Y.M.O._-_BGM-Remastered-2003-CMG

Section
MP3/FLAC
Group
CMG
Size
64,84 MB
Files
10
Date
2003-05-14

NFO


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█▓█  General Info   :

█▓█  Title .........: BGM

█▓█  Artist ........: Y.M.O.

█▓█  Music Style ...: Electronic

█▓█  Type ..........: Album

█▓█  Release Date ..: 14-05-2003

█▓█

█▓█  Used Tools     :

█▓█  Grabber .......: EAC V0.9 Beta 4 (Secure Mode)

█▓█  Encoder .......: Lame 3.92

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█▓█  Additional Info:

█▓█  Source ........: CDDA

█▓█  No. Of Songs ..: 10

█▓█  Size ..........: 64,8 MB

█▓█  Playtime ......: 47:08 min

█▓█  URL ...........: http://www.sonymusic.co.jp/Music/Info/ymo/

█▓█  Label .........: SMEJ

█▓█  Quality .......: 192kbps / 44,1kHz / HQ / Full Stereo

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█▓█  01  :::  Ballet                                               :::  04:34

█▓█  02  :::  Music Plans                                          :::  04:34

█▓█  03  :::  Rap Phenomena                                        :::  04:33

█▓█  04  :::  Happy End                                            :::  04:33

█▓█  05  :::  1000 Knives                                          :::  05:23

█▓█  06  :::  Cue                                                  :::  04:32

█▓█  07  :::  U.T                                                  :::  04:33

█▓█  08  :::  Camouflage                                           :::  04:34

█▓█  09  :::  Mass                                                 :::  04:32

█▓█  10  :::  Loom                                                 :::  05:20

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█▓█  Pioneers in electronic music, the influence of Yellow Magic Orchestra in

█▓█  this field is surpassed only by Kraftwerk. The band's massive commercial

█▓█  profile in their native country was the first example of the Orient

█▓█  grafting Western musical traditions into their own culture - and with

█▓█  Japan the birthplace of the world's technological boom in the late 70s, it

█▓█  was no surprise that the medium chosen was electronic. Session keyboard

█▓█  player Ry√ichi Sakamoto met drummer Yukihiro Takahashi while recording his

█▓█  debut solo album. Takahashi had already released solo work, in addition to

█▓█  being a member of the Sadistic Mika Band (an art-rock conglomeration whose

█▓█  three progressive albums were released in the UK for Harvest Records). He

█▓█  had also played in a subsidiary outfit, the Sadistics. The final member of

█▓█  YMO was recruited when the pair met a further established musician, bass

█▓█  player and producer Haruomi Hosono (as well as playing he would produce

█▓█  the group's first six albums). Having performed with two earlier recorded

█▓█  Japanese outfits, his was the most advanced solo career (he was on his

█▓█  fourth collection when he encountered Takahashi and Sakamoto).

█▓█

█▓█  Although the trio's debut album together was inauspicious, consisting

█▓█  largely of unconnected electronic pulses and flashes, Solid State Survivor

█▓█  established a sound and pattern. With English lyrics by Chris Mosdell, the

█▓█  tracks now had evolved structures and a sense of purpose, and were

█▓█  occasionally deeply affecting. X" Multiplies, however, was a strange

█▓█  collection, comprising comedy skits and no less than two attempts at

█▓█  Archie Bell And The Drells' 'Tighten Up". The UK issue of the same title

█▓█  added excerpts from the debut album (confusingly, a US version was also

█▓█  available, comprising tracks from Solid State Survivor in the main). There

█▓█  were elements of both on BGM and Technodelic which predicted the beautiful

█▓█  synth pop produced by later solo careers, but neither were the albums

█▓█  cohesive or unduly attractive on their own account. More skits, again in

█▓█  Japanese, appeared on Service, masking the quality of several strong

█▓█  songs, leaving Naughty Boys to prove itself Yellow Magic Orchestra's

█▓█  second great album. As with its predecessor, Naughty Boys arrived with

█▓█  English lyrics now furnished by Peter Barakan (later a Takahashi solo

█▓█  collaborator). Accessible and less angular, the songs were no less

█▓█  enduring or ambitious. The band eventually sundered in the early 80s, with

█▓█  Ry√ichi Sakamoto going on to solo and movie fame. His former collaborators

█▓█  would also return to their own pursuits, with Hosono enjoying success in

█▓█  production (Sandii And The Sunsetz, Sheena And The Rokkets, etc.) and

█▓█  Takahashi earning critical plaudits for his prolific and diverse solo

█▓█  output. News filtered through in 1993 that, on the back of interest

█▓█  generated by a number of dance music artists name-checking or simply

█▓█  sampling their wares, Yellow Magic Orchestra were to re-form. The

█▓█  resultant Technodon was completed in March before the trio went their

█▓█  separate ways once again.

█▓█

█▓█  Discography:

█▓█  Yellow Magic Orchestra (Alfa 1978), Yellow Magic Orchestra different mixes

█▓█  to debut (A&M 1979), Solid State Survivor (Alfa 1979), Public Pressure

█▓█  (Alfa 1980), X" Multiplies (Alfa 1980), X' Multiplies different

█▓█  track-listing (A&M 1980), BGM (A&M 1981), Technodelic (Alfa 1981), Service

█▓█  (Alfa 1983), After Service (Alfa 1983), Naughty Boys (Alfa 1983), Naughty

█▓█  Boys Instrumental (Pickup 1985), Technodon (Alfa 1993).

█▓█

█▓█  -- Encyclopedia of Popular Music

█▓█

█▓█  Brought to you by the CMG division in Japan

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'=(0.0)='_ARRRG!!_File_Got_Mugged_By_PiRaTES_At_The_Treasure_Island_'=(0.0)='
.='|m|'=.                                                           .='|m|'=.

Files

PathSize
01-ballet-cmg.mp36,29 MB
02-music_plans-cmg.mp36,27 MB
03-rap_phenomena-cmg.mp36,25 MB
04-happy_end-cmg.mp36,25 MB
05-1000_knives-cmg.mp37,40 MB
06-cue-cmg.mp36,25 MB
07-u.t-cmg.mp36,27 MB
08-camouflage-cmg.mp36,28 MB
09-mass-cmg.mp36,23 MB
10-loom-cmg.mp37,35 MB