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░██▀█ ▀▀▀▀▀ ▀▄█▄ ▀▄▄▄▀
▄▀██▀ B O S S M P 3 I S P R O U D T O P R E S E N T ▀▄█▀█▄
▄▀██░ ********************************************************** ▐███▀
▀▄█▄ artist : Pete Tong size : 240,3 MB ██▌▄
░█▄▀▄ album : Live on Radio one 04-18-DAB label : n/a ░██▀▄
▄▀██▀ genre : Dance str.date: 00/00/0000 ▄▀▄▀▀
▄▀██░ source : Radio rip.date: 04/19/2003 ▀█▀▄
▀██ bitrate : 192 kbit ripper : Team BOSS ██▀█
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██▌▄▀█ Pete Tong Tracklistings: 18/4/2003 ░██▌▄▀
██▌▄▀█ Essential Selection ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Madonna - 'American Life (Oeter Rauhoefer edit)' ░██▌▄▀
██▌▄▀█ (Maverick) ░██▌▄▀
██▌▄▀█ Klonhertz - 'Impossible' (White Label) ░██▌▄▀
██▌▄▀█ Double Dee - 'Shining (Cicada Mix)' (Positiva) ░██▌▄▀
██▌▄▀█ Duncan Sheik - 'On a High (Gabriel ' (White Label) ░██▌▄▀
██▌▄▀█ Dino - 'Call Me' (Prolifica) ░██▌▄▀
██▌▄▀█ 50 Cent - 'Many People' (Shady/Interscope) ░██▌▄▀
██▌▄▀█ Junior Jack - 'E Samba' (White Label) ░██▌▄▀
██▌▄▀█ Tom Mangan - 'So We Can' (Hood Records) ░██▌▄▀
██▌▄▀█ Tony Feline - 'Feel The Funk (Lee Coombs Mix)' (Air ░██▌▄▀
██▌▄▀█ Recordings) ░██▌▄▀
██▌▄▀█ Harry Romero Feat. Robert Owens - 'I Go Back' ░██▌▄▀
██▌▄▀█ (Subliminal) ░██▌▄▀
██▌▄▀█ Ginuwine - 'Hell Yeah' (Epic) ░██▌▄▀
██▌▄▀█ International Pony - 'Hanging Around' (Skint) ░██▌▄▀
██▌▄▀█ Ortz - 'Secret Garden' (White Label) ░██▌▄▀
██▌▄▀█ - ░██▌▄▀
██▌▄▀█ ***DJ On The Phone - (Dave Clark)*** ░██▌▄▀
██▌▄▀█ Makatone - 'Animal Worship' (Rodz Konez) ░██▌▄▀
██▌▄▀█ - ░██▌▄▀
██▌▄▀█ Holden And Thompson - 'Nothing (Laid Mix)' (Loaded) ░██▌▄▀
██▌▄▀█ Thunderpuss And Barnes - 'Head (Chris Cox Mix)' ░██▌▄▀
██▌▄▀█ (White Label) ░██▌▄▀
██▌▄▀█ Maurice And Noble - 'Hoochie Coochie Man' (White ░██▌▄▀
██▌▄▀█ Label)s ░██▌▄▀
██▌▄▀█ Envoy - 'Nightmoves' (Soma Recordings) ░██▌▄▀
██▌▄▀█ P Diddy And Kelis - 'Let's Get Ill' (Meanwhile/Bad ░██▌▄▀
██▌▄▀█ Boy) ░██▌▄▀
██▌▄▀█ - ░██▌▄▀
██▌▄▀█ ***The Buzz Chart - Compiled By DMC...*** ░██▌▄▀
██▌▄▀█ - ░██▌▄▀
██▌▄▀█ Murk - 'Alright' (Tommy Boy) ░██▌▄▀
██▌▄▀█ Shy FX And T Power - 'Feelin U' (London) ░██▌▄▀
██▌▄▀█ Tony Senghore - 'Whaddup' (Underwater) ░██▌▄▀
██▌▄▀█ Sam Obernik - 'Mr Butterfly (M Factor Remix' (East ░██▌▄▀
██▌▄▀█ West) ░██▌▄▀
██▌▄▀█ Timo Mass - 'Unite' (Perfecto) ░██▌▄▀
██▌▄▀█ - ░██▌▄▀
██▌▄▀█ ***Buzz Chart No. 1*** ░██▌▄▀
██▌▄▀█ Junkie XL - 'Catch Up To My Step' (Roadrunner) ░██▌▄▀
██▌▄▀█ - ░██▌▄▀
██▌▄▀█ ***This Week's Essential New Tune*** ░██▌▄▀
██▌▄▀█ 4 Tune 500 - 'Dancing In The Dark' (Black And Gold) ░██▌▄▀
██▌▄▀█ - ░██▌▄▀
██▌▄▀█ Lil Louis - 'I Called U (Re-Mix)' (FFRR) ░██▌▄▀
██▌▄▀█ Number One - 'Jam' (White Label) ░██▌▄▀
██▌▄▀█ Junior Jack - 'E Samba (Full Intention Mix)' (White ░██▌▄▀
██▌▄▀█ Label)s ░██▌▄▀
██▌▄▀█ Massive Attack - 'Butterfly Caught (Paul Daley Mix)' ░██▌▄▀
██▌▄▀█ (Virgin) ░██▌▄▀
██▌▄▀█ - ░██▌▄▀
██▌▄▀█ ***Trainspotter*** ░██▌▄▀
██▌▄▀█ Black Science Orchestra - 'New Jersey Deep (Swag ░██▌▄▀
██▌▄▀█ Remix)' (Junior) ░██▌▄▀
██▌▄▀█ - ░██▌▄▀
██▌▄▀█ ***Friday Night's Hot Mix*** ░██▌▄▀
██▌▄▀█ M.A.N.D.Y. - 'Tonight' (Get Physical Music) ░██▌▄▀
██▌▄▀█ Attention Deficit - 'Touched' (White Llabel) ░██▌▄▀
██▌▄▀█ Sander Kleinenburg - 'Unknown' (White Label) ░██▌▄▀
██▌▄▀█ Dave Graham - 'Dirty Sticky Floor (Junkie XL Dub)' ░██▌▄▀
██▌▄▀█ (Mute)s ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Pete Tong Biography ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ For Pete Tong, whose consummate involvement in all ░██▌▄▀
██▌▄▀█ areas of dance music has made him a genuine ░██▌▄▀
██▌▄▀█ household name in the UK, these are exciting times: ░██▌▄▀
██▌▄▀█ every aspect of his considerably varied career is ░██▌▄▀
██▌▄▀█ currently undergoing either consolidation, change, ░██▌▄▀
██▌▄▀█ or creation anew. As a DJ, Tong is enjoying ░██▌▄▀
██▌▄▀█ increasing international popularity, especially in ░██▌▄▀
██▌▄▀█ the USA, and is launching a residency at Pacha in ░██▌▄▀
██▌▄▀█ Ibiza this summer with fellow pioneer Paul ░██▌▄▀
██▌▄▀█ Oakenfold. And as a broadcaster who brought dance to ░██▌▄▀
██▌▄▀█ the masses via his Essential Selection show at Radio ░██▌▄▀
██▌▄▀█ One, he has just agreed a new three-year contract ░██▌▄▀
██▌▄▀█ which will keep him on the BBC airwaves through to ░██▌▄▀
██▌▄▀█ 2005. The record executive who founded the seminal ░██▌▄▀
██▌▄▀█ ffrr label in 1988, overseeing the careers of ░██▌▄▀
██▌▄▀█ Orbital, Goldie, Brand New Heavies, Salt n Pepa and ░██▌▄▀
██▌▄▀█ Artful Dodger, Pete Tong is returning to his A&R ░██▌▄▀
██▌▄▀█ roots with the company. The DJ behind many an ░██▌▄▀
██▌▄▀█ Essential Mix compilation, he has a triple CD set ░██▌▄▀
██▌▄▀█ Tune In, Turn On, Chill Out lined up for the summer; ░██▌▄▀
██▌▄▀█ he has also just assembled the music for 24 Hour ░██▌▄▀
██▌▄▀█ Party People. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Such a range of high-profile activities seems a long ░██▌▄▀
██▌▄▀█ way removed from Tong's beginnings as a wedding DJ ░██▌▄▀
██▌▄▀█ in Kent during his teens. But for all his current ░██▌▄▀
██▌▄▀█ fame and acclaim, you'd be hard put to find someone ░██▌▄▀
██▌▄▀█ whose progression has been more organic. In fact, in ░██▌▄▀
██▌▄▀█ many ways, Pete's story runs parallel to the growth ░██▌▄▀
██▌▄▀█ of dance music in the UK. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ When he was at school, hard rock ruled the roost, ░██▌▄▀
██▌▄▀█ and Pete tried playing in bands, but after seeing a ░██▌▄▀
██▌▄▀█ DJ playing actual records at a school disco and ░██▌▄▀
██▌▄▀█ deciding "that looked like much more fun," he never ░██▌▄▀
██▌▄▀█ looked back. "DJing just seemed to be my vocation." ░██▌▄▀
██▌▄▀█ Initially, Pete followed that vocation to Soul ░██▌▄▀
██▌▄▀█ Weekenders in otherwise quiet sea-side towns like ░██▌▄▀
██▌▄▀█ Caistor and Prestatyn, where he "was always the ░██▌▄▀
██▌▄▀█ young boy" who ran with a crowd of old-school DJs ░██▌▄▀
██▌▄▀█ known as the Soul Funk Mafia. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ His involvement in that scene landed him a day job ░██▌▄▀
██▌▄▀█ at Blues & Soul magazine where he soon became ░██▌▄▀
██▌▄▀█ features editor and began making appearances on ░██▌▄▀
██▌▄▀█ BBC's Radio London and Radio Medway. Out in club ░██▌▄▀
██▌▄▀█ land, meanwhile, he quickly learned a maxim that ░██▌▄▀
██▌▄▀█ still holds true today: "the only way to do it is to ░██▌▄▀
██▌▄▀█ run your own club, create your own scene." So Tong ░██▌▄▀
██▌▄▀█ DJ'd a club in Baker Street called [Family] ░██▌▄▀
██▌▄▀█ Function, and simultaneously booked bands for a ░██▌▄▀
██▌▄▀█ weekend alternative night: the first one he hired ░██▌▄▀
██▌▄▀█ was the then-unknown Culture Club. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ An ability to explain what was then considered a ░██▌▄▀
██▌▄▀█ fringe genre found him presenting a dance music ░██▌▄▀
██▌▄▀█ segment on Radio 1's Peter Powell show. But noticing ░██▌▄▀
██▌▄▀█ that daytime DJs had no control over the music they ░██▌▄▀
██▌▄▀█ played, Tong eschewed national radio opportunities, ░██▌▄▀
██▌▄▀█ launching a soul show on Kent's newly-launched ░██▌▄▀
██▌▄▀█ Invicta station instead. By this time, his growing ░██▌▄▀
██▌▄▀█ reputation for recognising new talent saw him leave ░██▌▄▀
██▌▄▀█ Blues and Soul for an A&R position at London ░██▌▄▀
██▌▄▀█ Records, a job he has held, in one manner or ░██▌▄▀
██▌▄▀█ another, for almost twenty years. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ In the mid-eighties, the old guard was swept away, ░██▌▄▀
██▌▄▀█ as first the hip-hop and electro sounds from New ░██▌▄▀
██▌▄▀█ York, and then house music from Chicago, techno from ░██▌▄▀
██▌▄▀█ Detroit and the 'Baleiric Beat' in Ibiza, were ░██▌▄▀
██▌▄▀█ embraced by a new set of young London promoters and ░██▌▄▀
██▌▄▀█ DJs. Pete Tong and his friend Nicky Holloway DJ'd in ░██▌▄▀
██▌▄▀█ Ibiza for the first time in 1986. The following year ░██▌▄▀
██▌▄▀█ Holloway went with Oakenfold and Danny Rampling, and ░██▌▄▀
██▌▄▀█ upon return to London, succeeded in emulating the ░██▌▄▀
██▌▄▀█ Ibiza experience across clubland. The house ░██▌▄▀
██▌▄▀█ generation was born. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Tong, in the thick of it all, was hired by Capital ░██▌▄▀
██▌▄▀█ Radio to broadcast to the new clubbers, which helped ░██▌▄▀
██▌▄▀█ give him the clout to start a 'label within a label' ░██▌▄▀
██▌▄▀█ at London. Ffrr Records was born in 1988: hitting ░██▌▄▀
██▌▄▀█ the charts immediately with Salt n Pepa's 'Push It', ░██▌▄▀
██▌▄▀█ Tong and ffrr became famous for conducting lightning ░██▌▄▀
██▌▄▀█ raids on the latest underground hits and propelling ░██▌▄▀
██▌▄▀█ them up the charts. "I've been lucky," says Tong. "I ░██▌▄▀
██▌▄▀█ grew up at a time when the whole scene exploded, and ░██▌▄▀
██▌▄▀█ I worked with a bunch of people for a long period of ░██▌▄▀
██▌▄▀█ time who empowered me to be able to change things." ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ The biggest change came in 1991, when Radio One ░██▌▄▀
██▌▄▀█ recognised that it needed to cater for the new, and ░██▌▄▀
██▌▄▀█ permanent, youth culture. Pete was hired away from ░██▌▄▀
██▌▄▀█ Capital to host a brand new Friday evening show, the ░██▌▄▀
██▌▄▀█ Essential Selection, which gave him one of the most ░██▌▄▀
██▌▄▀█ influential jobs in the business - broadcasting to ░██▌▄▀
██▌▄▀█ the nation's record buying, club-going youth and, ░██▌▄▀
██▌▄▀█ unlike his daytime predecessors, choosing the music ░██▌▄▀
██▌▄▀█ too. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Tong's success as a broadcaster, clubland DJ and A&R ░██▌▄▀
██▌▄▀█ man has been predicated on a precarious but ░██▌▄▀
██▌▄▀█ successful balance between credibility - "I look for ░██▌▄▀
██▌▄▀█ originality and records with a lot of spirit and ░██▌▄▀
██▌▄▀█ soul," - and commerciality. "You can have good taste ░██▌▄▀
██▌▄▀█ in your own world and be very obscure," he says of ░██▌▄▀
██▌▄▀█ those DJs who ignore the crowd. This means that he's ░██▌▄▀
██▌▄▀█ not afraid to drop the hits onto the decks. "People ░██▌▄▀
██▌▄▀█ forget it's entertainment," Tong explains. "You've ░██▌▄▀
██▌▄▀█ got these DJs coming on, and they'll inflict two or ░██▌▄▀
██▌▄▀█ three hours of music on the audience, and sometimes ░██▌▄▀
██▌▄▀█ it's torture because it's all unknown. It doesn't ░██▌▄▀
██▌▄▀█ really work, and the music they're picking isn't ░██▌▄▀
██▌▄▀█ really that good anyway. It's supposed to be fun." ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ This readiness to entertain, tempered by a constant ░██▌▄▀
██▌▄▀█ search for the next big thing, enabled Tong to ░██▌▄▀
██▌▄▀█ thrive throughout the 1990s. Ffrr grew from a ░██▌▄▀
██▌▄▀█ singles-based label to an album artist's breeding ░██▌▄▀
██▌▄▀█ ground. The Essential Selection spun off a show ░██▌▄▀
██▌▄▀█ called the Essential Mix, enabling DJs worldwide to ░██▌▄▀
██▌▄▀█ showcase their mixing talents on national radio, and ░██▌▄▀
██▌▄▀█ together these led to the Essential compilations, ░██▌▄▀
██▌▄▀█ with Tong producing several best-sellers himself. In ░██▌▄▀
██▌▄▀█ the mid-nineties, Radio 1 sought Tong's advice on ░██▌▄▀
██▌▄▀█ revamping their roster, and with the arrival of ░██▌▄▀
██▌▄▀█ Judge Jules, Danny Rampling and co. to the national ░██▌▄▀
██▌▄▀█ airwaves, the revolution was complete. Success, ░██▌▄▀
██▌▄▀█ though, can bring complacency, something Tong is ░██▌▄▀
██▌▄▀█ adamant to avoid. "When you're on the radio for so ░██▌▄▀
██▌▄▀█ long your audience stays the same age but you get ░██▌▄▀
██▌▄▀█ older. The new people come in and think of you as a ░██▌▄▀
██▌▄▀█ radio DJ and not a club DJ." Tong's new contracts ░██▌▄▀
██▌▄▀█ with both ffrr and Radio 1 allow him more time on ░██▌▄▀
██▌▄▀█ the road, searching out new music as he plays across ░██▌▄▀
██▌▄▀█ the globe, broadcasting from select cities en route. ░██▌▄▀
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▄▀██░ ......................... ▄▀██
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░█▄▀▄ [Track Information] ░█▄▀▄
▄▀██▀ ▄▀██▀
▄▀██░ 01. live on radio one 04-18-2003 59:00 ▄▀██
▄▀██░ 02. live on radio one 04-18-2003 58:59 ▄▀██
▄▀██░ 03. live on radio one 04-18-2003 56:57 ▄▀██
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░███▄ Greetings, obviously you are reading this because ▐███▀
░███▄ BOSS has cought your attention in one way or another, ██▌▄
███▄▀ most likely from this great release. ░██▀▄
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░██▀▄ BOSS has many big releases everyday you just have to ▀█▀▄
▄▀▄▀▀ find them. Our team started to release internationally ██▀█
▀█▀▄ in 2000. In our group news we always inform you with ▄▀██▀
░██▀█ what we are looking for. ▄▀██
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▀▄█▄ Currently BOSS is looking for: ▄▀██▀
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▄▀██▀ 1) BNC's (eu/us) ░██▄
▄▀██ 2) Non-Commercial Shells (10mb+/1gig+) ██▄▀
▀██▄ 3) New Vinyl Suppliers and Rippers ▄▀▄▀
░██▄▀ 4) 100mbit HQ (.eu/.us)(linux/unix/bsd only) ▀▄██
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▄▀██ Thanks for supplying our needs from the last news! ▀▐██▌
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▀▐██▌ GREETZ THE BOSS CREW!!! ▄▀▄▄
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