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[dmc]
Doom Generation Noises
────[rlsnfo]────────────────────────────────────────────────────────────────────
Artist : Anita O'Day
Title : Swings Cole Porter
Year : 1991
Label : n/a
Genre : Jazz
Type : Album
────[ripnfo]────────────────────────────────────────────────────────────────────
Ripped on: 06.22.2008
Ripper : DGN
Quality : avgkbps / 44,1kHz / Joint-Stereo
Size : 50,8 MB
Playtime : 43:58 min
Grabber : Eac
Encoder : Lame 3.97 V2 New
────[trax]──────────────────────────────────────────────────────────────────────
01. Just One Of Those Things 02:09
02. Love For Sale 02:45
03. You'd Be So Nice To Come Home To 01:51
04. Easy To Love 02:05
05. I Get A Kick Out Of You 02:22
06. All Of You 01:43
07. Get Out Of Town 02:32
08. I've Got You Under My Skin 01:50
09. Night And Day 02:02
10. It's De-Lovely 02:06
11. I Love You 01:59
12. What Is This Thing Called Love 02:33
13. You're The Top 02:27
14. My Heart Belongs To Daddy 02:55
15. Why Shouldn't I 03:09
16. Form This Moment On 03:13
17. Love For Sale 03:38
18. Just One Of Those Things 02:39
────[Release Note]──────────────────────────────────────────────────────────────
http://www.amazon.com/Anita-ODay-Swings-Porter-
Billy/dp/B0000047CF
Anita O'Day remains one of the greatest singers of the entire
twentieth century. Anita could take a tune and inject it with a
type of electricity that was all her own. Never afraid to scat,
change tempos or just play with intonation and syllables, Anita
displayed a boldness and flair that set her apart from many
vocalists. This CD proves it.
The CD starts with the twelve tracks that were on the 1959
record album entitled Anita O'Day Swings Cole Porter With Billy
May; and then we get a few bonus tracks Anita did with other
arrangers.
"Just One Of Those Things" starts the CD as if it were a pi±ata
that's just been struck wide open; Billy May's typical use of
the horns works well as Anita weaves her magic from the start.
Anita sings this as a true jazz song and a classic both at
once. "Love For Sale" gets a flashy treatment by both Anita
O'Day and Billy May; the tempo changes enhance the beauty and
drama of the number.
Other gems in the track set copied from the 1959 record album
include "I Get A Kick Out Of You;" this song explores the joys
of being with your one true love. Anita and Billy May start
this slow with an opening verse; and when the tempo increases
you can feel the jet engines whizzing faster than you've ever
felt them! Anita doesn't always stick to the melody as she
sings the lyrics; this proves her excellent ability to do any
and all vocal gymnastics.
"I've Got You Under My Skin" gets the royal Latin treatment
from Billy May's arrangement; and naturally Anita more than
keeps up with May's work. Anita's voice oozes femininity as she
uses her voice to jump up, down and all about on this number.
Anita truly performs "I've Got You Under My Skin" to
perfection!
"It's Delovely" boasts an energetic yet romantic flavor to it;
the tempo may be fast but make no mistake: Anita O'Day sings
this with passion and Billy May's arrangement shines like pure
gold! The arrangement makes great use of the horns. "What Is
This Thing Called Love" features Anita singing with confidence
as she scats, plays with the tempo of her vocals while Billy
May's tempo stays much more constant, and pours her heart and
soul into performing this number as only she could.
We also get bonus tracks that reflect Anita's genius with other
arrangers. I love the passion and forcefulness of Buddy
Bregman's arrangement for the trombones on "You're The Top;"
Anita's voice is in excellent form once again for this number.
The romantic number "My Heart Belongs To Daddy" shows how Anita
could get away with singing this number by occasionally leaving
out the "My" in "My Heart Belongs To Daddy." And you know what?
Anita does it with such a natural talent that it works very
well. Jimmy Giuffre's arrangement works well, too, for "My
Heart Belongs To Daddy."
"From This Moment On" begins with a beautiful piano flourish
and Anita whizzes through this ballad without stumbling--and
she doesn't sing a superfluous note, either! This number shines
and stands as a highlight of this CD. The final track, another
interpretation of ""Just One Of Those Things" has different
tempo changes than the first version on this CD; the
arrangement by Ralph Burns also features guitarist Tal Farlowe.
The liner notes include the recording dates for each song and
Will Friedwald contributes a fine essay about Anita O'Day and
her work with the different arrangers on this album.
Anita O'Day is something to be personally experienced; I can't
quite find the words to completely convey the high octane,
forceful energy and electricity with which she performed
countless songs throughout her very long career. This CD would
be a "must-have" for Anita's fans; and people who enjoy classic
jazz will enjoy this CD, too. If you want to become better
acquainted with t