THIS IS NOT PIRACY.
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▀ ▀ █ WASHED UP SCENESTERS 2oo8 SEXiLY PROMOTES ... █ ▀ ▀
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█ █
█ Tonhalle-Zurich Orchestra - Gustav Mahler - Symphony No. 4 █
█ █
█ Artist ....: Tonhalle-Zurich Orchestra █
█ Album .....: Gustav Mahler - Symphony No. 4 █
█ Genre .....: Classical █
█ Label .....: RCA █
█ Catalog # .: 88697 16852 2 █
█ Language ..: English █
█ █
█ Source ....: CDDA █
█ Grabber ...: EAC █
█ Encoder ...: LAME V3.97 -V2 █
█ Bitrate ...: VBRkbps █
█ Size ......: 72,6 MB █
█ █
█ Rel. date .: 06/05/2008 █
█ Str. date .: 00/00/0000 █
█ █
█ http://www.midgetsex.org █
█ █
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▄▄▀ [ TRACK LiST ] ▀▄▄
█ █
█ █
█ THIS IS *NOT* A SUBSTITUDE OF THE ORIGINAL. █
█ -------------------------------------------------------------------- █
█ █
█ NB TRACKNAMES: LENGHT: █
█ █
█ 01. BedΣchtig. Nicht Eilen 17:05 █
█ 02. In GemΣchlicher Bewegung. Ohne Hast 09:21 █
█ 03. Ruhevoll. Poco Adagio 21:40 █
█ 04. Sehr Behaglich - 'wir Geniessen Die Himmlischen 09:32 █
█ Freuden'- A Tempo █
█ 57:38 min █
█ █
█ -------------------------------------------------------------------- █
█ TO THE INVOLVED ARTIST(S): CONSIDER THIS AS A FREE WORLDWIDE PROMO █
█ CAMPAIGN. TO THE END USER, SUPPORT ARTIST(S) OR DEL! █
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▄▄▀ [ RELEASE NOTES ] ▀▄▄
█ █
█ █
█ Gustav Mahler (1860-1911) based his Symphony No. 4 in G-flat █
█ major on one of the songs from the collection Des Knaben █
█ Wunderhorn (The YouthÆs Magic Horn) published by Clemens █
█ Brentano and Achim von Arnim between 1805 and 1808. Derived from █
█ one of the songs ôDas himmlische Lebenö it is a childÆs vision █
█ of heaven. MahlerÆs initial intention was to include it as the █
█ seventh movement in his third symphony but abandoned the idea in █
█ favor of a dedicated fourth symphony. This disc was recorded on █
█ November 13-15, 2006, at the Tonhalle, Zurich, Switzerland, and █
█ the first question that comes to my mind is: do we really need █
█ another recording? What can a new recording of a much transited █
█ symphony have in the way of ônovelö to merit any attention at █
█ all? █
█ █
█ Just like everybody else in this world a conductor, any █
█ conductor, is entitled to his/her opinion and to produce another █
█ recording, so again, whatÆs different about ZinmanÆs new █
█ version? What is the motivation behind this recording? To begin █
█ with, in page 12 of the insert on the second paragraph appears █
█ this inscription: ôàwhich should be performed æVery delicately █
█ and mysteriouslyÆàö We must assume that this is the departing █
█ premise for ZinmanÆs interpretation and rightly so from the █
█ beginning the music is delicately played and sounds mysterious █
█ as well. Should it be that way? Why not? Zinman is entitled to █
█ his learned opinion, based on whatàI just donÆt know. In this █
█ sense his interpretation is unlike anything else I have ever █
█ heard. █
█ █
█ Once he puts his orchestra in drive from the first few measures █
█ we know where this piece is going, we know is going to take █
█ anywhere from five to seven minutes longer in time than the █
█ average; ZinmanÆs is over 57 minutes long while the average █
█ reading is around 50 to 52 minutes. It is slow - very slow and █
█ deliberate and again, once in automatic nothing changes, the █
█ execution is faultless as far as instrumental playing is █
█ concerned and the more than ample surround sound is adequate for █
█ ZinmanÆs low key dynamics. █
█ █
█ My feeling is that there is no commitment, nor is there any █
█ passion on the part of the conductor to infuse any kind of ôjoyö █
█ into Mahler most joyous, sunny and Viennese of all his █
█ compositions û itÆs just a boring performance. A totally remote, █
█ humorless and cold performance of a symphony that in most cases █
█ under most conductors (see the Rafael Kubelik 1970 recording █
█ with the Bavarian Radio Symphony Orchestra) radiates in one way █
█ or another nothing but warmth and joy. When the end comes it █
█ does it calmly and confidently like nothing ever happened and █
█ all we had to do is to wait for it. There is no conviction in █
█ ZinmanÆs version and thatÆs a different Mahler than the one we █
█ all know. It gave me the impression that Zinman sat down to █
█ conduct with one hand while reading the paper with the other, █
█ everything is absolutely metronomic from the beginning; itÆs not █
█ so much the speed but the lack of energy and motivation. █
█ █
█ While itÆs easy to hear what Zinman did itÆs very difficult for █
█ me to ascertain what he stood for with his interpretation other █
█ than produce a ôdelicateö and ômysteriousö outcome and while I █
█ can certainly be impressed by the clarity of his reading I am █
█ totally unshaken by his deliverance. In ZinmanÆs hands Mahler is █
█ for relaxing and I donÆt think Mahler would have agreed at all █
█ with that, infused as he was all his life with a sense of █
█ straightforward and emotional dream-world of sonority remote █
█ from all connotations of human refinement and culture, such was █
█ the ideal of his symphonic art. All his symphonic works █
█ invariably exhibit a striking social, even socialistic tendency █
█ and they strive for effects of dynamic display in search of the █
█ great audience of the world. He had a message (maybe more than █
█ one) to communicate to the world at large and he developed one █
█ of the boldest symphonic styles ever known and a model for many █
█ to follow; in the end I find ZinmanÆs interpretation rather █
█ disturbing and unsettling. █
█ █
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▀ ▀ █ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ █ ▀ ▀
▄▄▀ [ Oi ] ▀▄▄
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█ WALL OF SOUND, WE LOVE WAREZ MP3, █
█ █
█ FAITHMUSE, MCKENNA, MORGOTH, MISTAHWAX, SDL & █
█ █
▄▀ *ALL* of our friends and family. ▀▄
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▀ ▀ █ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ █ ▀ ▀
▄▄▀ [ ABOUT ] ▀▄▄
█ █
█ █
█ - We laugh at your encoding standards! █
█ If you don't like our release : LEECH A DIFFERENT FORMAT!!! █
█ █
█ - We shit on alot of scene "members". Maybe you part of them? █
█ █
█ - We only believe NOW is good music. █
█ █
█ Furthermore, we just LOVE all 1+Gb/s-3+Tbs-ftpd-with-0sec-attitude █
█ that can't even achieve 12 months of uptime. █
█ █
█ Lastly, to those who think they are in charge : █
█ PLEASE OH PLEASE give us some kind of RiAA2k8 standard! As we █
█ rightfully need a 6th rule change(and 1 revision) ever! This is █
█ alltime scene History record! Thanks kids! Keep bringing us to █
█ leetland, you sure know how to get us there! █
█ █
█ █
█ Your TRUE pseudo-friends, █
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█ ▄▄▄ ▄▄▄ █
▀▄ ▄▀ ▀▄ WUZZiES' iNK ▄▀ ▀▄ ▄▀
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TRUE WARRiORS NEVER DiE, THEY JUST SLEEP...
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THIS IS NOT PIRACY.