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[dmc]
Doom Generation Noises
────[rlsnfo]────────────────────────────────────────────────────────────────────
Artist : Hank Crawford
Title : After Hours
Year : 1992
Label : n/a
Genre : Jazz
Type : Album
────[ripnfo]────────────────────────────────────────────────────────────────────
Ripped on: 10.09.2008
Ripper : DGN
Quality : avgkbps / 44,1kHz / Joint-Stereo
Size : 45,1 MB
Playtime : 33:13 min
Grabber : Eac
Encoder : Lame 3.97 V2 New
────[trax]──────────────────────────────────────────────────────────────────────
01. After Hours 05:32
02. Junction 03:59
03. Who Can I Turn To (When Nobody Needs Me) 04:42
04. Next Time You See Me 02:53
05. Soul Shoutin' 02:51
06. Makin' Whoopee 04:31
07. When Did You Leave Heaven 04:23
08. The Back Slider 04:22
────[Release Note]──────────────────────────────────────────────────────────────
Hank Crawford began formal piano studies at age nine and was
soon playing for his church choir. His father had brought an
alto saxophone home from the service and when Hank entered high
school, he took it up in order to join the band. He credits
Charlie Parker, Louis Jordan, Earl Bostic and Johnny Hodges as
early influences. In 1958 Crawford went to college at Tennessee
State University in Nashville, Tennessee. While at TSU, he
majored in music studying theory and composition, as well as
playing alto and baritone saxophone in the Tennessee State Jazz
Collegians. He also led his own rock 'n' roll quartet, "Little
Hank and the Rhythm Kings". This is when Crawford met Ray
Charles. They all thought he looked and sounded just like Hank
O'Day, a legendary local saxophonist, and that's when they
nicknamed him Hank. Charles hired Crawford originally as a
baritone saxophonist. Crawford switched to alto in 1959 and
remained with Charles' band--becoming its musical director
until 1963.[1] When Crawford left Ray Charles in 1963 to form
his own septet, he had already established himself with several
albums for Atlantic. From 1960 until 1970, he recorded twelve
LPs for the label, many while balancing his earlier duties as
RayÆs director. He released such pre-crossover hits as ôMistyö,
ôThe Pepperö, ôSkunky Greenö, and ôWhispering Grassö.
He also has done musical arrangement for Etta James, Lou Rawls,
and others.[2] Much of his career has been in R&B, but in the
1970s he had several successful jazz albums with I Hear a
Symphony reaching 11 on Billboard (magazine)'s Jazz albums list
and 159 for Pop albums.[3] American saxophonist David Sanborn
cites Hank Crawford as being one of his primary influences.[4]
Crawford is recognized by saxophonists as having a particularly
unique and pleasing sound.[5] In 1981, he featured, with fellow
horn players Ronnie Cuber and David Newman, on B. B. King's
There Must Be a Better World Somewhere. In 1983 he moved to
Milestone Records as a premier arranger, soloist, and composer,
writing for small bands--that include guitarist Melvin Sparks,
organist Jimmy McGriff, and Dr. John.[6] In 1986, Crawford
began working with blues-jazz organ master Jimmy McGriff.
TheyÆve recorded four co-leader dates for Milestone Recordsù
Soul Survivors, SteppinÆ Up, On the Blue Side, and Road
Testedùand tour together when Crawford isnÆt performing with
his own group.
The new century found Hank Crawford, shifting gears and going
for a more mainstream jazz set in his 2000 release The World of
Hank Crawford. Though the songs are compositions from jazz
masters as Duke Ellington and Tadd Dameron, he delivers in that
sanctified church sound that is his trademark. Followed by The
Best of Hank Crawford and Jimmy McGriff (2001), and Back
(2007). He has two children, Michael A. Crawford and Sherri L.
Crawford. As well as a Grandchild, Tiffany M. Crawford.
http://www.amazon.com/After-Hours-Hank-
Crawford/dp/B000002IT8/ref=ntt_mus_ep_wlb_dpt/105-6068149-
3174861
────[Group Notes]───────────────────────────────────────────────────────────────
Dgn is around since 1998...
After a few years, a few rippers who left, a few who joined, people
greeting,people yelling, people threatening, people helping, people
watching, we're still enjoying our aime: Let ppl listen to what they
are gonna buy b4 they pay a single penny.
There have been also some people and groups that helped out during the
last few years, maybe it's because of them that (against all odds) we
are still releasing and doing well, those know who they are, and we'll
thank forever.
We remind our beloved public, we're against all kind of distrubution,
don't search our rips neither in your preferred XDcc channel, nor in
your local 127.0.0.1 p2p program, We do not distribute ! But it's not
nice to buy when you do not know what you're buying.
As a matter of fact, DGN is a private group, and do not need rippers,
fast or slow shells, traders, t1+ sites, couriers, prewhores, and hw
suppliers, we need only a nice chalet in Switzerland/Canada or a Villa
in the Caribbean sea where to listen to some chillout music.
If you can supply any of those, for free, feel free to contact us for
an application form.
Remember to support the artists.
DGN Crew, 2003
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Nfo file by [dmc]/DGN using Elton's and Morgoth's tools