THIS PRODUCT WAS NOT PIRATED.
- ARRRRRRR! -
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Gary Moore - Looking At You
┌───────────────────────────────────────┐
│ Supplier ..: MARILYNE │
│ Packager ..: ANNA │ ░ ░░░
│ Rel. date .: Jun-09-2008 │ ░ ░
│ │ ░░ ░
│ Artist.....: Gary Moore │ ░ ░░░░
│ Album .....: Looking At You │ ░░░
│ Genre .....: Rock │ ░░░
│ │ ▒███▒
│ Catalog # .: n/a │ ▒█░▓▒█░
│ Source ....: CDDA │ ▒█░ ▒█░
│ Language ..: │ ▓▒░█ ░▒███▒ ██
│ Size ......: 184,9 MB │ ▒█▒▒░░▓▓▓▒▓█▒░ ██▒░▓
│ Label .....: Musicrama/Koch │ ██░▒▒▒▒▓▒▒▒▓▒█▒▓░ ███▓▒░█
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█ █
█ █
█ --------------------------------------------------- █
█ THIS IS *NOT* A SUBSTITUTE OF THE ORIGINAL. █
█ --------------------------------------------------- █
█ █
█ █
█ NR TRACKNAME TIME █
█ █
█ CD1 █
█ █
█ 01. Nuclear Attack 05:11 █
█ 02. Dirty Fingers 01:11 █
█ 03. Dancin' 04:33 █
█ 04. Really Gonna Rock 03:49 █
█ 05. You 04:11 █
█ 06. She's Got You 04:53 █
█ 07. Hiroshima 04:28 █
█ 08. I Look At You 06:02 █
█ 09. Kidnapped 03:49 █
█ 10. Because Of Your Love 04:00 █
█ 11. Lonely Nights 03:57 █
█ 12. The Womans In Love 03:53 █
█ 13. You Kissed Me Sweetly 04:15 █
█ 14. Rest In Peace 06:00 █
█ 15. White Knuckles 02:15 █
█ 16. Rockin' and Rollin' 02:52 █
█ █
█ CD2 █
█ █
█ 01. Don't Let Me Be Misunderstood 03:37 █
█ 02. Bad News 05:05 █
█ 03. Run To Your Mama 04:44 █
█ 04. Hot Gossip 03:33 █
█ 05. Back On The Streets [live] 05:34 █
█ 06. Run To Your Mama[live] 05:27 █
█ 07. Dancin' [live] 05:37 █
█ 08. She's Got You [live] 07:09 █
█ 09. Parisienne Walkways [live] 07:45 █
█ 10. You [live] 04:27 █
█ 11. Nuclear Attack [live] 05:10 █
█ 12. Dallas Warhead [live] 09:57 █
█ ----------------- █
█ Time: 133:24 min█
█ █
█ █
█ --------------------------------------------------- █
█ TO THE INVOLVED ARTIST(S): CONSIDER THIS RELEASE █
█ AS A FREE WORLDWIDE PROMOTION CAMPAING. █
█ TO THE END USER: SUPPORT ARTIST(S) OR DEL! █
█ --------------------------------------------------- █
█ █
█ █
█ One of rock's most underrated guitarists (both █
█ from a technical and compositional point of █
█ view), Gary Moore remains relatively unknown in █
█ the U.S., while his solo work has brought him █
█ substantial acclaim and commercial success in █
█ most other parts of the world -- especially in █
█ Europe. Born on April 4, 1952, in Belfast, █
█ Ireland, Moore became interested in guitar during █
█ the '60s, upon discovering such blues-rock █
█ masters as Eric Clapton, Jimi Hendrix, and █
█ perhaps his biggest influence of all, Fleetwood █
█ Mac's Peter Green. After relocating to Dublin █
█ later in the decade, Moore joined a local rock █
█ group called Skid Row, which featured a young █
█ singer by the name of Phil Lynott, who would soon █
█ after leave the group to double up on bass and █
█ form Thin Lizzy. Skid Row persevered, however, █
█ eventually opening a show for Moore's heroes, █
█ Peter Green and Fleetwood Mac, and making such an █
█ impression on the veteran group that Green █
█ personally requested their manager help secure █
█ Skid Row a recording contract with CBS (in █
█ addition, Green sold Moore one of his most-used █
█ guitars, a maple 1959 Gibson Les Paul Standard, █
█ which would become Moore's primary instrument). █
█ █
█ Skid Row would go on to issue several singles and █
█ albums (including 1970's Skid and 1971's 34 █
█ Hours), and although the group mounted a few █
█ tours of Europe and the U.S., it failed to obtain █
█ breakthrough commercial success, leading to █
█ Moore's exit from the group in 1972. Moore then █
█ formed his own outfit, the Gary Moore Band (along █
█ with members drummer Pearse Kelly and bassist █
█ John Curtis), for which the guitarist also served █
█ as vocalist. But after the trio's debut album, █
█ 1973's Grinding Stone, sunk without a trace, █
█ Moore hooked up once more with ex-bandmate Lynott █
█ in Thin Lizzy. Moore's initial tenure in Lizzy █
█ proved to be short-lived, however, as his fiery █
█ playing was featured on only a handful of tracks. █
█ Moore then set his sights on studio work █
█ (appearing on Eddie Howell's 1975 release, █
█ Gramaphone Record), before joining up with a prog █
█ rock/fusion outfit, Colosseum II. But once more, █
█ Moore's tenure in his latest outfit was fleeting; █
█ he appeared on only three recordings (1976's █
█ Strange New Flesh, plus a pair in 1977, Electric █
█ Savage and War Dance), as Moore accepted an █
█ invitation by his old buddy Lynott to fill in for █
█ a Thin Lizzy U.S. tour, playing arenas opening █
█ for Queen. █
█ █
█ Moore proved to be quite busy in 1978, as the █
█ guitarist appeared on three other artists' █
█ recordings -- Andrew Lloyd Webber's Variations, █
█ Rod Argent's Moving Home, and Gary Boyle's █
█ Electric Glide. The same year, Moore issued his █
█ second solo release (almost five years after his █
█ solo debut), Back on the Streets, which spawned a █
█ surprise Top Ten U.K. hit in May of 1979, the █
█ bluesy ballad "Parisienne Walkways," and featured █
█ vocal contributions by Lynott. Moore joined █
█ forces with his Lizzy mates once more in 1979, █
█ appearing on arguably the finest studio album of █
█ their career, Black Rose, which proved to be a █
█ huge hit in the U.K. (for a fine example of █
█ Moore's exceptional guitar skills, check out the █
█ album's epic title track). But predictably, Moore █
█ ultimately exited the group once more (this time █
█ right in the middle of a U.S. tour), as a rift █
█ had developed between Moore and Lynott. █
█ Undeterred, Moore lent some guitar work to █
█ drummer Cozy Powell's solo release, Over the Top, █
█ in addition to forming a new outfit, G Force, █
█ which would only remain together for a lone █
█ self-titled release in 1980. █
█ █
█ During the early '80s, Moore united with former █
█ ELP guitarist/bassist/singer Greg Lake, appearing █
█ on a pair of Lake solo releases (1981's █
█ self-titled release and 1983's Manoeuvres), in █
█ addition to guesting on another Cozy Powell solo █
█ release, Octopuss. But it was also during the █
█ '80s that Moore finally got serious with his solo █
█ career -- issuing such heavy metal-based works as █
█ 1982's Corridors of Power, 1983's Victims of the █
█ Future, 1984's Dirty Fingers and the in-concert █
█ set We Want Moore!, 1985's Run for Cover, 1987's █
█ Wild Frontier, plus 1989's After the War -- █
█ establishing a large following in Europe, despite █
█ remaining virtually unknown stateside. The decade █
█ wasn't all rosy for Moore, however -- although he █
█ was able to patch up his friendship with Phil █
█ Lynott (appearing with Lizzy for several tracks █
█ on Life/Live, and teaming with Lynott for a pair █
█ of tracks in 1985, "Military Man" and "Out in the █
█ Fields," the latter a U.K. hit), years of hard █
█ living finally caught up with Lynott, leading to █
█ his passing in January of 1986. Moore would █
█ subsequently dedicate "Wild Frontier" to Lynott, █
█ and honored Thin Lizzy's former frontman on the █
█ track "Blood of Emeralds" (from After the War). █
█ █
█ Fed up with the pressure to pen hit singles and █
█ tired of his metallic musical direction, Moore █
█ returned to his blues roots for 1990's Still Got █
█ the Blues, the most renowned and best-selling █
█ release of his career, as the album featured such █
█ special guests as Albert Collins, Albert King, █
█ and George Harrison. Moore continued in his newly █
█ rediscovered blues style on such subsequent █
█ releases as 1992's After Hours and 1993's Blues █
█ Alive, before forming the short-lived supergroup █
█ BBM along with Cream's former rhythm section -- █
█ bassist Jack Bruce and drummer Ginger Baker -- █
█ which lasted for a single album, 1994's Around █
█ the Next Dream. Up next for Moore was a tribute █
█ album for Peter Green, 1995's Blues for Greeny, █
█ which saw him put his own personal stamp on 11 █
█ tracks either penned or performed at some point █
█ by Green. Moore experimented with different █
█ musical styles on his next two solo releases, █
█ 1997's Dark Days in Paradise and 1999's A █
█ Different Beat, before embracing the blues once █
█ more on his first release of the 21st century, █
█ 2001's Back to the Blues. █
█ █
█ Over the years, Gary Moore has been the subject █
█ of countless compilations, the best of the bunch █
█ being 1998's metal-oriented Collection and 2002's █
█ blues-based Best of the Blues, as well as Out in █
█ the Fields: The Very Best of Gary Moore, which █
█ was split 50/50 between his metal and blues █
█ excursions. Teaming with Skunk Anansie bassist █
█ Cass Lewis and Primal Fear drummer Darrin Mooney, █
█ Moore started work on much harder and █
█ alternative-influenced rock in the spring of 2002 █
█ and released the results as Scars. The powerful █
█ Live at Monsters of Rock from 2003 proudly █
█ declared "no overdubs used" while 2004's raw █
█ Power of the Blues featured nothing but the █
█ blues, as did 2006's Old New Ballads Blues on █
█ Eagle Records. █
█ █
█ █
█ /│/│\ █
█ /_│_│_\ █
█ ___│_│___ █
█ ▄▄ ██▄ Pleasure \ / █
█ ████ ███ Island ----- █
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█ "Oi" to: █
█ █
█ █
█ 4 HORSEMEN, █
█ 801, █
█ ADDiCTED TO MUSiC, APOCALYPSE PRODUCTION CREW, █
█ AUDiO ARCHiVE FORCE, █
█ BEAT MASTERS iNTERNATiONAL, BEATS iN CONTROL, █
█ CHROMANCE, CiTADEL CREW MP3 DiViSiON, █
█ COMPRESS DA AUDiO, CRiSiS, CSWCN, █
█ DA OLDSCHOOL CREW, DEAFNESS, DECiBEL, █
█ DiGiTAL SOUND PROPHETS, DiSSiDENT, █
█ EVERY DAY MP3Z, EViGHET, █
█ FRENCH SOUND PROViDER, █
█ GiNOTONiC MP3, █
█ HARDCORE POWER, HiGH iNTELLiGENCE TROLLS, █
█ iMAGiNE, iMPULZ, iNDECENT XPOSURE, █
█ iNTERNET MUSiC PiRATE GUiLT, █
█ JAZ, █
█ KiLOHERTZ, KLANGWERK, █
█ LOGOS, █
█ MiLLENNiUM GENERATiON MUSiC, MUSiC AND DECiBELS, █
█ MUSiC iN PROGRESS, MUSiC TO MASSES, █
█ NEW WORLD ORDER MP3, NORDiC MUSiC ENSEMBLE, █
█ OTAKU, █
█ PROViDERS OF SOUND, PSiLOCiBiN, █
█ RABiD NEUROSiS, RADiAL, RARE MUSiC FiNDER, █
█ REVOLUTiON, ROCKERS' BREWiNG CORP, ROTATION, █
█ RUDE BWOY KUTZ, █
█ SCHOOL OF THE OLD, SMOKE WEED EVERYDAY, █
█ STRONGER THAN ALL, SYNTHESiS MEDiA, █
█ TEKNO RAGE & PiRASOFT MP3, THE FLAME ARROWS MP3, █
█ TOUCHDOWN, TWEE, █
█ WALL OF SOUND, WE LOVE WAREZ MP3, █
█ XTREME PiRATiNG CREW MP3, █
█ █
█ FAiTHMUSE, MCKENNA, MORGOTH, MiSTAHWAX, SDL & █
█ █
█ *ALL* OF OUR FRiENDS AND FAMiLY WORLDWIDE! █
█ █
█ █
█ --------------------------------------------------- █
█ █
█ "DEATH TO ONE HIT WONDER GROUPS AND XING RIPS!! █
█ WE HATE YOU!! █
█ I WILL LIKE KILL YOU ALL.. YOU SOBS!!!" █
█ --rBoY █
█ █
█ decibel_courier_report_vol_4-august_1_1999.txt █
█ █
█ --------------------------------------------------- █
█ █
█ ░░ ░░ ░░░ █
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█ ░░ ░███░████ ░ Depraved █
█ ░ ░██░▓▓█░░██ ░░ Island █
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█ █
█ █
█ "Founded overnight by monkeys with typewriters, █
█ Washed Up Scenesters is yet another group of █
█ mindless clones and newly born poseurs. Our only █
█ goals in the MP3 scene are to bless our big egos as █
█ much as possible and masturbate our uberly huge █
█ cocks, watching the rest of the world fall down..." █
█ █
█ --WASHED UP SCENESTERS 2OO3 █
█ █
█ ...5 years have now gone by and we're pissing into █
█ the infidels' face more than ever now! If you ever █
█ did us any wrong or if you ever thoughed bad of us, █
█ then this is our 5th birthday "FUCK YOU" present █
█ to you and a small reminder that we're still █
█ kicking your ass and ain't stopping anytime soon. █
█ █
█ Our fight ring has been conceived from birth to █
█ stomp on the faggots and toss poseurs out while █
█ having fun doing so! Expect us to spark even MORE █
█ controversy in the times ahead as it both gives you █
█ something to do with your life while it justifies █
█ our huge leech addiction! █
█ █
█ See ya in 5 years, ta-ta! █
█ █
█ --LA WUS FAMILIA █
█ █
█ ¡ Supporting the (c) jihad since May 22nd of 2003 ! █
█ █
█ █
█ ░░ ██ █
█ Pirates' ░ ███ ██ ░░░ █
█ Island ████ █ ██ ░░ █
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█ Aye captain! █
█ █
█ So you might be interested in sailing up with us? █
█ Be sure you read and UNDERSTAND the following: █
█ █
█ 1-You cannot *EVER* contact us! █
█ █
█ 2-We shit on *ALL* scene-idiots: █
█ "H8ers", nukers, pubbers, $eller$, -EON and █
█ maybe on you too?! █
█ █
█ 3-We only believe current year CDDA is teh good █
█ music! █
█ █
█ 4-We are *CONSTANTLY* looking for 10+Gb/s, 50+Tbs █
█ w/ 0sec attitude that can barely achieve six █
█ months of uptime! WHQ spot available, see #1! █
█ █
█ 5-If you don't like our releases, enfuckingcode it █
█ yerself! █
█ █
█ However, if you'd simply want our autographs email: █
█ blowme@farmsex.com or ICQ us! █
█ █
█ Your *TRUE* pseudo-friends. █
█ █
█ --------------------------------------------------- █
█ █
█ This release is dedicated to our fallen comrads █
█ from operation cyberstrike, buccaneer, fastlink & █
█ all the other tax fueled attempts to stop us: █
█ brothers, never forget who you were. █
█ █
█ Special hate to all of the sausage eating █
█ federal pig$ who are hiding behind the ▄███▄ █
█ fabricated lie$ of the corporate ▐█████▌ █
█ media$, to all of the nukers who have ██RIP██▓ █
█ bigger flags than brains, to all the ███████▓ █
█ kindergarden "courier" who are no ▒███████▓ █
█ better than our pre bot and to all ▒░███████▓░ █
█ of the haters who are jealous ▒░▒███████▓▒░ █
█ because not only do they lack the ▒▒░▒███████▒▒░░ █
█ skills but everything else that ▒░░▓▓▓▓▓▓▓▓▓░▒▒ █
█ goes around with it... ▒░▒░▒░▒░▒░░▒▒░░ █
░░░ █ ▒░▒▒░▒▓▒▒▒░▒░ █
░▓██▓░ █ DIE S-L-O-W! ░░▒░▒▒░▒▒░ █ ░░░
▓█░░█▓░ █ ▀ ░▓███▓
░█░ ░█▓░█ ▄███▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█▄ ░██░░██░
░█░ ░███▄█▄▄▓█ REV.N █▓▓░ ░▌
▓██░ ░░░░░ ░░▐▌ ▐▌ ░█
░▓██ ░ ░░ ▐▌ by b** in MMIII ▐▌ ████▓
█░ ░░█▀█▀▀▀▓█▌ █▓░ ░█▓
░█░ ░██░ ▀▄███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█▀░██ ░█░
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THIS IS NOT PIRACY.