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[dmc]
Doom Generation Noises
────[rlsnfo]────────────────────────────────────────────────────────────────────
Artist : Anthony Braxton
Title : 4 (Ensemble) Compositions
Year : 1992
Label : n/a
Genre : Jazz
Type : Album
────[ripnfo]────────────────────────────────────────────────────────────────────
Ripped on: 11.08.2008
Ripper : DGN
Quality : avgkbps / 44,1kHz / Joint-Stereo
Size : 91,8 MB
Playtime : 73:17 min
Grabber : Eac
Encoder : Lame 3.97 V2 New
────[trax]──────────────────────────────────────────────────────────────────────
01. Composition No_ 100 15:42
02. Composition No_ 96 10:17
03. Composition No_ 164 23:09
04. Composition No_ 163 24:09
────[Release Note]──────────────────────────────────────────────────────────────
http://pdb22.shop.scd.yahoo.com/p:4%20(Ensemble)%
20Compositions%201992:1921150111
Two of the compositions on this recording were written around
1980, two in 1992, but all are representative of the more
"classical" side of Braxton's work. Unlike several previously
recorded examples of this facet of his oeuvre, however, an
ensemble made up largely of jazz musicians is utilized and,
partially as a result, this is one of his most successful
orchestral albums. The instrumental palette also contributes to
the luscious and rich sound with a group consisting of winds,
accordions, an organ, and a percussion section of vibes,
marimbas, and steel drums. "Composition 96," for example, had
been recorded by a student orchestra in 1981 (Composition 96,
Leo Records) where it retained a slightly academic tinge. Here,
in a shortened version, it opens up and breathes with the fine
organ work of Amina Claudine Myers featured prominently.
Elsewhere, the twin accordions of Guy Klucevsek and Ted
Reichman are in the fore, providing colors not usually
associated with Braxton. In the reed se...ction, he shows a
predilection for clarinets that also serves to amplify the
creamy, liquid sound world achieved here. Additionally, it
seems clear that Braxton allowed room for improvisation (though
it's difficult to ascertain exactly when this is the case),
which, of course, adds life and passion to the proceedings. It
should be noted that Braxton conducts the ensemble but does not
perform on this album. Braxton's "classical" leanings herein as
will others interested in the state of contemporary, creative
orchestral writing. A rewarding, challenging effort.
────[Group Notes]───────────────────────────────────────────────────────────────
Dgn is around since 1998...
After a few years, a few rippers who left, a few who joined, people
greeting,people yelling, people threatening, people helping, people
watching, we're still enjoying our aime: Let ppl listen to what they
are gonna buy b4 they pay a single penny.
There have been also some people and groups that helped out during the
last few years, maybe it's because of them that (against all odds) we
are still releasing and doing well, those know who they are, and we'll
thank forever.
We remind our beloved public, we're against all kind of distrubution,
don't search our rips neither in your preferred XDcc channel, nor in
your local 127.0.0.1 p2p program, We do not distribute ! But it's not
nice to buy when you do not know what you're buying.
As a matter of fact, DGN is a private group, and do not need rippers,
fast or slow shells, traders, t1+ sites, couriers, prewhores, and hw
suppliers, we need only a nice chalet in Switzerland/Canada or a Villa
in the Caribbean sea where to listen to some chillout music.
If you can supply any of those, for free, feel free to contact us for
an application form.
Remember to support the artists.
DGN Crew, 2003
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Nfo file by [dmc]/DGN using Elton's and Morgoth's tools