Y.M.O._-_Service-Remastered-2003-CMG

Section
MP3/FLAC
Group
CMG
Size
75,71 MB
Files
14
Date
2003-05-14

NFO

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█▓█  General Info   :
█▓█  Title .........: Service
█▓█  Artist ........: Y.M.O.
█▓█  Music Style ...: Electronic
█▓█  Type ..........: Album
█▓█  Release Date ..: 14-05-2003
█▓█
█▓█  Used Tools     :
█▓█  Grabber .......: EAC V0.9 Beta 4 (Secure Mode)
█▓█  Encoder .......: Lame 3.92
█▓█
█▓█  Additional Info:
█▓█  Source ........: CDDA
█▓█  No. Of Songs ..: 14
█▓█  Size ..........: 75,7 MB
█▓█  Playtime ......: 55:01 min
█▓█  URL ...........: http://www.sonymusic.co.jp/Music/Info/ymo/
█▓█  Label .........: SMEJ
█▓█  Quality .......: 192kbps / 44,1kHz / HQ / Full Stereo
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█▓█  01  :::  Limbo                                                :::  03:32
█▓█  02  :::  S.E.T.                                               :::  04:22
█▓█  03  :::  The Madmen                                           :::  04:41
█▓█  04  :::  S.E.T.                                               :::  01:24
█▓█  05  :::  Chinese Whispers                                     :::  04:29
█▓█  06  :::  S.E.T.                                               :::  04:16
█▓█  07  :::  You've Got To Help Yourself                          :::  04:44
█▓█  08  :::  S.E.T. + YMO                                         :::  05:54
█▓█  09  :::  Shadows On The Ground                                :::  04:22
█▓█  10  :::  S.E.T.                                               :::  03:26
█▓█  11  :::  See-Through                                          :::  03:39
█▓█  12  :::  S.E.T.                                               :::  04:09
█▓█  13  :::  Perspective                                          :::  05:16
█▓█  14  :::  S.E.T.                                               :::  00:47
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█▓█  Pioneers in electronic music, the influence of Yellow Magic Orchestra in
█▓█  this field is surpassed only by Kraftwerk. The band's massive commercial
█▓█  profile in their native country was the first example of the Orient
█▓█  grafting Western musical traditions into their own culture - and with
█▓█  Japan the birthplace of the world's technological boom in the late 70s, it
█▓█  was no surprise that the medium chosen was electronic. Session keyboard
█▓█  player Ry√ichi Sakamoto met drummer Yukihiro Takahashi while recording his
█▓█  debut solo album. Takahashi had already released solo work, in addition to
█▓█  being a member of the Sadistic Mika Band (an art-rock conglomeration whose
█▓█  three progressive albums were released in the UK for Harvest Records). He
█▓█  had also played in a subsidiary outfit, the Sadistics. The final member of
█▓█  YMO was recruited when the pair met a further established musician, bass
█▓█  player and producer Haruomi Hosono (as well as playing he would produce
█▓█  the group's first six albums). Having performed with two earlier recorded
█▓█  Japanese outfits, his was the most advanced solo career (he was on his
█▓█  fourth collection when he encountered Takahashi and Sakamoto).
█▓█
█▓█  Although the trio's debut album together was inauspicious, consisting
█▓█  largely of unconnected electronic pulses and flashes, Solid State Survivor
█▓█  established a sound and pattern. With English lyrics by Chris Mosdell, the
█▓█  tracks now had evolved structures and a sense of purpose, and were
█▓█  occasionally deeply affecting. X" Multiplies, however, was a strange
█▓█  collection, comprising comedy skits and no less than two attempts at
█▓█  Archie Bell And The Drells' 'Tighten Up". The UK issue of the same title
█▓█  added excerpts from the debut album (confusingly, a US version was also
█▓█  available, comprising tracks from Solid State Survivor in the main). There
█▓█  were elements of both on BGM and Technodelic which predicted the beautiful
█▓█  synth pop produced by later solo careers, but neither were the albums
█▓█  cohesive or unduly attractive on their own account. More skits, again in
█▓█  Japanese, appeared on Service, masking the quality of several strong
█▓█  songs, leaving Naughty Boys to prove itself Yellow Magic Orchestra's
█▓█  second great album. As with its predecessor, Naughty Boys arrived with
█▓█  English lyrics now furnished by Peter Barakan (later a Takahashi solo
█▓█  collaborator). Accessible and less angular, the songs were no less
█▓█  enduring or ambitious. The band eventually sundered in the early 80s, with
█▓█  Ry√ichi Sakamoto going on to solo and movie fame. His former collaborators
█▓█  would also return to their own pursuits, with Hosono enjoying success in
█▓█  production (Sandii And The Sunsetz, Sheena And The Rokkets, etc.) and
█▓█  Takahashi earning critical plaudits for his prolific and diverse solo
█▓█  output. News filtered through in 1993 that, on the back of interest
█▓█  generated by a number of dance music artists name-checking or simply
█▓█  sampling their wares, Yellow Magic Orchestra were to re-form. The
█▓█  resultant Technodon was completed in March before the trio went their
█▓█  separate ways once again.
█▓█
█▓█  Discography:
█▓█  Yellow Magic Orchestra (Alfa 1978), Yellow Magic Orchestra different mixes
█▓█  to debut (A&M 1979), Solid State Survivor (Alfa 1979), Public Pressure
█▓█  (Alfa 1980), X" Multiplies (Alfa 1980), X' Multiplies different
█▓█  track-listing (A&M 1980), BGM (A&M 1981), Technodelic (Alfa 1981), Service
█▓█  (Alfa 1983), After Service (Alfa 1983), Naughty Boys (Alfa 1983), Naughty
█▓█  Boys Instrumental (Pickup 1985), Technodon (Alfa 1993).
█▓█
█▓█  -- Encyclopedia of Popular Music
█▓█
█▓█  Brought to you by the CMG division in Japan
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Files

PathSize
01-limbo-cmg.mp34,86 MB
02-s.e.t.-cmg.mp36,01 MB
03-the_madmen-cmg.mp36,45 MB
04-s.e.t.-cmg.mp31,93 MB
05-chinese_whispers-cmg.mp36,17 MB
06-s.e.t.-cmg.mp35,88 MB
07-youve_got_to_help_yourself-cmg.mp36,51 MB
08-s.e.t._plus_ymo-cmg.mp38,11 MB
09-shadows_on_the_ground-cmg.mp36,01 MB
10-s.e.t.-cmg.mp34,72 MB
11-see-through-cmg.mp35,02 MB
12-s.e.t.-cmg.mp35,71 MB
13-perspective-cmg.mp37,24 MB
14-s.e.t.-cmg.mp31,08 MB