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██ Proudly Presents ██
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█▓ Genre ..........: Ambient ▓█
█▓ Release Date ...: 2008-08-24 ▓█
█▓ Store Date .....: 2005-10-00 ▓█
█▓ Catnum .........: DS85(A+B) ▓█
█▓ Label ..........: Die Stadt ▓█
█▓ Source .........: CD ▓█
█▓ Playtime .......: 1h 33min total ▓█
█▓ ▓█
█▓ Encoder ........: LAME 3.97 (-V2 --vbr-new) ▓█
█▓ Bitrate ........: 174 kbps avg ▓█
█▓ Size ...........: 112.71 MB ▓█
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▀███▀▀ ▀▀█ Tracklist █▀▀ ▀▀███▀
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█▓ Title Time ▓█
█▓ Disc 1/2 ▓█
█▓ -------- ▓█
█▓ 1. Z'ev - Untitled 20:34 ▓█
█▓ 2. John Duncan - Bkg 12:03 ▓█
█▓ ..... ▓█
█▓ 32:37 ▓█
█▓ Disc 2/2 ▓█
█▓ -------- ▓█
█▓ 1. Fear Falls Burning - Drone Four 36:46 ▓█
█▓ 2. Aidan Baker - The Beautiful Decline (Declining 14:15 ▓█
█▓ Mix) ▓█
█▓ 3. Aidan Baker - The Beautiful Decline (Declined 9:57 ▓█
█▓ Mix) ▓█
█▓ ..... ▓█
█▓ 60:58 ▓█
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▀███▀▀ ▀▀█ Release Notes █▀▀ ▀▀███▀
█▓ ▀ ▀ ▓█
█▓ ▓█
█▓ DS85 ù Z'EV/JOHN DUNCAN/AIDAN BAKER/FEAR FALLS BURNING ▓█
█▓ ╗Untitled½ 2 x 7 inch & 2CD ▓█
█▓ (600 numbered copies of which the first 300 copies come on ▓█
█▓ clear vinyl. The discs come in a full colour fold-out cover. As ▓█
█▓ a bonus to the clear vinyl edition a 2CD was produced only ▓█
█▓ available with this first edition of 300 copies. The 2CD ▓█
█▓ consists completely of remixes by all four artists reworking ▓█
█▓ the original material of the 7 inch's by another artist. The ▓█
█▓ first 100 copies of the 2CD are signed by all four artists! ▓█
█▓ Released October 2005). ▓█
█▓ ▓█
█▓ ▓█
█▓ "This four-way split from Die Stadt is a treat. It is a double ▓█
█▓ 7ö with a gorgeous sleeve featuring some wonderful experimental ▓█
█▓ and minimalist pieces from four top-notch sound artists. Lucky ▓█
█▓ early birds who get one of the first 300 copies also get a ▓█
█▓ double CD of material from the same artists. Packaged in a ▓█
█▓ lovely textured sleeve, the entire collection both looks and ▓█
█▓ sounds dreamy. ▓█
█▓ ▓█
█▓ ▓█
█▓ Die Stadt ▓█
█▓ ▓█
█▓ On the first 7ö, the track from zÆev looks to the early stages ▓█
█▓ of his career. ôElementonalö is a combination of two live ▓█
█▓ performances from the early '80s, the rhythm being from the ▓█
█▓ Atonal Festival in 1983 and metal percussion (I suppose youÆd ▓█
█▓ call it lead percussion) from a 1981 San Francisco show. ▓█
█▓ Combined, the two recordings make a powerful junkyard piece, ▓█
█▓ more chaotic and tempestuous than his contemporary ▓█
█▓ performances. John DuncanÆs contribution, however, is far ▓█
█▓ harsher than the rest of the material. ôOFFFFFFFFö is pure ▓█
█▓ noise, sounding like roadworks being broadcasted over longwave ▓█
█▓ radio. It is like being hit by the lightning that zÆev was ▓█
█▓ brewing up on the flipside. ▓█
█▓ ▓█
█▓ My favorite from the entire collection is the excerpt from ▓█
█▓ Aidan BakerÆs ôDrone Fourö on the second 7" single. There is a ▓█
█▓ gentle warmth in the waves of sound. The drones come together ▓█
█▓ to make an oceanic atmosphere. It feels that at any moment a ▓█
█▓ lumbering undersea behemoth will float silently past as you are ▓█
█▓ pushed away in its wake. The final piece from the vinyl is an ▓█
█▓ excerpt from ôThe Beautiful Declineö by Fear Falls Burning. ▓█
█▓ ItÆs superficially similar to the Baker piece but doesnÆt have ▓█
█▓ the same depth. ItÆs hard to get lost in the drones. The sleeve ▓█
█▓ notes make a big deal about it being performed in real time ▓█
█▓ with no overdubs but anyone with a guitar and a couple of delay ▓█
█▓ pedals could do something like this. ▓█
█▓ ▓█
█▓ The CDs are based on a simple concept: let the four artists ▓█
█▓ remix each other (or modify or recycle, I can never remember ▓█
█▓ the proper mot du jour). zÆev processes a two minute recording ▓█
█▓ of DuncanÆs into a 20 minute glitchy ambience: it doesnÆt work ▓█
█▓ as well as the other remixes. DuncanÆs remix of ZÆevÆs material ▓█
█▓ sounds a lot like his own piece on the vinyl but slower. It is ▓█
█▓ interesting enough but this disc is dull compared to the other ▓█
█▓ CD and the vinyl. The second CD is better. Fear Falls Burning ▓█
█▓ donÆt add anything significant to BakerÆs ôDrone Four,ö but it ▓█
█▓ is a much more satisfying 37 minutes and there are nice little ▓█
█▓ bumps and noises in the background that change the mood of the ▓█
█▓ piece ever so slightly into something more unsettling. Baker ▓█
█▓ fleshes out ôThe Beautiful Declineö into two more substantial ▓█
█▓ works, making the sound richer and more vibrant. Ironically it ▓█
█▓ sounds less like a pale imitation of BakerÆs own original work ▓█
█▓ once he fiddles with it. ▓█
█▓ ▓█
█▓ These various discs add up to a rewarding and fulfilling ▓█
█▓ experience. The different approaches each artist takes to ▓█
█▓ sculpturing sounds into different shapes and characters are ▓█
█▓ reinforced by each otherÆs contributions. Barring a couple of ▓█
█▓ stumbles there is a lot of material here that is worth sitting ▓█
█▓ down and analyzing bit by bit." ▓█
█▓ ▓█
█▓ ▓█
█▓ ▓█
█▓ If you like it, buy it. ▓█
█▓ █▄ ▄█ ▓█
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▀███▀▀ ▀▀█ Manifesto █▀▀ ▀▀███▀
█▓ ▀ ▀ ▓█
█▓ ▓█
█▓ We were founded with the sole intent of sharing underground ▓█
█▓ music with those who appreciate it. We hope to bring exposure ▓█
█▓ to these talented artists and, as such, ask you to please ▓█
█▓ consider purchasing their music, going to their shows, and ▓█
█▓ helping them out in anyway you can. We also ask that you do not ▓█
█▓ distribute our releases on p2p networks. ▓█
█▓ ▓█
▀▀ "Friendship, Loyalty, Commitment" ▀▀
▄▀█▓ ▓█▀▄
▀▄█▓ Greets: You know who you are. ▓█▄▀
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