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▄▀██▀ B O S S M P 3 I S P R O U D T O P R E S E N T ▀▄█▀█▄
▄▀██░ ********************************************************** ▐███▀
▀▄█▄ artist : Gilles Peterson size : 160,3 MB ██▌▄
░█▄▀▄ album : Worldwide BBC Radio One label : n/a ░██▀▄
▄▀██▀ genre : Lo-Fi str.date: 00/00/0000 ▄▀▄▀▀
▄▀██░ source : CDDA rip.date: 04/17/2003 ▀█▀▄
▀██ bitrate : 192 kbit ripper : Team BOSS ██▀█
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██▌▄▀█ Gilles joined Radio 1 in 1998. Not only does he ░██▌▄▀
██▌▄▀█ 'join the dots' between artists, producers and ░██▌▄▀
██▌▄▀█ styles, but he's a DJ who places equal legitimacy on ░██▌▄▀
██▌▄▀█ a Max Roach album and a Jig Master's 12-inch. With ░██▌▄▀
██▌▄▀█ WorldWide now broadcast in 15 countries from New ░██▌▄▀
██▌▄▀█ Zealand to Croatia to Nigeria to the USA to Cyprus, ░██▌▄▀
██▌▄▀█ his popularity and message can only grow. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Brought up among the South London suburban soul ░██▌▄▀
██▌▄▀█ scene in the early eighties, Gilles would avidly ░██▌▄▀
██▌▄▀█ listen to listening to Level 42, Earth Wind & Fire, ░██▌▄▀
██▌▄▀█ Central Line and the heavier, deeper pirate stations ░██▌▄▀
██▌▄▀█ such as Radio Invicta. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ This inspired him to set up his own station - ░██▌▄▀
██▌▄▀█ literally an aerial suspended between a tree and a ░██▌▄▀
██▌▄▀█ phone box - playing an eclectic mix of jazz, funk, ░██▌▄▀
██▌▄▀█ reggae, soul and early electro. By a stroke of luck, ░██▌▄▀
██▌▄▀█ Radio Invicta needed a new transmitter, so Gilles ░██▌▄▀
██▌▄▀█ swapped his for a regular show on the station. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ At the same time, Gilles was a regular shopper at DJ ░██▌▄▀
██▌▄▀█ Paul Murphy's Palladin Records. Murphy alsoDJ'd at ░██▌▄▀
██▌▄▀█ Camden's Electric Ballroom, and his knowledge of ░██▌▄▀
██▌▄▀█ rare, killer power jazz tunes and rare Afro-Cuban ░██▌▄▀
██▌▄▀█ fusion was further inspiration for Gilles, who took ░██▌▄▀
██▌▄▀█ over the decks in a baptism by fire when Paul left. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Once ensconced upstairs in the Electric Ballroom, ░██▌▄▀
██▌▄▀█ Gilles' understanding and insight into jazz, funk ░██▌▄▀
██▌▄▀█ and soul grew exponentially. The music he played ░██▌▄▀
██▌▄▀█ attracted an increasingly loyal following from a ░██▌▄▀
██▌▄▀█ friendly, mixed crowd and his reputation grew. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Gilles soon began to play at Nicky Holloway's ░██▌▄▀
██▌▄▀█ Special Branch night at The Royal Oak. He says 'the ░██▌▄▀
██▌▄▀█ scene I was building was a cross between the casual ░██▌▄▀
██▌▄▀█ soul-boy scene and the London trendy. I'd play ░██▌▄▀
██▌▄▀█ upstairs with Chris Bangs and downstairs it was ░██▌▄▀
██▌▄▀█ Rampling, Oakenfold, Holloway. That lasted three, ░██▌▄▀
██▌▄▀█ four years, a very important weekly club that that ░██▌▄▀
██▌▄▀█ scene would all go to. Out of that scene came nearly ░██▌▄▀
██▌▄▀█ everything that we have today in the UK.' ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ EMI Records soon called on Gilles to put together a ░██▌▄▀
██▌▄▀█ series of inspired collections showcasing jazz label ░██▌▄▀
██▌▄▀█ Blue Note's best artists; Duke Pearson, Horace ░██▌▄▀
██▌▄▀█ Parlan, Art Blakey, John Patton and many others. The ░██▌▄▀
██▌▄▀█ resulting albums 'Blue Bossa Vols. 1 & 2' and ░██▌▄▀
██▌▄▀█ 'Baptist Beat' became the motivation for the hugely ░██▌▄▀
██▌▄▀█ popular 'Blue' series of Jazz compilations. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ During this period, Gilles had also been working on ░██▌▄▀
██▌▄▀█ new pirate radio projects at KJAZZ (later taken off ░██▌▄▀
██▌▄▀█ air by gun-toting gangsters), Solar Radio and On ░██▌▄▀
██▌▄▀█ Horizon, before 'going legit' with the BBC. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ 'BBC Radio London was the first legal station I ░██▌▄▀
██▌▄▀█ worked on. There were only a few legal stations at ░██▌▄▀
██▌▄▀█ that time. I had my own show 'Mad On Jazz'. We'd do ░██▌▄▀
██▌▄▀█ live percussion, spoken word and we'd mix it all ░██▌▄▀
██▌▄▀█ up.' ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ After leaving Radio London in 1986, Gilles started ░██▌▄▀
██▌▄▀█ his Sunday sessions - 'Talkin' Loud' & 'Saying ░██▌▄▀
██▌▄▀█ Something' - at Camden's Dingwalls. Co-hosted by ░██▌▄▀
██▌▄▀█ Patrick Forge, these ran for five years. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Coinciding with the emerging acid house scene, the ░██▌▄▀
██▌▄▀█ sessions became a natural magnet for post clubbing ░██▌▄▀
██▌▄▀█ come-down kids. 'Those five years were the best of ░██▌▄▀
██▌▄▀█ my life as a DJ. Musically I did exactly what I was ░██▌▄▀
██▌▄▀█ into, the Real Gilles Peterson trip'. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ 'We put on this old 7-inch at by Mickey and the Soul ░██▌▄▀
██▌▄▀█ Generation which was a rare groove record with a mad ░██▌▄▀
██▌▄▀█ rock guitar intro and no beat. I started vary ░██▌▄▀
██▌▄▀█ speeding it so it sounded all warped. Chris Bangs ░██▌▄▀
██▌▄▀█ got on the microphone and said, 'If that was acid ░██▌▄▀
██▌▄▀█ house, this is acid jazz'. That's how acid jazz ░██▌▄▀
██▌▄▀█ started, just a joke!' ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Shortly afterwards, Gilles started the Acid Jazz ░██▌▄▀
██▌▄▀█ label. 'It was a great time, but after two years I ░██▌▄▀
██▌▄▀█ was beginning to feel the sound, the music and name ░██▌▄▀
██▌▄▀█ was ghettoizing itself, it was becoming a mod thing, ░██▌▄▀
██▌▄▀█ a retro thing.' ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ An approach to Gilles from Phonogram in 1989 to set ░██▌▄▀
██▌▄▀█ up a new label saw the birth of Talkin' Loud ░██▌▄▀
██▌▄▀█ records, and releases from the likes of Brand New ░██▌▄▀
██▌▄▀█ Heavies, Jamiroquai, the Galliano. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Talkin' Loud echoed Gilles' own diverse tastes, and ░██▌▄▀
██▌▄▀█ releases have been nominated for five Mercury Music ░██▌▄▀
██▌▄▀█ Awards - Roni Size Reprazent (winning in 1997), 4 ░██▌▄▀
██▌▄▀█ Hero, Courtney Pine, Young Disciples and M J Cole. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Back on air, Gilles' show on London's Jazz FM was ░██▌▄▀
██▌▄▀█ axed in 1990 after he played 'inappropriate' music ░██▌▄▀
██▌▄▀█ and made statements supporting peace during the Gulf ░██▌▄▀
██▌▄▀█ War. Soon after, he joined the newly-legalized Kiss ░██▌▄▀
██▌▄▀█ FM. His Sunday evening WorldWide slot proved one of ░██▌▄▀
██▌▄▀█ the most popular on the station and he stayed there ░██▌▄▀
██▌▄▀█ for eight years until he joined Radio 1 in 1998. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ This week Gilles has the Matthew Hebert Band. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Enjoy! ░██▌▄▀
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▄▀██░ ......................... ▄▀██
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░█▄▀▄ [Track Information] ░█▄▀▄
▄▀██▀ ▄▀██▀
▄▀██░ 01. Worldwide BBC Radio One 04-17 56:13 ▄▀██
▄▀██░ 02. Worldwide BBC Radio One 04-17 60:32 ▄▀██
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░███▄ Greetings, obviously you are reading this because ▐███▀
░███▄ BOSS has cought your attention in one way or another, ██▌▄
███▄▀ most likely from this great release. ░██▀▄
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░██▀▄ BOSS has many big releases everyday you just have to ▀█▀▄
▄▀▄▀▀ find them. Our team started to release internationally ██▀█
▀█▀▄ in 2000. In our group news we always inform you with ▄▀██▀
░██▀█ what we are looking for. ▄▀██
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▀▄█▄ Currently BOSS is looking for: ▄▀██▀
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▄▀██▀ 1) BNC's (eu/us) ░██▄
▄▀██ 2) Non-Commercial Shells (10mb+/1gig+) ██▄▀
▀██▄ 3) New Vinyl Suppliers and Rippers ▄▀▄▀
░██▄▀ 4) 100mbit HQ (.eu/.us)(linux/unix/bsd only) ▀▄██
▄▀▄▀ 5) 2002+ CD and Vinyl Rippers! ░██▄
▀▄██ 6) No more DAB or Radio rippers needed. ██▀▄
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▄▀██ Thanks for supplying our needs from the last news! ▀▐██▌
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▀▐██▌ GREETZ THE BOSS CREW!!! ▄▀▄▄
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