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[dmc]
Doom Generation Noises
────[rlsnfo]────────────────────────────────────────────────────────────────────
Artist : Maria Pia De Vito
Title : PhonΦ
Year : 1998
Label : n/a
Genre : Jazz
Type : Album
────[ripnfo]────────────────────────────────────────────────────────────────────
Ripped on: 08.20.2008
Ripper : DGN
Quality : avgkbps / 44,1kHz / Joint-Stereo
Size : 65,2 MB
Playtime : 52:16 min
Grabber : Eac
Encoder : Lame 3.97 V2 New
────[trax]──────────────────────────────────────────────────────────────────────
01. Voulez-Vous 05:39
02. Il Paradiso Dei Cacciottielli 05:38
03. Eucharisto Soi 06:29
04. Lengue 02:40
05. Scugnizzeide 06:11
06. Adios Iony 09:11
07. Notturno Macedone 08:23
08. Sentimento Del Tempo 04:03
09. Ancorche' Col Partire 04:02
────[Release Note]──────────────────────────────────────────────────────────────
http://www.amazon.co.uk/Phon%C3%A9-Maria-Pia-Vito/dp/B00007LL74
Maria Pia De Vito is a standout in the contemporary European
jazz scene. She began her on-stage activity in 1976 as a singer
and player (plectra, percussions, piano) in research groups
committed to ethnic music as well as ethnic and non-ethnic
polyphony, mostly related to the Mediterranean, Balkan and
South-American areas.
Since '80 she has been active in the jazz sphere, collaborating
steadily with musicians like John Taylor, Ralph Towner, Rita
Marcotulli, Ernst Rejiseger, Paolo Fresu, Norma Winstone, Steve
Swallow, Gianluigi Trovesi, David Linx, Diederik Wissels and
gigging with musicians having the calibre of Joe Zawinul,
Michael Brecker, Miroslav Vitous, Uri Caine, Dave Liebman,
Billy Hart, Eliot Ziegmund, Cameron Brown, Steve Turre, Maria
Joao, Ramamani Ramanujan, Art Ensemble of Chicago, Nguyen-le
and many others, participating to the most important
international festivals, and running European and overseas
tours.
After 15 years of jazz practice, a long work on the great
American songbook, on scat and be-bop, the first trespassing
into free form and the meetings with European jazz, since æ94
she begins a new phase of her work with the project Nauplia,
conceived and directed together with Rita Marcotulli. The
recovery of vocal textures from the deep matrixes of the sound,
which will see the encounter between the hybrid of jazz and the
multi-shaped peculiarities of Neapolitan singing (öNaupliaö,
ôFore Paeseö, ôTribohö)The work about improvisational
possibilities of the voice in contact with several cultural
contexts becomes the matrix of her ônew courseö, whose first
step is ôPhonΦö, a work about the voice preceding the language,
about the rhythm and the dance in their different cultural
inflexion; it's a project which marks the beginning of the
collaboration with John Taylor.
Since 1996 she has collaborated with the British composer Colin
Towns; with his Big Band, the ôMask Orchestra.ö She played live
at the major festivals in England and Germany including the
remarkable exhibition at the Queen Elizabeth Hall of London
with the ôMask Symphonicö (70 musicians) and the participation
of Norma Winstone.
In 1997 there's the birth of the trio with John Taylor and
Ralph Towner, with which she recorded the CD ôVersoö, did
several tours in Italy and a long European tour during 2001. In
that year the name of Maria Pia has been lauded, by the most
celebrated signatures of American jazz press, in the category
ôBEYOND ARTISTö of the 49th DOWN BEAT CRITICS POLL; in this
list, her name appears near the ones of outstanding artists
such as Caetano Veloso, Joni Mitchell, Cesaria Evora, Olu Dara,
Carlos Santana, Uri Caine and Marisa Monte. This very important
acknowledgement has definitively catapulted her to an
international level.
By 2002 she had released the CD ôNel Respiro,ö once again
together with John Taylor and Ralph Towner, with the
participation of Steve Swallow and Patrice Heral, with whom she
begins a profitable artistic collaboration._
2003 is the year for the project and the CD ôTumulti,ö which
represents her most experimental work, oriented to interaction
between voice, improvisation and electronics, by the side of
Patrice Heral, co-leader of the project, and with the
collaboration of the brilliant cello player Ernst Reijseger and
the Austrian pianist Paul Urbanek, multi-awarded in his country
for his ôreverse composingö works. ôTumultiö is received with
enormous approval by the critics, and is done live at jazz
festivals in Italy and abroad.
In her latest work, ôSo Rightö (2005) together with the co-
leaders Danilo Rea and Enzo Pietropaoli and the contribution of
drummer Aldo Romano, she reflects about the song form, through
the composition of originals and the reinterpretation of songs
by Joni Mitchell.
Also recent, but already very successful, is the collaboration
with the harpsichord player, organist and orchestra director
Claudio Astronio, an acknowledged artist in international
baroque music. The meeting between improvisation and baroque
vocals ô already included in the experience of De Vito ô are
the fulcrum of their shared projects: ôChaconneö - (baroque
voice - modern voice - live electronics ô harpsichord ô theorbo
ôcello ô double harp), ôCoplas a lo divinoö (sacred music,
antique and contemporary, for pipe organ, voice and
electronics) and the duo ôLa danza della voceö (harpsichord,
voice and electronics).
Famous jazz writers, like Ralph Towner, John Taylor, Bruno
Tommaso, Giorgio Gaslini, wrote and composed for her. The
latest big name in this list is the one of the maestro Roberto
de Simone, who composed for her a rewriting of the ôFantasia
Cromaticaö by J.S.Bach, recorded on the CD ôSpecula e geminiö,
which also includes a rewriting of Monteverdi signed by Bruno
Tommaso.
────[Group Notes]───────────────────────────────────────────────────────────────
Dgn is around since 1998...
After a few years, a few rippers who left, a few who joined, people
greeting,people yelling, people threatening, people helping, people
watching, we're still enjoying our aime: Let ppl listen to what they
are gonna buy b4 they pay a single penny.
There have been also some people and groups that helped out during the
last few years, maybe it's because of them that (against all odds) we
are still releasing and doing well, those know who they are, and we'll
thank forever.
We remind our beloved public, we're against all kind of distrubution,
don't search our rips neither in your preferred XDcc channel, nor in
your local 127.0.0.1 p2p program, We do not distribute ! But it's not
nice to buy when you do not know what you're buying.
As a matter of fact, DGN is a private group, and do not need rippers,
fast or slow shells, traders, t1+ sites, couriers, prewhores, and hw
suppliers, we need only a nice chalet in Switzerland/Canada or a Villa
in the Caribbean sea where to listen to some chillout music.
If you can supply any of those, for free, feel free to contact us for
an application form.
Remember to support the artists.
DGN Crew, 2003
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Nfo file by [dmc]/DGN using Elton's and Morgoth's tools