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: ╪╪╪╪╪╪╪╪╪╪╪╪╪╪╪╪P" ¼╢╪╪╪╪╪╪╪╪╪╪╪ML:
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: ¼\ ╢╤░ d :
.-----------------' ¼*m*****.w# `-----------------.
| |
| unsupervised acid trips and scene error |
| »»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» |
_ ____ |
\\\ \_ _ _____ ____ __ ____ !
._\_ \_(_/__ / /__/ /________________ __(_/__-Disc0LjUS/ /___ ._
| / \ __/__\ \ \ \ _ / /___\_ /___ ______\ \\\\
!_______/ / / // /____/____/ \ \ / _/ / /_\_ // /.
.- ---/____/__________/---- ---\________\___/ ___/ / /___________/-.
|_ _. \_____/ \_______/ ._ _|
|//________)| |(_______\\:
__| % purchased pr0cessed enc0ded and released % |__
__ _) (_ __
__) \ _\ Dystopia - The Second Dawn (SOUND 20) /_ / (__
____\ \\\\______________________________________________________//// /____
\ \\ // /
\___\\_\\ [%] producer..... Dystopia //_//___/
\. [%] drug......... The Second Dawn (SOUND 20) ./
| |
| [>] source....... WEB |
| [>] effect....... Electronic |
| [>] bi-effect.... Album |
| |
| [>] drug.plateu.. 74:01 min |
| [>] drug.solution 110,4 mb per ml |
| [>] bulk.size.... 14 injections |
| |
| [>] label........ ORIGO SOUND |
| [>] catalog.no... SOUND 20 |
| [>] year......... 1998 |
| |
| [╗] encoder...... LAME 3.96 vbr |
| [╗] quality...... VBR/44,1kHz/Joint-Stereo |
| |
| [+] street.date.. 00.00.1998 |
| [+] release.date. 10.07.2008 |
| |
| [>] more.info.at. www.discogs.com/release/134329 |
|www.emusic.com/album/Dystopia-The-second-dawn-MP3- |
|Download/11013035.html |
| |
| _:___ _ _______ + R E V I E W + |
|_\_ \_____ __///__ / __ ____ ______| __
_/ / / / ____\_ / /_(_// / ___ ______ / _//_/
__\ \ \__ // / / / / // /_ // /:|
\_\\___\ \_\________\______/____/\__________/ /\ _ /::|
|::|:\_____\::::::::::::::::::::::::::::::/_____/_// /:::|
|::|:::::::::::::::::::::::::::::::::::::::::::/____/::::|
|::| |::|
|::| |::|
|::| Only available in lame 3.96 vbr from webshop. |::|
|::| |::|
|::| Don't expect to be feeling the sun shine or |::|
|::| hearing the birds sing when the second dawn |::|
|::| comes upon us... this 74-minute dystopian vision |::|
|::| offers a dreary (though well produced and |::|
|::| cohesively designed) post-apocalyptic glimpse as |::|
|::| seen through the black-rose-colored glasses of |::|
|::| Norwegians, Pertti Gr÷nholm (synths, samplers, |::|
|::| tapes) and Ismo Virta (guitars and effects). |::|
|::| Of the 14 tracks (three are very short ...), |::|
|::| many fall into the same eerie desolation zone as |::|
|::| the opener, destroyer. A hollowly ringing void |::|
|::| is filled with light electronic fallout, a |::|
|::| heartbeat rhythm and distorted words. |::|
|::| Documentary narrative figures into core melt, a |::|
|::| more musical selection which begins as |::|
|::| sample-laden dark electro, but winds up somewhat |::|
|::| brighter with stridently chiming synth bells. |::|
|::| Cold rain and choir sounds lead into the chamber |::|
|::| which pulses with a distant mechanical thrum and |::|
|::| closer electron bursts. |::|
|::| |::|
|::| A short public service anouncement, breaking |::|
|::| news is probably real, which makes its |::|
|::| almost-laughable naivete all the more shocking. |::|
|::| A burbling bass rhythm, synth strings, light |::|
|::| beats and samples ride over the barren residue |::|
|::| of when the wind blows, another overtly musical |::|
|::| piece. More ominous and brewing with a strong |::|
|::| sense of an impending explosion, technocracy |::|
|::| conceptually blends politics, science and |::|
|::| societal control issues into a darkly surging |::|
|::| electronic force, eventually overlain with icy |::|
|::| keyboard shards. |::|
|::| |::|
|::| Another intriguing documentary piece, the dice |::|
|::| mixes its sampled material with simmering |::|
|::| synths. Similarly, the spoken word passages of |::|
|::| shelters are infused with a radiant electrohum, |::|
|::| both beautiful and menacing in its shapeless |::|
|::| power. Slightly altered by echo effects, three |::|
|::| seconds is another brief, amazingly |::|
|::| misinformative PSA. The vocal distortions which |::|
|::| open the 10-minute-plus sands of sanai are much |::|
|::| more pronounced, then the track hits its stride |::|
|::| as a murkily sinuous, somewhat Middle-Eastern |::|
|::| rhythm-fest, operating in a Muslimgauze-lite |::|
|::| mode. |::|
|::| |::|
|::| dark ages (0:28) offers yet another spoken |::|
|::| opinion, with its vocals run through the same |::|
|::| filter that Darth Vader uses. Spacier and |::|
|::| bleepier, the unforeseen is a resonant (but |::|
|::| brief) journey through a pulsing electron field. |::|
|::| Muted mutations and distant reverberations are |::|
|::| heard when diving into the deep. Deep drones |::|
|::| buzz and soft sonic waves are threaded with live |::|
|::| wires and occasional sizzling (or is it |::|
|::| drizzling?). A final meltdown of audiovisual |::|
|::| sound sources and amorphous musical |::|
|::| accompaniment, the second dawn (10:55) hovers in |::|
|::| a hazy cloud whirling with talk, drone and |::|
|::| faraway funeral drumbeats. And, if the verbal |::|
|::| material of the disc isn't enough, the |::|
|::| attractive liner notes provide further |::|
|::| anit-nuclear readings with appropriately gloomy |::|
|::| artwork. |::|
|::| |::|
|::| While its "nukes are bad" message has been done |::|
|::| to death, the second dawn's expertly-executed |::|
|::| mode is enticingly dark (garnering an |::|
|::| AmbiEntrance 8.4). I'm definitely hoping to hear |::|
|::| more from dystopia. |::|
|::| |. |
| .| |::|
|::|. | .|
|. | \ |::|
______|_____\__ |::|
( (.-----. __ )___í__ _ _ __:________.::|
\ \\____í((_)/ | ! |::|
\__\________/ | TURN ON, TUNE IN, DROP OUT | |::|
`' `|::: `' | | |::|
_ _í_________|_ _ _ _|________:_ _
! |
| 01 Destroyer 04:36 |
| 02 Core Melt 07:23 |
| 03 The Chamber 03:26 |
| 04 Breaking News 00:30 |
| 05 When The Wind Blows 08:36 |
| 06 Technocracy 07:31 |
| 07 The Dice 01:39 |
| 08 Shelters 05:03 |
| 09 Three Seconds 00:30 |
| 10 Sands Of Sinai 10:35 |
| 11 Dark Ages 00:28 |
| 12 The Unforeseen 02:35 |
| 13 Into The Deep 10:13 |
| 14 The Second Dawn 10:56 |
|__________________________________________________|
__________________________________________________
| |
| ... ... |
| ::╖ |
| :: |
| this is just a substitute of real music . |
| .: |
| buy the original! :: |
| . .::: |
|_____________________________________ _ ______ ___|
| ___ _____ _______ / /____:__
| Disc0LjUS_/ \___/ / _____\_ // / \ _/
: NEWS \ _ \ // / /\ _ / __\ \
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| |
| |
| WHO CAN WRITE ANYTHING THESE DAYS? |
| STOP LEAKING RELEASES TO PUBLIC! |
|__________________________________________________|
| |
: _ |
| . _( )_ . -╖- _ |
. ░o (_____) _____________í____//_ _________ .:░ .
: ╖ __\ _ /_ __/__/ __ / ░ o .
: _______ \ \ _ _// / /__ / __///__ . ╖
_ __.__\ __ \ \_\ \ \\_ // / / / /_ /// /______ _
\\\_\ \ \\\\ \ \_\ \ \\\ / / / /// _ / / /_///
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: :
: love to those who treats us with mind expansion :
: :
: :
: last update 2008-01-26 [%] we love you all :
: nfo by (t^/⌐Mt) « Divine Stylers 1995-2008 :
:..................................................:
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ACID IS GOOD FOR YOU!
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