Sussan_Deyhim-Shy_Angels-2002-JUST

Section
MP3/FLAC
Group
JUST
Size
62,55 MB
Files
9
Date
2003-05-25

NFO

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     ▄▓█████████▓▓█▀                                               ▀▀▀▓██▓▌
░   ▓█████████▓▓█▀                                                  ▐█▄██▓▀
   ▐███▓██▀▀▓▀░          [ J U S T F U N . P R E S E N T S ]         ██▓▓█▀▀
░  ▓████▓▌  ░                                                        ▐▓▀▀
▓ ▐█████▓█                                                           ▀ ░
▀█▄▓████▓▓▄█▀   Artist.......: Sussan Deyhim                         ░▓ ▌
 ▄▀██▓██▓▓▀     Album.Title..: Shy Angels                           ░▓░▐▓
 ▓▓▄▀█▓▓▓▀      Label........: n/a                                 ░▓░ █▓▌
 ▐█▓▓ ▀▓        Genre........: Jazz                              ░▓▓▓ ▐█▓▓
  ▓█▓▌                                                             ▓░ ███▓▓[z0o]░
  ▐██░                      ░                           ░  ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
   ▀▓█░▄   ▌             ░▓░ [ R E L E A S E . I N F O ] ▓░   ▓▀▓█████████████▓▓▓▀
 ░   ▀▀▓█▄▐▓          ░▓▓▓░                             ░▓▓▓░ ░ ▀▓██████▓██▓▓▀  ░
   ░ ░    █▓▌▄▄▄ ▄▓ ░▓▓▓░                                 ░▓▓▓▓▓▓░ ▀▓█████▓▓▓
    ░▓▓░ ▐█▓▓   ░ ░▓▓░     rip.date....: May-17-2003           ░▓▓ ▐███████▓▓▌  ░
 ░░      ███▓▓  ▓▓░▓░      str.date....: 000-00-0000          ░▓▓░ ▓███▀ ▀▓█▓▓  ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄     ripper......: Storm                 ▓  ▐█▓▀  ░ ░▀█▓▌
 ▀▓█████████████▓▓▓▀       quality.....: 192 kbps            ░▓░  █▀ ░░▓▓▓   ▀▓
  ░ ▀▓██████▓██▓▓▀  ▓░     size........: 62,5 MB              ▓▓ ▀░ ░ ░ ░▓░   ░▀
      ▀▓█████▓▓▓  ░░▓      playtime....: 45:30 min            ░▓▓░▓▓▓▓   ▓▓▓░
  ░   ▐███████▓▓▌░▓▓▓░     Catnr.......: n/a                   ░▓▓▓▓▓  ▓░▓▓░░ ░
      ▓███▀ ▀▓█▓▓ ▓░░      URL.........: www.sussandeyhim.com     ░▒░    ░▓░   ░
     ▐█▓▀ ░░  ▀█▓▌░                                                      ░      ▒
     █▀ ░▓▓▓▓░  ▀▓                                                    ░  ░    ░
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  ░    ▄█▒████████▓▓▀                                               ▀▓██▓███▓▄
     ▄▓██░██████▓▓█▀        [ T R A C K . L I S T I N G ]              ▀▀▀▓██▓▌
    ▓█████████▓▓█▀                                                      ▐█▄██▓▀
   ▐███▓██▀▀▓▀░                                                          ██▓▓█▀▀
   ▓████▓▌  ░ track  title                                          time ▐▓▀▀
   ▓████▓▌                                                               ▀ ░▌
   ▓████▓▌     01.   the candle and the moth                       05:42   ▓▌
   ▓████▓▌     02.   bade saba                                     11:33   ▓▌
   ▓████▓▌     03.   daylaman                                      04:13   ▓▌
   ▓████▓▌     04.   meykhaneh                                     05:24   ▓▌
   ▓████▓▌     05.   navai                                         05:19   ▓▌
   ▓████▓▌     06.   negara                                        04:18   ▓▌
   ▓████▓▌     07.   gereyley                                      06:46   ▓▌
   ▓████▓▌     08.   hamcho farhad                                 02:15   ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌              [ A B O U T . T H i S . R E L E A S E ]            ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Rarely does an artist come along who is equally at        ▓▌
   ▓████▓▌       home recording and performing an album like Madman        ▓▌
   ▓████▓▌       of God: The Divine Love Songs of the Persian Sufi         ▓▌
   ▓████▓▌       Masters, as she is on a stage with the likes of           ▓▌
   ▓████▓▌       Praxis, Buckethead and Bill Laswell, walking the          ▓▌
   ▓████▓▌       very cutting edge of techno hip hop, but such an          ▓▌
   ▓████▓▌       artist is Sussan Deyhim.                                  ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Born in Teheran to an old aristocratic family, the        ▓▌
   ▓████▓▌       youngest of eleven children, Deyhim upbringing's          ▓▌
   ▓████▓▌       during the rule of the Shah was ultra-progressive.        ▓▌
   ▓████▓▌       Her father was an economist, scientist and                ▓▌
   ▓████▓▌       violinist; her house was filled with every                ▓▌
   ▓████▓▌       conceivable style of music, old and new.                  ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       "There was unbelievable variety," recalls Deyhim,         ▓▌
   ▓████▓▌       reflecting on the creative odyssey that has taken         ▓▌
   ▓████▓▌       her from pre-Revolutionary Iran, to the cutting           ▓▌
   ▓████▓▌       edge conceptualism of the progressive music scene.        ▓▌
   ▓████▓▌       "There was all this growing tension between               ▓▌
   ▓████▓▌       traditionalism and the modern world-a lot of              ▓▌
   ▓████▓▌       schizophrenia at the time. So much was open and           ▓▌
   ▓████▓▌       available and you had this young generation trying        ▓▌
   ▓████▓▌       to make up its mind about what was real for them."        ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       What was real for Deyhim was dance and music. Her         ▓▌
   ▓████▓▌       life was consumed with ballet and her teacher was a       ▓▌
   ▓████▓▌       choreographer who combined works by Stockhausen and       ▓▌
   ▓████▓▌       Bartok with traditional and folk Persian music.           ▓▌
   ▓████▓▌       Summers were spent at a special dance and arts camp       ▓▌
   ▓████▓▌       at the Caspian Sea, and at the Shirazz Festival,          ▓▌
   ▓████▓▌       the largest avant-garde gathering in the country,         ▓▌
   ▓████▓▌       which featured the likes of Robert Wilson, John           ▓▌
   ▓████▓▌       Cage and the Living Theater. By the time she met          ▓▌
   ▓████▓▌       Maurice Bejart and was offered a scholarship to           ▓▌
   ▓████▓▌       attend his School of Performing Arts in Brussels,         ▓▌
   ▓████▓▌       Deyhim had been exposed to an amazing variety of          ▓▌
   ▓████▓▌       music: from India, Egypt, Andalusia, and every part       ▓▌
   ▓████▓▌       of her own country-the African-influenced styles          ▓▌
   ▓████▓▌       and trance ceremonies of the south, Saudi Arabian,        ▓▌
   ▓████▓▌       Kurdish, Luristani, Baluchistani, Afgani, the             ▓▌
   ▓████▓▌       immigrant tribes of the central regions. "I was           ▓▌
   ▓████▓▌       trained to recognize all of these sonic dialects          ▓▌
   ▓████▓▌       and we studied dances with the real musicians of          ▓▌
   ▓████▓▌       all the traditions," she explains, "so I grew up          ▓▌
   ▓████▓▌       thinking that that was the way to go. Either it was       ▓▌
   ▓████▓▌       pure roots, or completely conceptual in a very pure       ▓▌
   ▓████▓▌       way."                                                     ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Both approaches would shape Deyhim's creative             ▓▌
   ▓████▓▌       sensibilities in critical ways. She studied and           ▓▌
   ▓████▓▌       performed with Bejart's Ballet of the Twentieth           ▓▌
   ▓████▓▌       Century and had been dancing with the company for         ▓▌
   ▓████▓▌       almost two years when she moved to New York and           ▓▌
   ▓████▓▌       plunged into dance classes, only to realize that          ▓▌
   ▓████▓▌       ballet was no longer her calling. "I had been             ▓▌
   ▓████▓▌       trained to do unusual vocals and I started doing          ▓▌
   ▓████▓▌       choreography and composing music myself, using my         ▓▌
   ▓████▓▌       voice as my instrument. Gradually I started getting       ▓▌
   ▓████▓▌       very excited about music. My apartment was in the         ▓▌
   ▓████▓▌       Village and I got into the downtown music and arts        ▓▌
   ▓████▓▌       scene. I wanted to do something cool and an               ▓▌
   ▓████▓▌       interesting hybrid relevant to our times."                ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Her opportunity arrived soon enough when she met          ▓▌
   ▓████▓▌       and began working with Richard Horowitz, a                ▓▌
   ▓████▓▌       musician, composer and producer schooled in free          ▓▌
   ▓████▓▌       jazz, steeped in the music of Morocco and many            ▓▌
   ▓████▓▌       other forms of what would become known as "world          ▓▌
   ▓████▓▌       music." Their collaboration would produce Majoun          ▓▌
   ▓████▓▌       for Sony Classical-a unique synthesis that married        ▓▌
   ▓████▓▌       the strains of traditional Middle Eastern music           ▓▌
   ▓████▓▌       with cutting edge technology and a very progressive       ▓▌
   ▓████▓▌       sensibility. Billboard described her vocals on the        ▓▌
   ▓████▓▌       album as "an overpowering presence. Her wordless          ▓▌
   ▓████▓▌       incantations are amplified in harmonized layers and       ▓▌
   ▓████▓▌       recycled into sampled loops, beckoning you into           ▓▌
   ▓████▓▌       this virtual desert ritual."                              ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       It was this same haunting quality that inspired           ▓▌
   ▓████▓▌       Peter Gabriel to use Deyhim's voice to evoke Jesus        ▓▌
   ▓████▓▌       raising Lazarus from the dead in Scorsese's Last          ▓▌
   ▓████▓▌       Temptation of Christ. Deyhim eventually                   ▓▌
   ▓████▓▌       collaborated with Depak Chopra for A Gift of Love,        ▓▌
   ▓████▓▌       with the poetry of Rumi being read by Madonna,            ▓▌
   ▓████▓▌       Martin Sheen and many others. She also began a solo       ▓▌
   ▓████▓▌       album in London called Maze, mixed by Adrian              ▓▌
   ▓████▓▌       Sherwood and Keith LeBlanc in London and produced         ▓▌
   ▓████▓▌       by Bill Laswell in New York, which is still in            ▓▌
   ▓████▓▌       production.                                               ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       At the same time Deyhim became a presence on the          ▓▌
   ▓████▓▌       international scene as a multi-dimensional vocalist       ▓▌
   ▓████▓▌       and performance artist combining music, movement,         ▓▌
   ▓████▓▌       and media. "I don't really consider myself an             ▓▌
   ▓████▓▌       entertainer from the showbizz tradition," she             ▓▌
   ▓████▓▌       points out. "I come more from Artaud, where               ▓▌
   ▓████▓▌       performance and shamanism are connected, where            ▓▌
   ▓████▓▌       going onstage is like being ready to fall off a           ▓▌
   ▓████▓▌       cliff."                                                   ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Her appearances have ranged from productions like         ▓▌
   ▓████▓▌       John Claude van Italie's Tibetan Book of the Dead         ▓▌
   ▓████▓▌       at La Mama in New York to playing Euridice at La          ▓▌
   ▓████▓▌       Scala in Milan, from performing with Bill Laswell         ▓▌
   ▓████▓▌       and Jah Wobble to recording and performing as a           ▓▌
   ▓████▓▌       soloist with Bobby McFerrin's vocal ensemble.             ▓▌
   ▓████▓▌       Deyhim wrote and performs the music in Shirin             ▓▌
   ▓████▓▌       Neshat acclaimed short film, Turbulent, which has         ▓▌
   ▓████▓▌       toured major international museums, with Deyhim           ▓▌
   ▓████▓▌       also performing live in a solo piece at the museums       ▓▌
   ▓████▓▌       called 'Vocadeliks'-"her face and voice are the           ▓▌
   ▓████▓▌       center of attention", noted Holland Carter in the         ▓▌
   ▓████▓▌       New York Times, calling her work "thrilling music         ▓▌
   ▓████▓▌       that sounds in the ear long after you've left the         ▓▌
   ▓████▓▌       show."                                                    ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       This year Deyhim released Madman of God, a                ▓▌
   ▓████▓▌       self-produced album of the divine classical love          ▓▌
   ▓████▓▌       songs of great Sufi poets like Rumi, Saadi and            ▓▌
   ▓████▓▌       Djami from the eleventh to nineteenth centuries,          ▓▌
   ▓████▓▌       which reunites the artist with her own "gracious          ▓▌
   ▓████▓▌       old culture", as she calls it, but at the same time       ▓▌
   ▓████▓▌       continues her journey into new sonic dimensions.          ▓▌
   ▓████▓▌       "It's a completely acoustic album played by master        ▓▌
   ▓████▓▌       musicians and yet it has a very modern sound," she        ▓▌
   ▓████▓▌       observes. "It has the precision and vibe of a             ▓▌
   ▓████▓▌       groove album--and yet there's something about it          ▓▌
   ▓████▓▌       that's ancient, and that engages you on a journey."       ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       While Deyhim's ongoing musical odyssey reflects her       ▓▌
   ▓████▓▌       broad diversity of interests and tastes-current           ▓▌
   ▓████▓▌       projects range from writing an opera to performing        ▓▌
   ▓████▓▌       the music of Mahler-other interests are clearly           ▓▌
   ▓████▓▌       heading her right towards the mainstream.                 ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       "What I'd really like to do is an album of great          ▓▌
   ▓████▓▌       R&B and soul songs--but as an Eastern singer," she        ▓▌
   ▓████▓▌       says, describing her vision for an upcoming album         ▓▌
   ▓████▓▌       project. "It would be a real vocal album that             ▓▌
   ▓████▓▌       blends the traditions that exist here with                ▓▌
   ▓████▓▌       traditions that exist there and stretches it into a       ▓▌
   ▓████▓▌       new synthesis--really takes it someplace it hasn't        ▓▌
   ▓████▓▌       gone before."                                             ▓▌
   ▓████▓▌                                                                 ▓▌
░  ▓████▓▌                                                                 ▓▌
▓ ▐█████▓█                       [ A B O U T . U S ]                       ▓▌
▀█▄▓████▓▓▄█▀                                                              ▓▌
  ▀██▓██▓▓▀   Our group consists of many rippers who are music enthu-      ▓▌
    ▀█▓▓▓▀    siasts. Justfun is releasing different kind of music         ▓▌
      ▀▓      like indie rock, trip-hop, ethnic, jazz, french,             ▓▌
       ░      electro and many more ...  We will bring you the music       ▓▌
       ░      we like and share it with the rest of the under-             ▓▌
       ░      ground scene. If you have, like us, a passion for      ▄     ▓▌
       ░      music, don't hesitate to contact us !               ▄▄█▌     ▓▌
       ░                                                       ▄████▓▌     ▓▌
       ░  GREETinGs : Nuhs . Hit2000 . DGN . Ksi . RAC . CHR █████▀▀▀▀     ▓▌
       ░         Om . rH . Fuffens . Remix . CMG . SB . Amok ░███          ▓▌
       ░         Kw . LOGOS . iTS . i . WLM . Aaf . Diss . ESC ██▌         ▓▌
                 SEVcD . pyt ...                               ▓██         ▓▌
       ░              and all ppl who share music with us !  ▄▄▄██▌        ▓▌
      ▐▓                                                    ▐░▓▓▓▓▌   ░    ░▌
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       ▄█▒████████▓▓▀                                        ▀▀▀▀▀  ▀▓██▓███▓▄
     ▄▓██▓██████▓▓█▀             [  C O N T A C T  ]                   ▀▀▀▓██▓▌
    ▓█████████▓▓█▀                                                      ▐█▄██▓▀
   ▐███▓██▀▀▓▀░      We're currently looking for :                       ██▓▓█▀▀
   ▓████▓▌  ░    - music enthusiast ppl buying cds on a regular basis.   ▐▓▀▀
   ▓████▓▌       - ppl who can get promos or advanced rls.               ▀ ░▌
░  ▓████▓▌       - Siteop who can provide at least 10mbits and             ▓▌
▓ ▐█████▓█         50gb++ for our archive.                           ▄     ▓▌
▀█▄▓████▓▓▄█▀    - People with skill and experience               ▄▄█▌     ▓▌
  ▀██▓██▓▓▀      ... and everyone who wants to help in a       ▄████▓▌     ▓▌
    ▀█▓▓▓▀           pleasant atmosphere our Just family.    █████▀▀▀▀     ▓▌
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       ░                  Share your forces with us !          ██▌         ▓▌
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      ░   ███▓▓                                              ▀▀▀▀▀  ███▓▓
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  ▀▓█████████████▓▓▓▀                                       ▀▓█████████████▓▓▓▀
   ░ ▀▓██████▓██▓▓▀   NFO and Layout  proudly made in Quebec ░ ▀▓██████▓██▓▓▀
       ▀▓█████▓▓▓                   by z0oy0rk                   ▀▓█████▓▓▓
       ▐███████▓▓▌                                               ▐███████▓▓▌
       ▓███▀ ▀▓█▓▓    [ J U S T F U N born in Apr. 2 0 0 0 ]     ▓███▀ ▀▓█▓▓
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     ▀░       ░   ░▀                                           ▀░         z!░▀

Files

PathSize
00-sussan_deyhim-shy_angels-2002-front-just.jpg5,30 KB
01-sussan_deyhim-the_candle_and_the_moth-just.mp37,85 MB
02-sussan_deyhim-bade_saba-just.mp315,86 MB
03-sussan_deyhim-daylaman-just.mp35,79 MB
04-sussan_deyhim-meykhaneh-just.mp37,43 MB
05-sussan_deyhim-navai-just.mp37,30 MB
06-sussan_deyhim-negara-just.mp35,92 MB
07-sussan_deyhim-gereyley-just.mp39,30 MB
08-sussan_deyhim-hamcho_farhad-just.mp33,09 MB