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░ Peter Rauhofer - Live on Radio BU 99FM 16-04
RIPPER...: 1REAL TEAM GRABBER..: WaveLab 4.0c
RIP DATE.: 17.04.2003 QUALITY..: 192kbps/44.1kHz
ENCODER..: LAME 3.92 GENRE....: House
SOURCE...: Live Session YEAR.....: 2003
TRACKS...: 01 LABEL....: none
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Dj Peter Rauhofer promoting his new album 'live
at roxy' with a special set for radio BU 99FM
Israel.
Enjoy
1REAL Team
about Dj Peter Rauhofer
When it comes to achievements within the
worldwide dance music scene, Peter Rauhofer has
few equals. A lauded producer, remixer, DJ and
label owner, he has spent the last fifteen
years building his own magical mini-empire.
Thanks to his Midas touch in all departments he
currently represents a solid part of the cityÆs
electronic establishment and has been
recognized by the global electronic cognoscenti
as a true heavyweight in his various fields.
After all, who else can say theyÆve remixed
everyone from Madonna to Yoko Ono, enjoyed a
multitude of massive club and chart hits, run a
world famous record label, hosted one of New
York CityÆs most thrilling club nights AND won
a prestigious Grammy award for their studio
talents?
Such success is perhaps even more impressive
given that Peter was born and raised in Vienna,
Austria at a time when the music industry there
was severely restricted and musical innovation
and entrepreneurship rare. But although the
main musical legacy of his country had been
classical (Strauss) and mainstream pop (Falco),
an underground dance scene did emerge in the
early eighties. When it arrived, Peter was
ready and waiting for it. ôI used to listen to
records on radio Luxembourg, record the music
onto cassettes and drive my friends crazy with
themö he recalls with a laugh. ôI became a kind
of informant for friends and record shops who
wanted to know more about the 70Æs pop, rock
and disco music that I was listening to. At the
time it was very hard to get access to any
alternative music so I had to be really
enthusiastic to keep it going.ö
His efforts were duly rewarded when one day a
record store near his school offered him a job.
Not long after he began working for premier
Austrian imprint Gig records. Through the store
he started to get turned on to the sound of the
early house and techno records coming in from
Chicago and Detroit. He began to DJ at ViennaÆs
only real underground club U4, playing his
underground sounds to ôa mix of punks, mods,
poppers and all sorts smoking jointsàit was
dirty, underground and fucked up, but it was
stylish too.ö
While he was busy introducing dance music to
Vienna, he was also busy manufacturing hit
records for Gig, learning to balance mainstream
success with underground credibility. Several
people he knew were learning their way around
studios in Vienna, so Peter hit upon the idea
of putting together a compilation which
featured local artists. Two of the people he
bought into the studio were Kruder and
Dorfmeister, who met through Peter for the
first time! In fact, PeterÆs first attempt at
production was a collaboration with Richard
Dorfmeister under the pseudonym of Danube
Dance, but it was his own hit æLet Me Be Your
UnderwearÆ (as Club 69) that made his name back
in 1992.
ôIt was supposed to be a novelty tune" says
Peter, "But suddenly it was fitting in with the
vogue for camp house tunes at the time like
æShort Dick ManÆ. It went big into the pop
charts and the next thing I knew Pete Tong was
signing it for FFRR. One thing led to another
and suddenly I was doing a tour and being asked
to make an album and was so busy I couldnÆt
hold down my jobs at the store and the label
any more. I was playing in Rome, Paris, Milan,
UK, Hollywoodàpeople were also asking me for
remixes all the time. A couple of years later I
decided I wanted to move to New York and just
concentrate on my recording and DJÆing career.ö
Peter moved to the Big Apple in 1995, with two
Club 69 LPÆs (æAdults OnlyÆ and æStyleÆ) and
several more club and chart successes (ôDivaö,
ôUniqueö, ôDramaö, ôAlrightö, ôMusclesö, and
ôTwistedö to name but a few) already under his
belt. His first singing was with Tribal America
in 1994, but when that label folded he moved to
Twisted, recording another album as Size Queen
and remixing the likes of Funky Green Dogs and
Danny Tenaglia, mostly under the Club 69
banner. As the remix work started to come in
from the majors, Peter began using his own
name. He started with the Eurythmics and
Depeche Mode and quickly went onto mega-stars
like Madonna (æNothing Really MattersÆ,
æImpressive InstantÆ, æSkinÆ) and the Pet Shop
Boys, with whom he reworked RazeÆs 1989 classic
æBreak 4 LoveÆ. In 2000 he won a prestigious
Grammy in the Remixer of the Year category,
following in the footsteps of veterans like
David Morales and Frankie Knuckles.
ôI had always been fans of Knuckles and Morales
so it was a great honor for me to finally be
placed alongside them in respect of the Grammyö
says Peter. ôI never really expected to be
chosen so I was like, æWow!Æ I never had any
kind of publicity team at the time, so people
just voted purely because they liked my
material which made me feel very proud. ItÆs
much more powerful when you win out of the blue
like that. It made me feel good because now I
belong to dance music history in way, and itÆs
something that no one can ever take away from
you. I didn't let it affect me though. I had
Madonna's manager calling me asking me how much
I was charging now for remixes, and I told her
it was the same. People were reminding me
sometimes that I had won it because I often
downplayed it."
Interestingly enough, when it comes to remixes
Peter still does most of his work back in
Vienna: ôI always saw New York as a vacation
place first and foremost and I guess that
stuckö he explains. ôSo I like to hang out and
DJ here, but when I have a remix I go back to
Vienna and do it. ItÆs a different inspiration
there. The vibes seem to be right and I know
what sounds great. IÆve tried it in other
places and often it just doesnÆt sound right.ö
In 1999, Peter realized another goal: starting
his own imprint. Although an independently run
operation, Star 69 today boasts the kind of
roster that wouldnÆt look out of place on a
major: Pet Shop Boys, Frankie Goes To
Hollywood, Yoko Ono, Lula, house diva Suzanne
Palmer, and underground sensation Celeda are
just some of the artists associated to the
label, and there are plenty more signing in the
pipeline. ôI had been signed to Tribal America
since 1994, and then when they folded I went
over to Twisted with the likes of Danny
Tenaglia, Murk and Deep Dish. When that label
folded and we were all homeless once again I
decided it was the right time to start out
myself. I chose the name Star 69 so that fans
would have a link to his previous work and
signed some artists that had been with Twisted
such as Celeda and Suzanne Palmer. I love to
sign artists ever since my days at Gig, and I
also wanted to contribute something to dance
music.ö
With 40 releases so far from Star 69, things
are only going to get bigger as PeterÆs focus
on the label becomes stronger. ôThe next thing
weÆre going to get into is artist developmentö
he enthuses. ôWeÆre going to get together with
some producers and get some artist albums. IÆm
also working on a project with Grace Jones,
which is getting tracks made by various
producers, yÆknow Danny Tenaglia, Daft Punkà
artists that I believe in, and get them to take
a new direction. ItÆs pretty exciting.ö With
all these achievements and experiences under
his belt, has there been any overriding source
of happiness for Peter Rauhofer, dance music's
best loved Viennese Whirl? He pauses for a
second before answering "When you live in
Europe and watch the US dance scene it seems
very untouchable" he says at last. ôBut over
the years IÆve realized that itÆs not that hard
to step into it and make some noise. I used to
revere the New York producers from afar, but
now I feel like one of the family. ThatÆs
something that makes me very happy
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01. peter rauhofer - live on radio bu 99fm 62:11
16-04-2003
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TOTAL TIME 62:11
TOTAL SIZE 85,4 M
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░ 1REAL /1-REE-ILL/
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