GForce.impOSCar.VSTi.RTAS.v1.10-AMPLiFY

Section
0day
Group
AMPLiFY
Size
15,87 MB
Files
4
Date
2007-12-30

NFO

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                   GForce.impOSCar.VSTi.RTAS.v1.10-AMPLiFY
  ·─:■┌■--────────┐_|_|____┌─+┐_.              ._┌──┐__|_:___┌────────--■┐■:─·
    ┌┼┘└───·▌▓▒▒░+┤-│─└─┬──┘─·∙─[ rELEASE iNFO ]─∙· └∙+┘ └+┬─────░▒▒▓▐─·┘└┼┐
  ·∙┘·            └·┘   ·     └+∙─*·        ·*─∙+┘         └·┘            ·└∙·
                                       ||
           TEAM AMPLiFY  :...SUPPLIER  ││  REL-DATE..:  12.31.2007
           TEAM AMPLiFY  :...PACKAGER  ││  RELEASE#..:  0DAY-154
               TEAM AiR  :....CRACKER  ││  DISKS.....:  04x5.00MB
          <-protection>  :.PROTECTION  ││  TYPE......:  VSTi/RTAS/Stand
                 Serial  :.PROTECTION  ││  TYPE......:  -alone
            gmediamusic  :....COMPANY  ||  OS........:  WinAll

    ┌──────────────────────────────────────────────────────────────────────┐
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         ··┘·    └+∙─*·         ·*─∙+┘ : |  └·┘      └·┘           ·└··

                http://www.gforcesoftware.com/ins_imposcar.php

                              Instrument Overview
           If you want subtractive, additive, monophonic, duophonic,
            polyphonic, multiple oscillator waveforms, multiple LFO
           types, multiple filter types, multiple triggering modes,
              keyboard velocity response, integrated effects, an
            arpeggiator, filter overdrive, programming immediacy, a
          hefty patch library and the capability of producing a vast
             and varied range of sublime tonal textures, then the
           impOSCar really could be the only virtual synth you need!

             This is a bold claim, we know, but such has been the
          response to the impOSCar and our belief in it's ability to
            produce the highest quality sounds across an extensive
           tonal range, that it might not be so fanciful after all!

             The impOSCar is modeled on the unique and wonderfully
             esoteric British synthesizer, the OSCar, manufactured
          between 1983 and 1986 and subsequently used to great effect
            by artists such as Ultravox, Jean-Michel Jarre, Stevie
             Wonder, Underworld, Orbital and even Oscar Peterson.
          Because it was released at the same time as MIDI and early
          affordable polyphonic synthesisers, the instrument wasn't a
          huge commercial success and only 2000 were produced before
                          the company ceased trading.

            However, to those in the know, OSCar has been a highly
            prized item and the secret weapon in many programmer's
           sonic arsenal. In a sea of monophonic subtractive synths
          available at that time it was unique and refreshing in many
                                     ways:

              It looked interesting. It had an additive synthesis
           section. It had memories. It was duophonic and monophonic
          and, with the exception of the filter, it was all digital.
          All of these features contributed to its sound which could
                      be summed up in one word- Awesome.

          From sublime to screaming, from clean and clinical to phat
                        as phuck, the OSCar did it all.

            The impOSCar was two years in production and since its
            release it has become one of the most respected virtual
          synthesisers on the market. All the notable features of the
            original instrument are evident here as well as several
           enhancements including a more intuitive additive section,
           polyphony, increased LFO waveforms and a chorus and delay
                               effects section.

          The filters are a particular highlight of the impOSCar and
            features two stunning 12dB filters running in series, a
           filter overdrive and sublime separation control. In fact
            these filters are now so respected, ace instrument and
          sound design company Spectrasonics licensed them for use in
                          their wonderful Stylus RMX.

           With additive and subtractive synthesis, a huge number of
          potential waveforms on offer, a plethora of kick-ass filter
          modes and an intuitive design, the impOSCar is capable of a
          range of sounds far beyond that of any standard subtractive
                                 synthesiser.

                                 Key Features

                 * Extremely realistic analog and digital modeling
                         * Two Oscillators & 13 waveforms
                        * Programmable Additive Wave Matrix
             * Nine Filter Types with Drive, Cutoff, Q and Separation.
                      * Mono, Duo and polyphonic arpeggiator
                               * 6 Portamento modes
                            * Powerful effects section
                         * Programmable Velocity Responses
                             * Two Envelope Generators
                       * Comprehensive LFO section with sync
                       * A vast range of sonic possibilities
               * 500+ Patch library with sounds created by original
           OSCar users inc Rick Smith (Underwo

Files

PathSize
a-gimpoa.zip4,77 MB
a-gimpob.zip4,77 MB
a-gimpoc.zip4,77 MB
a-gimpod.zip1,55 MB