
█ █
█ CD1 █
█ █
█ 01. Baby 04:21 █
█ 02. All Night Long 02:48 █
█ 03. She's my Star 02:39 █
█ 04. Lonesome And Blue (Take 3) 02:06 █
█ 05. Lonesome And Blue 02:46 █
█ (Take 4-False Start, Take 7) █
█ 06. Lonesome And Blue (Master) 02:19 █
█ 07. Wonderin' (Take 9) 02:49 █
█ 08. Wonderin' (Master) 02:52 █
█ 09. All Night Long (Take 10) 02:18 █
█ 10. All Night Long (Master) 02:16 █
█ 11. Kansas City (Master) 02:19 █
█ 12. Kansas City (Take 1) 02:10 █
█ 13. Maybe I'm Right (Take 1) 03:31 █
█ 14. Maybe I'm Right (Master) 02:15 █
█ 15. Directly From my Heart (Take 1) 02:24 █
█ 16. Directly From my Heart (Master) 02:22 █
█ 17. Baby (Master) 02:08 █
█ 18. I'm Just a Lonely Guy (All Alone) 02:57 █
█ (Take 1-False Start, Take 2) █
█ 19. I'm Just a Lonely Guy (All Alone) 02:38 █
█ (Master) █
█ 20. Tutti Frutti (Take 2) 02:28 █
█ 21. Tutti Frutti (Master) 02:24 █
█ █
█ CD2 █
█ █
█ 01. Slippin' And Slidin' (Take 1) 01:59 █
█ 02. Slippin' And Slidin' (Take 2) 01:53 █
█ 03. Slippin' And Slidin' (Take 3) 01:51 █
█ 04. Miss Ann (Vocal,Piano) 01:48 █
█ 05. She's my Star (a Capella) 02:40 █
█ 06. Chicken Little Baby (Master) 01:44 █
█ 07. Miss Ann (Take 1) 02:39 █
█ 08. Miss Ann (Take 8) 02:20 █
█ 09. Baby (Take 1) 02:25 █
█ 10. True Fine Mama (True Fine Baby) 01:11 █
█ (Incomplete Take) █
█ 11. True Fine Mama (True Fine Baby) 02:44 █
█ (Master) █
█ 12. Kansas City (False Starts 5, 6 & 7) 00:47 █
█ 13. Kansas City (Take 8) 02:34 █
█ 14. Kansas City (Master) 02:41 █
█ 15. Wonderin' (Take 1) 03:00 █
█ 16. Wonderin' (Master) 03:09 █
█ 17. Long Tall Sally (The Thing) 02:03 █
█ (Take 1) █
█ 18. Long Tall Sally (The Thing) 02:15 █
█ (Take 5) █
█ 19. Long Tall Sally (The Thing) 02:11 █
█ (Take 6) █
█ 20. Miss Ann (Take 3) 02:53 █
█ █
█ CD3 █
█ █
█ 01. Slippin' And Slidin' (Master) 02:45 █
█ 02. Long Tall Sally (The Thing) 02:11 █
█ (Master) █
█ 03. Miss Ann (Master) 02:18 █
█ 04. Heeby-Jeebies Love (Take 1) 02:12 █
█ 05. Heeby-Jeebies Love (Take 2) 01:55 █
█ 06. Heeby-Jeebies Love (Take 3) 02:16 █
█ 07. The Most I Can Offer 02:26 █
█ (Just my Heart) (Take 4) █
█ 08. The Most I Can Offer 02:27 █
█ (Just my Heart) (Master) █
█ 09. Oh Why (Take 4) 02:08 █
█ 10. Oh Why (Take 9) 02:17 █
█ 11. Oh Why (Master) 02:10 █
█ 12. I Got it (Take 1) 02:07 █
█ 13. I Got it (Take 9) 02:28 █
█ 14. I Got it (Master) 02:22 █
█ 15. Ready Teddy (Take 3) 01:53 █
█ 16. Ready Teddy (Take 4) 01:46 █
█ 17. Ready Teddy (Take 10) 02:10 █
█ 18. Ready Teddy (Master) 02:10 █
█ 19. Hey-Hey-Hey-Hey! 02:11 █
█ (Going Back to Birmingham) (Take 3) █
█ 20. Hey-Hey-Hey-Hey! 02:18 █
█ (Going Back to Birmingham) (Take 5-F █
█ 21. Hey-Hey-Hey-Hey! 02:07 █
█ (Going Back to Birmingham) (Take 8) █
█ 22. Hey-Hey-Hey-Hey! 02:08 █
█ (Going Back to Birmingham) (Master) █
█ 23. Rip it up (Take 3) 02:23 █
█ 24. Rip it up (Take 13) 02:13 █
█ 25. Rip it up (Take 14) 02:35 █
█ 26. Rip it up (Master) 02:21 █
█ █
█ CD4 █
█ █
█ 01. Heeby-Jeebies (Take 5-Slow Version) 02:13 █
█ 02. Heeby-Jeebies (Take 6,7 & 8) 02:06 █
█ 03. Heeby-Jeebies (Take 9) 01:51 █
█ 04. Good Golly, Miss Molly 00:58 █
█ (Fast Version) █
█ 05. Good Golly, Miss Molly 02:12 █
█ (Fast Version) █
█ 06. Lucille (Take 5) 01:31 █
█ 07. Lucille (Master) 02:28 █
█ 08. Heeby-Jeebies (Take 5) 02:12 █
█ 09. Heeby-Jeebies (Master) 02:13 █
█ 10. All Around The World (Take 8) 02:01 █
█ 11. All Around The World (Master) 02:30 █
█ 12. Shake a Hand (Take 2) 02:55 █
█ 13. Shake a Hand (Master) 03:13 █
█ 14. Can't Believe You Wanna Leave 02:32 █
█ (Take 8) █
█ 15. Can't Believe You Wanna Leave 02:29 █
█ (Master) █
█ 16. I Got it (Take 1) 02:20 █
█ 17. I Got it (Take 2) 02:30 █
█ 18. She's Got It 02:29 █
█ 19. She's Got it (Master) 02:27 █
█ 20. Send me Some Lovin' (Take 1) 02:53 █
█ 21. Send me Some Lovin' (Take 9) 02:36 █
█ 22. Hound Dog (Rehersal) 02:03 █
█ 23. Jenny, Jenny (Master) 02:05 █
█ 24. Good Golly, Miss Molly (Take 7) 02:20 █
█ 25. Good Golly, Miss Molly (Take 8) 02:20 █
█ 26. Good Golly, Miss Molly (Master) 02:38 █
█ 27. Good Golly, Miss Molly (Take 10) 02:14 █
█ █
█ CD5 █
█ █
█ 01. Baby Face (Take 2 & 3-False Starts) 00:36 █
█ 02. Baby Face (Take 4) 02:42 █
█ 03. Baby Face (Master) 02:15 █
█ 04. The Girl Can't Help it 02:32 █
█ (Film Version Master) █
█ 05. The Girl Can't Help it 02:36 █
█ (Take 10-False Start, Take 11) █
█ 06. The Girl Can't Help it 02:33 █
█ (Single Master) █
█ 07. Send me Some Lovin' (Master) 02:21 █
█ 08. By The Light of The Silvery Moon 02:08 █
█ 09. Gene Nobles' 'Royal Crown' 01:07 █
█ Hairdressing Ad █
█ 10. Ooh! my Soul (Take 1) 02:02 █
█ 11. Ooh! my Soul (Take 3) 02:15 █
█ 12. Ooh! my Soul (Master) 02:14 █
█ 13. Keep a Knockin' (Take 1) 01:37 █
█ 14. Keep a Knockin' (Take 2) 02:30 █
█ 15. Keep a Knockin' (Take 3) 02:25 █
█ 16. Keep a Knockin' (Take 4) 02:21 █
█ 17. Keep a Knockin' (Master) 02:15 █
█ 18. Boo Hoo Hoo 03:29 █
█ (I'll Never Let You Go) (Take 1) █
█ 19. Boo Hoo Hoo 02:46 █
█ (I'll Never Let You Go) (Take 2) █
█ 20. Boo Hoo Hoo 02:34 █
█ (I'll Never Let You Go) (Take 6) █
█ 21. Boo Hoo Hoo 02:22 █
█ (I'll Never Let You Go) (Master) █
█ 22. Good Morning Little School Girl 03:01 █
█ (Take 1 & 3) █
█ 23. Ooh! my Soul 01:31 █
█ 24. Ooh! my Soul 01:16 █
█ 25. Ooh! my Soul 01:52 █
█ 26. Ooh! my Soul 02:08 █
█ 27. Early One Morning [Blues] (Master) 02:16 █
█ 28. She Knows How to Rock 04:29 █
█ (Take 1, 2, 3 & 4-False Starts) █
█ 29. She Knows How to Rock 01:31 █
█ (Take 5-False Start) █
█ 30. She Knows How to Rock (Master) 02:03 █
█ 31. Whole Lotta Shaking Going on 03:34 █
█ (Rehersal) █
█ 32. Whole Lotta Shaking Going on 01:54 █
█ (Master) █
█ █
█ CD6 █
█ █
█ 01. Bama Lama Bama Loo - Take 7 02:51 █
█ 02. Bama Lama Bama Loo - Take 10 02:18 █
█ (Master) - 1964 █
█ 03. Poor Boy Paul - Take 2 02:37 █
█ 04. Poor Boy Paul - Take 7 02:19 █
█ 05. Poor Boy Paul - Take 8 02:24 █
█ (Master) - 1964 █
█ 06. Annie Is Back - Takes 1 & 2 03:02 █
█ 07. Annie Is Back - Take 3 -1964 02:44 █
█ 08. Miss Ann - Take 6 03:24 █
█ 09. Miss Ann - Take 7 - 1964 02:53 █
█ 10. Well Alright - Takes 1 & 2 00:59 █
█ 11. Well Allright - Take 3 02:55 █
█ 12. Well Allright - Take 4 - 1964 02:31 █
█ 13. Medley- Ain't That A Shame,I Got A 03:11 █
█ Woman,Tutti Frutti - 1964 █
█ ----------------- █
█ Time: 327:36 min█
█ █
█ █
█ --------------------------------------------------- █
█ TO THE INVOLVED ARTIST(S): CONSIDER THIS RELEASE █
█ AS A FREE WORLDWIDE PROMOTION CAMPAING. █
█ TO THE END USER: SUPPORT ARTIST(S) OR DEL! █
█ --------------------------------------------------- █
█ █
█ █
█ One of the original rock & roll greats, Little █
█ Richard merged the fire of gospel with New █
█ Orleans R&B, pounding the piano and wailing with █
█ gleeful abandon. While numerous other R&B greats █
█ of the early '50s had been moving in a similar █
█ direction, none of them matched the sheer █
█ electricity of Richard's vocals. With his █
█ bullet-speed deliveries, ecstatic trills, and the █
█ overjoyed force of personality in his singing, he █
█ was crucial in upping the voltage from █
█ high-powered R&B into the similar, yet different, █
█ guise of rock & roll. Although he was only a █
█ hitmaker for a couple of years or so, his █
█ influence upon both the soul and British Invasion █
█ stars of the 1960s was vast, and his early hits █
█ remain core classics of the rock repertoire. █
█ █
█ Heavily steeped in gospel music while growing up █
█ in Georgia, when Little Richard began recording █
█ in the early '50s he played unexceptional jump █
█ blues/R&B that owed a lot to his early █
█ inspirations Billy Wright and Roy Brown. In 1955, █
█ at Lloyd Price's suggestion, Richard sent a demo █
█ tape to Specialty Records, who were impressed █
█ enough to sign him and arrange a session for him █
█ in New Orleans. That session, however, didn't get █
█ off the ground until Richard began fooling around █
█ with a slightly obscene ditty during a break. █
█ With slightly cleaned-up lyrics, "Tutti Frutti" █
█ was the record that gave birth to Little Richard █
█ as he is now known -- the gleeful "woo!"s, the █
█ furious piano playing, the sax-driven, █
█ pedal-to-the-metal rhythm section. It was also █
█ his first hit, although, ridiculous as it now █
█ seems, Pat Boone's cover version outdid Richard's █
█ on the hit parade. █
█ █
█ Boone would also try to cover Richard's next hit, █
█ "Long Tall Sally," but by that time it was █
█ evident that audiences black and white much █
█ preferred the real deal. In 1956 and 1957, █
█ Richard reeled off a string of classic hits -- █
█ "Long Tall Sally," "Slippin' and "Slidin'," █
█ "Jenny, Jenny," "Keep a Knockin'," "Good Golly, █
█ Miss Molly," "The Girl Can't Help It" -- that █
█ remain the foundation of his fame. While █
█ Richard's inimitable mania was the key to his █
█ best records, he also owed a lot of his success █
█ to the gutsy playing of ace New Orleans session █
█ players like Lee Allen (tenor sax), Alvin Tyler █
█ (baritone sax), and especially Earl Palmer █
█ (drummer), who usually accompanied the singer in █
█ both New Orleans and Los Angeles studios. █
█ Richard's unforgettable appearances in early rock █
█ & roll movies, especially The Girl Can't Help It, █
█ also did a lot to spread the rock & roll gospel █
█ to the masses. █
█ █
█ Richard was at the height of his commercial and █
█ artistic powers when he suddenly quit the █
█ business during an Australian tour in late 1957, █
█ enrolling in a Bible college in Alabama shortly █
█ after returning to the States. Richard had █
█ actually been feeling the call of religion for a █
█ while before his announcement, but it was █
█ nonetheless a shock to both his fans and the █
█ music industry. Specialty drew on unreleased █
█ sessions for a few more hard-rocking singles in █
█ the late '50s, but Richard virtually vanished █
█ from the public eye for a few years. When he did █
█ return to recording, it was as a gospel singer, █
█ cutting a few little-heard sacred sides for End, █
█ Mercury, and Atlantic in the early '60s. █
█ █
█ By 1962, though, Richard had returned to rock & █
█ roll, touring Britain to an enthusiastic █
█ reception. Among the groups that supported him on █
█ those jaunts were the Rolling Stones and the █
█ Beatles, whose vocals (Paul McCartney's █
█ especially) took a lot of inspiration from █
█ Richard's. In 1964, the Beatles cut a knockout █
█ version of "Long Tall Sally," with McCartney on █
█ lead, that may have even outdone the original. █
█ It's been speculated that the success of the █
█ Beatles, and other British Invaders who idolized █
█ Richard, finally prompted the singer into making █
█ a full-scale comeback as an unapologetic rock & █
█ roller. Hooking up with Specialty once again, he █
█ had a small hit in 1964 with "Bama Lama Bama █
█ Loo." These and other sides were respectable █
█ efforts in the mold of his classic '50s sides, █
█ but tastes had changed too much for Richard to █
█ climb the charts again. He spent the rest of the █
█ '60s in a continual unsuccessful comeback, █
█ recording for Vee-Jay (accompanied on some sides █
█ by Jimi Hendrix, who was briefly in Richard's █
█ band), OKeh, and Modern (for whom he even tried █
█ recording in Memphis with Stax session █
█ musicians). █
█ █
█ It was the rock & roll revival of the late '60s █
█ and early '70s, though, that really saved █
█ Richard's career, enabling him to play on the █
█ nostalgia circuit with great success (though he █
█ had a small hit, "Freedom Blues," in 1970). He █
█ had always been a flamboyant performer, █
█ brandishing a six-inch pompadour and mascara, and █
█ constant entertaining appearances on television █
█ talk shows seemed to ensure his continuing █
█ success as a living legend. Yet by the late '70s, █
█ he'd returned to the church again. Somewhat █
█ predictably, he eased back into rock and show █
█ business by the mid-'80s. Since then, he's █
█ maintained his profile with a role in Down and █
█ Out in Beverly Hills (the movie's soundtrack also █
█ returned him to the charts, this time with "Great █
█ Gosh a-Mighty") and guest appearances on █
█ soundtracks, compilations, and children's rock █
█ records. At this point it's safe to assume that █
█ he never will get that much-hungered-for comeback █
█ hit, but he remains one of rock & roll's most █
█ colorful icons, still capable of turning on the █
█ charm and charisma in his infrequent appearances █
█ in the limelight. █
█ █
█ █
█ /│/│\ █
█ /_│_│_\ █
█ ___│_│___ █
█ ▄▄ ██▄ Pleasure \ / █
█ ████ ███ Island ----- █
█ ██ █ █ ██ ▄▄ █
█ █ █ ▓█ █ █ █ ███ █
█ █ ▓█ ░░ ▄██ ████ █
█ ░ ░▓█░░ ▄██ █ ███ █
█ ░ ░░▒▓█▒▒░░ ██ ▓█ █ ██ █
█ ░░░▒▒▓█▓▒▒▒▒▄█ █▓█░ █ █ █
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█ ░ ░▒▒▒▒▒▒▒▓▒▓▓▓▒▓▓▓▒▓░░ ░ █
█ ░░ ░░▒▒▓▓▓▒▓▓▒░░░░░░ ░░ █
█ ░ ░ ░░░░░░░░ ░░░ █
█ ░░░░ ░ █
█ ░░ ░░ ░ █
█ ░░░░░ █
█ █
█ █
█ █
█ "Oi" to: █
█ █
█ █
█ 4 HORSEMEN, █
█ 801, █
█ ADDiCTED TO MUSiC, APOCALYPSE PRODUCTION CREW, █
█ AUDiO ARCHiVE FORCE, █
█ BEAT MASTERS iNTERNATiONAL, BEATS iN CONTROL, █
█ CHROMANCE, CiTADEL CREW MP3 DiViSiON, █
█ COMPRESS DA AUDiO, CRiSiS, CSWCN, █
█ DA OLDSCHOOL CREW, DEAFNESS, DECiBEL, █
█ DiGiTAL SOUND PROPHETS, DiSSiDENT, █
█ EVERY DAY MP3Z, EViGHET, █
█ FRENCH SOUND PROViDER, █
█ GiNOTONiC MP3, █
█ HARDCORE POWER, HiGH iNTELLiGENCE TROLLS, █
█ iMAGiNE, iMPULZ, iNDECENT XPOSURE, █
█ iNTERNET MUSiC PiRATE GUiLT, █
█ JAZ, █
█ KiLOHERTZ, KLANGWERK, █
█ LOGOS, █
█ MiLLENNiUM GENERATiON MUSiC, MUSiC AND DECiBELS, █
█ MUSiC iN PROGRESS, MUSiC TO MASSES, █
█ NEW WORLD ORDER MP3, NORDiC MUSiC ENSEMBLE, █
█ OTAKU, █
█ PROViDERS OF SOUND, PSiLOCiBiN, █
█ RABiD NEUROSiS, RADiAL, RARE MUSiC FiNDER, █
█ REVOLUTiON, ROCKERS' BREWiNG CORP, ROTATION, █
█ RUDE BWOY KUTZ, █
█ SCHOOL OF THE OLD, SMOKE WEED EVERYDAY, █
█ STRONGER THAN ALL, SYNTHESiS MEDiA, █
█ TEKNO RAGE & PiRASOFT MP3, THE FLAME ARROWS MP3, █
█ TOUCHDOWN, TWEE, █
█ WALL OF SOUND, WE LOVE WAREZ MP3, █
█ XTREME PiRATiNG CREW MP3, █
█ █
█ FAiTHMUSE, MCKENNA, MORGOTH, MiSTAHWAX, SDL & █
█ █
█ *ALL* OF OUR FRiENDS AND FAMiLY WORLDWIDE! █
█ █
█ █
█ --------------------------------------------------- █
█ █
█ "DEATH TO ONE HIT WONDER GROUPS AND XING RIPS!! █
█ WE HATE YOU!! █
█ I WILL LIKE KILL YOU ALL.. YOU SOBS!!!" █
█ --rBoY █
█ █
█ decibel_courier_report_vol_4-august_1_1999.txt █
█ █
█ --------------------------------------------------- █
█ █
█ ░░ ░░ ░░░ █
█ ░░░ ██ ██ ░░ █
█ ░░ ░███░████ ░ Depraved █
█ ░ ░██░▓▓█░░██ ░░ Island █
█ ░ ░░░█░▒▒▒█▒░░█ ░░ █
█ ░░░▒░▓▓▒▒█▓▓▒░█ ░░░ ░ █
█ ░▒▒▒▓▓▓▓▒█▓▓▓▒▓░ ██ ░░ ░░ █
█ ░▒▒▓▓▓▓▓▒█▒▓▓▒▓██ ██ ░ ░░ █
█ ░▒▒▓▓▓▓▓▒▒▒▓▒▓██░█░██ ░ █
█ ░▒▒▓▒▒▒▒▓▓▒▓▓▓█▓░█░ ██ ░ █
█ ░▒▒▓▓▓▓▒▓▓▒▓▓██▓▒█░░ █ ░ █
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█ ░░ ░░▒▒▒▓▓▒▒▒▓▒▒▒▓▓▓█▒░░ █
█ ░ ░░░▒▒▓▒▓▓▓▓▓▒▒▓▓█▒▓░ █
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█ ░░░ ░░░▒▓▓▓▓▓▓▓▒▒▒▒░ █
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█ ░░ ░░▒▒▒▒▒░░░ ░░ █
█ ░░░░ ░░░░░░ ░░ █
█ █
█ █
█ "Founded overnight by monkeys with typewriters, █
█ Washed Up Scenesters is yet another group of █
█ mindless clones and newly born poseurs. Our only █
█ goals in the MP3 scene are to bless our big egos as █
█ much as possible and masturbate our uberly huge █
█ cocks, watching the rest of the world fall down..." █
█ █
█ --WASHED UP SCENESTERS 2OO3 █
█ █
█ ...5 years have now gone by and we're pissing into █
█ the infidels' face more than ever now! If you ever █
█ did us any wrong or if you ever thoughed bad of us, █
█ then this is our 5th birthday "FUCK YOU" present █
█ to you and a small reminder that we're still █
█ kicking your ass and ain't stopping anytime soon. █
█ █
█ Our fight ring has been conceived from birth to █
█ stomp on the faggots and toss poseurs out while █
█ having fun doing so! Expect us to spark even MORE █
█ controversy in the times ahead as it both gives you █
█ something to do with your life while it justifies █
█ our huge leech addiction! █
█ █
█ See ya in 5 years, ta-ta! █
█ █
█ --LA WUS FAMILIA █
█ █
█ ¡ Supporting the (c) jihad since May 22nd of 2003 ! █
█ █
█ █
█ ░░ ██ █
█ Pirates' ░ ███ ██ ░░░ █
█ Island ████ █ ██ ░░ █
█ ░░█ ███ ░▓█▌████ ░ █
█ ░█████▓ ░▓█▌ ██ ░░ █
█ ███ █▓██░ ░▓█▌ ███ ░ █
█ ██ █ █ ██ ▓█ █ █
█ ██░ █▓ ░██░░▓█░ ░ █
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█ ░ ░ ░░░▒▓█▓▒▒▒▓▓▒▒█▒██▓█▒██░ ░ █
█ ░ ░░▓▓▓█▒▓▓▒▒▓▓▓▒██▓▓█▓▓█░ ░░ █
█ ░ ░░▒▓▓█▒▓▓▓▒▓▒▒▒██▒▒█▓▒██░ ░ █
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█ ░░ ░░░░░░▒▒▒▒▒░▓░░▒ ░ █
█ ░░░ ░░░░░░░░░░ ░ █
█ ░░ ░░░ █
█ ░░░░░░ █
█ ░░ █
█ Aye captain! █
█ █
█ So you might be interested in sailing up with us? █
█ Be sure you read and UNDERSTAND the following: █
█ █
█ 1-You cannot *EVER* contact us! █
█ █
█ 2-We shit on *ALL* scene-idiots: █
█ "H8ers", nukers, pubbers, $eller$, -EON and █
█ maybe on you too?! █
█ █
█ 3-We only believe current year CDDA is teh good █
█ music! █
█ █
█ 4-We are *CONSTANTLY* looking for 10+Gb/s, 50+Tbs █
█ w/ 0sec attitude that can barely achieve six █
█ months of uptime! WHQ spot available, see #1! █
█ █
█ 5-If you don't like our releases, enfuckingcode it █
█ yerself! █
█ █
█ However, if you'd simply want our autographs email: █
█ blowme@farmsex.com or ICQ us! █
█ █
█ Your *TRUE* pseudo-friends. █
█ █
█ --------------------------------------------------- █
█ █
█ This release is dedicated to our fallen comrads █
█ from operation cyberstrike, buccaneer, fastlink & █
█ all the other tax fueled attempts to stop us: █
█ brothers, never forget who you were. █
█ █
█ Special hate to all of the sausage eating █
█ federal pig$ who are hiding behind the ▄███▄ █
█ fabricated lie$ of the corporate ▐█████▌ █
█ media$, to all of the nukers who have ██RIP██▓ █
█ bigger flags than brains, to all the ███████▓ █
█ kindergarden "courier" who are no ▒███████▓ █
█ better than our pre bot and to all ▒░███████▓░ █
█ of the haters who are jealous ▒░▒███████▓▒░ █
█ because not only do they lack the ▒▒░▒███████▒▒░░ █
█ skills but everything else that ▒░░▓▓▓▓▓▓▓▓▓░▒▒ █
█ goes around with it... ▒░▒░▒░▒░▒░░▒▒░░ █
░░░ █ ▒░▒▒░▒▓▒▒▒░▒░ █
░▓██▓░ █ DIE S-L-O-W! ░░▒░▒▒░▒▒░ █ ░░░
▓█░░█▓░ █ ▀ ░▓███▓
░█░ ░█▓░█ ▄███▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█▄ ░██░░██░
░█░ ░███▄█▄▄▓█ REV.N █▓▓░ ░▌
▓██░ ░░░░░ ░░▐▌ ▐▌ ░█
░▓██ ░ ░░ ▐▌ by b** in MMIII ▐▌ ████▓
█░ ░░█▀█▀▀▀▓█▌ █▓░ ░█▓
░█░ ░██░ ▀▄███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█▀░██ ░█░
░▓███▓░ ░█░ █░
░░░░ ▓█░░█░
░███░
THIS IS NOT PIRACY.