Dillinger_And_Chris_Wayne-Unity_(Uncle_T_DSR6256)-VLS-198x-YARD

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2008-08-12

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street date: 00.00.198x                                   rip date: 16.02.2002


                        artist   :   Dillinger And Chris Wayne
                         title   :   Unity
                          year   :   198x
                         genre   :   Reggae
                         label   :   Uncle T
                        cat-nr   :   DSR6256
                       website   :   http://www.rebelbase.be/index.php?page=5

                       quality   :   VBR 44.1 Joint-Stereo
                        tracks   :   02
                        length   :   06:56 min

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    nr.   song title                                               length

    01    dillinger and chris wayne  -  unity                       03:33
    02    dillinger and chris wayne  -  unity version               03:23
    ... . .



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    Great Combination Tune!



    BIO
    ---
    A DJ as famous as his gangster namesake, Dillinger was one
    of the second wave of Jamaican toasters who sprung up in the
    wake of the success of U-Roy, Big Youth, and Dennis
    Alcapone. By the mid-'70s, the young Dillinger had rapped
    his way to the top of the pack and won international
    acclaim. Renowned for his quick wit, irreverent raps, and
    whacked sense of humor, the DJ remains one of the most
    innovative and humorous toasters of any era. Born Lester
    Bullocks on June 25, 1953, in Kingston, Jamaica, as a youth,
    the DJ-to-be hung around the sound systems, lending an
    occasional hand loading equipment for the El Paso setup,
    home to Dennis Alcapone. This led to the bigger DJ passing
    him the mic, but it was Prince Jackie's sound system that
    gave the teen his first regular gig. With the departure of
    Alcapone from El Paso, Bullocks took his place...and his
    name, initially DJing under the moniker Dennis Alcapone, Jr.
    It was producer Lee Perry who convinced the DJ to change his
    name, with his legendary comment: "You're different from
    Alcapone. You're Dillinger."

    The year was 1973 and the newly christened DJ already had a
    considerable following amongst the sound system crowd. Perry
    took the young man into his Black Ark studio and proceeded
    to record a considerable wealth of material, releasing them
    as singles, debuting the DJ with "Dub Organizer." None of
    these releases made any great impact and the following year,
    Dillinger tried his luck anew with producer "Yabby You." The
    DJ was handed the rhythm from "Jah Vengeance," and turned
    out a winning lyrical performance revolving around
    Rastafarian dietary strictures. Released as the "Freshly"
    single, the song became an instant hit. Dillinger was now
    the man in demand, and he began cutting singles for a host
    of producers, working with the likes of Niney Holness,
    Augustus Pablo, and Count Ossie across a clutch of excellent
    recordings. Clement "Coxsonne" Dodd having already produced
    the DJ's "Killer Man Jaro" single, now set Dillinger to work
    on his debut album. Ready Natty Dreadie appeared in 1976,
    and as to be expected, featured Dillinger's raps over Studio
    One classics.

    However, only the quickest of the buying public would
    actually hear the title-track, a sublime version of Burning
    Spear's "Creation Rebel." Dodd, always the businessman,
    decided to cash in on the current kung fu craze, replacing
    that song with "Natty Kung Fu" on later pressings. While the
    album certainly cemented Dillinger's standing in Jamaica, it
    was its follow-up, CB 200, that brought him international
    renown. Again, the Channel One archives supplied the
    backing, with the Mighty Diamonds in particular tapped for
    their classic rhythms, while producer Jo Jo Hookim oversaw
    the recording. The title-track, a version of Gregory Isaacs'
    "Sun Shines for Me," was a smash in its own right, and a
    fitting tribute to Dillinger's beloved motorcycle. CB 200
    was filled with hits: "Plantation Heights"; "Crankface,"
    where Dillinger is joined by close friend and fellow DJ
    Trinity; but none more so than "Cocaine in My Brain," which
    swept the world like a drug epidemic itself.

    Britain, now in the wave of a punk revolution, made
    Dillinger one of their own and when the DJ came to London,
    he performed to rapturous crowds (including a rather
    intimidated Joe Strummer). It was here, too, that he
    recorded his next album, the Clement Bushay-produced Clash,
    which pitted Dillinger against Trinity. These dueling DJ
    discs were popular in Jamaica and several of its tracks,
    including "Rizla Skank," were island hits, but crashed and
    burned in a larger community desperate for more "Cocaine."
    And the public's addiction would be Dillinger's own
    international downfall. Bionic Dread, also released in 1976,
    was produced by Hookim and featured a slew of heavy rhythms
    and a mouthful of excellent toasts, yet it sank without
    trace abroad. Talkin' Blues followed suit in 1978. Top
    Ranking, also released that year, was true to its title,
    with a clutch of fiery tracks equal to anything on CB 200.
    Corn Bread, Dillinger's third full-length for the year,
    pitted the DJ against producers Shrowder and Sevitt; all
    three walked away winners.

    In 1979, Answer My Questions appeared, yet none of these
    albums made the slightest impact outside Jamaica. On the
    island, however, the DJ continued releasing exceptional
    singles and his domestic career, at least, continued on
    course. Between 1977 and 1979, Dillinger released a slew of
    domestic hits, many recorded with producer Bunny Lee,
    including duets with Johnny Clarke, Hortense Ellis, and
    Delroy Wilson. The DJ can also be heard on the superb
    "Lamb's Bread" with Sugar Minott. But Dillinger still itched
    for the international spotlight and he regained it later in
    1979 with the long awaited follow-up to "Cocaine,"
    "Marijuana in My Brain," which also titled his new album.

    Once again, the DJ's international profile skyrocketed,
    while the single hit the top of the chart in Holland. Even
    the U.S. took notice, and Dillinger clinched a deal with
    A&M, which released 1980's Badder Than Them. In a deliberate
    attempt to solidify his success, the DJ jumped on the
    electronic/new wave bandwagon that was crashing across
    Europe and the States. Badder was an intriguing effort,
    however new wave fans seemed immune to toasters, while the
    island was unprepared for an electro-revolution. The album
    fared poorly, and A&M immediately lost interest.

    Still, Dillinger's British fan base remained loyal, at least
    judging by the crowd's response on the Live at the Music
    Machine, recorded that year in London and released in 1981.
    It was evident that the DJ's stage show was as powerful as
    ever, a fact confined by a second live set, Live in London,
    that appeared the same year. This latter was recorded with
    the equally notorious Clint Eastwood, the elder brother of
    Dillinger's old dueling partner Trinity. By now, Dillinger
    was looking to expand his own production work and in 1982,
    he produced a series of 12" singles via the British Oak
    Sound label, both of his own material of other artists. His
    next album, the self-produced Join the Queue, hit the
    streets in 1983. However, for Funky Punk, released the same
    year, he brought in the Sevitt and Shrowder production team,
    who laid on lashes of disco-funk. The highpoint, of course,
    was "LSD in My Brain." The pair also produced 1984's
    Blackboard Jungle, which was a better effort, but not quite
    as good as King Pharaoh, also released that year, which
    returned the DJ to form.

    Tribal War appeared two years later and by then, it was
    clear that Dillinger had had his day in the sun, and he
    gracefully retired from music. That is for at least for a
    few years, until Bunny Lee and Superblack enticed him back
    into the studio for 1993's Say No to Drugs (an ironic title
    if ever there was one). The 3 Piece Suit compilation also
    enlivened interest in Dillinger that year and bundled up a
    batch of Bunny Lee-produced cuts, along with a number of
    King Tubby dub versions. Dillinger now returned to the stage
    and has continued touring ever since. At the end of the
    decade, the two-CD Rebel With a Cause compilation bound up a
    career-spanning collection of material, while Cocaine in My
    Brain concentrated on the '70s hits and also included almost
    a dozen Lee Perry cuts. The DJ has also consistently
    released new singles. ~ Jo-Ann Greene, All Music Guide




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Files

PathSize
01-dillinger_and_chris_wayne_-_unity-yard.mp34,85 MB
02-dillinger_and_chris_wayne_-_unity_version-yard.mp34,71 MB