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≡█
≥█ General Info :
≥█ Title .........: It's Not for You as it is for Us
≥█ Artist ........: Bergheim 34
≥█ Music Style ...: Electronic
≥█ Type ..........: Album
≥█ Release Date ..: Apr-26-2003
≥█
≥█ Used Tools :
≥█ Grabber .......: Dbpoweramp
≥█ Encoder .......: Lame 3.92
≥█
≥█ Additional Info:
≥█ Source ........: CDDA
≥█ No. Of Songs ..: 12
≥█ Size ..........: 82,4 MB
≥█ Playtime ......: 59:54 min
≥█ Label .........: Klang
≥█ Quality .......: 192kbps / 44,1kHz / HQ / Full Stereo
≡█
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±█
≥█ 01 ::: Baustelle ::: 04:39
≥█ 02 ::: Random Access Memory ::: 06:03
≥█ 03 ::: Us Key ::: 04:25
≥█ 04 ::: Nasty Girl ::: 05:09
≥█ 05 ::: Sucker Pt.2 ::: 04:04
≥█ 06 ::: System ::: 03:53
≥█ 07 ::: Frogs on Grills ::: 06:13
≥█ 08 ::: Rababa ::: 06:00
≥█ 09 ::: Coding Stains ::: 06:07
≥█ 10 ::: Sucker Pt.1 ::: 03:46
≥█ 11 ::: Take My Soul ::: 05:07
≥█ 12 ::: Oscillation ::: 04:28
±█
≡█
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≡█
±█
≥█ BERGHEIM 34, the band that isn't one, was formed in 1998 and has since
≥█ delighted perplexed music enthusiasts with three remarkable EP
≥█ releases. At last they have crawled out of their virtual sanctuary
≥█ again to present their new album. 'It's Not For You As It Is For Us'
≥█ is the result of two years' collective silence with each of the four
≥█ members going their own ways to concentrate on their own projects.
≥█ Meanwhile, light years away from the former living room combo of
≥█ Bergheimer Str. 34, Heidelberg, they have all moved to different
≥█ cities, and rehearsing together has become a rare exception. Instead,
≥█ BERGHEIM 34 have adopted a process of file sharing. Ideas are
≥█ transmitted, passages added, sounds changed until a track evolves that
≥█ is then circulated on each of the four hard disks. In the classic
≥█ sense, the band has thus perhaps become an ingenuous fake but in the
≥█ modern sense they could also be pioneers. Nothing has changed as
≥█ regards their key band characteristic: the way they musically
≥█ communicate. Besides pragmatism, BERGHEIM 34 also sees developing new
≥█ work styles as a means of improving their musical qualities. They can
≥█ be a real pack of artists once live performances have been put aside,
≥█ because they think they're not self-confident and good enough. Of
≥█ course that's complete nonsense (they're probably just too lazy),
≥█ because when seen back to front they are really top at improvising as
≥█ 'cold curry (why can't we play live together im Pudel HH)', a track
≥█ from their previous KLANG release, clearly proves. But that's how it
≥█ goes, 'It's Not For You As It Is For Us' is about the discrepancy
≥█ between what BERGHEIM 34 experience and how the outsides world
≥█ experiences them: as a band called BERGHEIM 34. 'Baustelle' beams you
≥█ straight into the BERGHEIM universe. One of the tracks they recorded
≥█ together in person. A flute comes in, breaks off for a moment and then
≥█ gives the cue. A synthesizer starts up, another washed-out sound joins
≥█ in, then the drums, bass and funk guitar. The whole thing shuffles you
≥█ into realising that playing music together is a real shock. Why
≥█ doesn't anyone do that anymore? It looks as if 'Random Access Memory'
≥█ promises to be a definite hit. Amid warm computer sounds, ANNE
≥█ VORTISCH summons the glowing chip of a lonely RAM element's mind
≥█ streams. Dear SVEN V─TH, feel free to help yourself. 'Nasty Girl'
≥█ comes across as hidden percussion research and paws the ground like a
≥█ disoriented bull in the arena, culminating in bewildering you with
≥█ hints of MICHAEL JACKSON sound-alike vocals - Wanna be startin'
≥█ somethin'? We know if we...something? 'Sucker Pt.2' is one of those
≥█ tracks that could well have been devised at a psychoactive band
≥█ session. Rumour has it that ANDREW PEKLER was allowed to untangle the
≥█ material collected from his doped band colleagues on this one. 'Frogs
≥█ On Grills' messes around with humid metallic beats and silly ideas
≥█ like melodies played on an African thumb piano. 'System', the second
≥█ 'song' besides 'Random Access Memory', is the laconic reflection of
≥█ binary systems. ANNE VORTISCH lends the computer a romantic flavour,
≥█ the others contribute depressive beats. On 'Us Key' BERGHEIM 34 play
≥█ Frogger in 4-player mode on their audio consoles. With real frogs that
≥█ they grill afterwards. 'Rababa' exudes a kind of ED WOOD charm where
≥█ it's all about telling a really hair-raising story, just means to an
≥█ end, something for the true connoisseurs, the ones with imagination.
≥█ 'Coding Stains' is a herbal, dubby epic based on falsified history,
≥█ because the track was initially performed live, but then STEFFEN
≥█ NEUERT and ANNE VORTISCH reworked it to program out, or in, the most
≥█ persistent bits. 'Sucker Pt.1' is the psychedelically shimmering outro
≥█ of an album that doesn't contradict itself in statements nor answers,
≥█ presented by a band that moulds tasty little cakes out of the morsels
≥█ of its decomposition.
±█
≡█
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[ best viewed in jane with lucida console ansi (size 8) ]