Break-Symmetry-SYMMCD001-2008-sour

Section
MP3/FLAC
Group
sour
Size
114,66 MB
Files
18
Date
2008-12-08

NFO

                                                                                 
                                                                                 
                                                                                 
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      `-----------------------:----'        : design.by.ant1k                    
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:   :                                                       _\  rippers  /____.  
:   :  release no     ( 9878 )                             \    rating        |  
:   :                                                       \_____.           |  
:   :  artist         (Break                             )         |   .---.  |  
:   :  title          (Symmetry                          )         | 0 |%%%|  |  
:   :  record label   (Symmetry (SYMMCD001)              )         | 9 |%%%|  |  
:   :  genre          (Drum & Bass                       )         | 8 |%%%|  |  
:   :  release date   (2008/12/08)                                 | 7 |%%%|  |  
:   :  street date    (2008/12/01)                                 | 6 |%%%|  |  
:   :                                                              | 5 |%%%|  |  
:   :  media type     vinyl ( ) tape ( ) cd  (x) radio ( )         | 4 |%%%|  |  
:   :  cover sfv m3u  cover (x)  sfv (x) m3u (x) cue   ( )         | 3 |%%%|  |  
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:.. :.....     ...                                                 | 1 |%%%|  |  
  :      :     :.:    (18 tracks)  (1:19:24 h)  (114,7 mb)         |   `---'  |  
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  nr   times   track titles                                                      
.----^-------^----------------------------------------------------------------.  
| 01    3:43   Break - Last Chance (feat. Kyo)                                |  
| 02    5:57   Break - Hooked Up                                              |  
| 03    1:10   Break - In Between                                             |  
| 04    5:13   Break - Reach Out                                              |  
| 05    3:10   Break - Too Hot To Hold (feat. SP)                             |  
| 06    6:01   Break - Light Speed                                            |  
| 07    4:29   Break - Symmetrics                                             |  
| 08    4:38   Break - Recovery                                               |  
| 09    5:17   Break - In My Mind (feat. Kyo)                                 |  
| 10    4:25   Break - It's Coming                                            |  
| 11    3:43   Break - Is This What You Want?                                 |  
| 12    3:21   Break - Walk                                                   |  
| 13    6:20   Break - All Around                                             |  
| 14    5:15   Break - Z Step                                                 |  
| 15    3:16   Break - Thin Ice                                               |  
| 16    4:59   Break - Adrenaline                                             |  
| 17    5:16   Break - Jungle Step                                            |  
| 18    3:11   Break - In The Blue                                            |  
`----^-------^--------------------------------------------/                   |  
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                |                                               |                
        .-------+                                              -+-------.        
        |       |                                               |       |        
        |       | After working his way to the very top of the  |       |        
        |       | game, Break has managed to become one of      |       |        
        |       | D&B's most in-demand DJs and producers, on    |       |        
        |       | entirely his own terms. Establishing an       |       |        
        |       | inimitable sound over the last couple of      |       |        
        |       | years through his seemingly endless output of |       |        
        |       | singles and remixes, Break's stripped back,   |       |        
        |       | highly rhythmic and technically unrivalled    |       |        
        |       | productions have become a necessary component |       |        
        |       | in every good DJ's sets. However, what we     |       |        
        |       | have heard from Break in that time represents |       |        
        |       | only a fraction of the man and his talents,   |       |        
        |       | and on "Symmetry" we get to see exactly what  |       |        
        |       | he is capable of. This is an album that will  |       |        
        |       | sate the expectations of Break's many         |       |        
        |       | hardcore fans yet still be entirely           |       |        
        |       | accessible to the uninitiated listener from   |       |        
        |       | outside the genre. With lush musical          |       |        
        |       | interludes, down tempo trip-hop and even a    |       |        
        |       | touch of breaks and tech-house, interspersing |       |        
        |       | the faultless D&B, this is the varied         |       |        
        |       | collection of work we were all hoping for.    |       |        
        |       | Every track on the four piece vinyl is pure   |       |        
        |       | quality, in particular the dub spaciousness   |       |        
        |       | of "Hooked Up", the pure jungle of "Jungle    |       |        
        |       | Step" and the divine Calibre-esque "Last      |       |        
        |       | Chance" featuring the incredible vocals of    |       |        
        |       | Kyo. But it's the 18 track CD that really     |       |        
        |       | shows what Break is capable of; whether       |       |        
        |       | through the breaks collaboration with SP, the |       |        
        |       | cop themed Beastie Boys-styled "Walk" or the  |       |        
        |       | 'dubstep' of "Thin Ice", Break flaunts his    |       |        
        |       | genius without ever succumbing to the         |       |        
        |       | obvious. "If you only buy one D&B album this  |       |        
        |       | month, make sure it's this." - Jon Ethics:    |       |        
        |       | ATM Magazine. DJ Support from: Fierce, Andy   |       |        
        |       | C, DJ Die, Fabio, Friction, Hype, Goldie, A   |       |        
        |       | Sides, Calyx & Teebee, D-Bridge, Bailey,      |       |        
        |       | Noisia, Laurent Garnier, Martyn and many      |       |        
        |       | others.                                       |       |        
        |       |                                               |       |        
        `-------+-                                              +-------`        
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.--|  |  |  |  |  |  |  |  |  |  |----------------------------------+--+--+---.  
|  |  |  |  |  |  |  |  |  |  |  |        d i s c l a i m e r       :  .  :   |  
`--|  |  |  |  |  |  |  |  |  |  |----------------------------------+--+--+---'  
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.-----------------------------------------------------------------------------.  
|                                                                             |  
|   This release may contain copyrighted material, however SOUR guarantees    |  
|   that this material was at least available to one person "on the street"   |  
|     and that the possession of this material is in no way privileged.       |  
|                                                                             |  
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |  
|    the internet drum'n'bass public since summer 1999. Originally a small    |  
|       operation, we have now reached levels of international acclaim.       |  
|                                                                             |  
|  SOUR is dedicated to both the availability and promotion of music to the   |  
|  public, and our rips are intended to reflect these ideals. Specifically:   |  
|                                                                             |  
| . SOUR is dedicated to the promotion of new music that is currently         |  
|   available to buy. If you like something you hear, you are obliged to      |  
|   attempt to purchase an original copy.                                     |  
|                                                                             |  
| . SOUR is dedicated to the promotion of old music that may no longer be     |  
|   available to buy.                                                         |  
|                                                                             |  
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass        |  
|   worldwide! We provide a service where none is available, specifically in  |  
|   many remote countries where traditional distributors can not afford to    |  
|   target. Also, the availability of drum'n'bass in an easily accessible     |  
|   form expands the potential for real world sales to people who may not     |  
|   otherwise have considered buying drum'n'bass.                             |  
|                                                                             |  
| . SOUR is dedicated to the expansion of the online and offline real world   |  
|   scenes. With more listeners enjoying what they hear, clubs and venues can |  
|   only expect MORE people to attend events; DJ's can only expect MORE       |  
|   people to pay to see THEM.                                                |  
|                                                                             |  
| By accident of today's current real world distribution arrangements, many   |  
|   artists will find that SOUR releases IMPROVE their real world sales;      |  
|  especially for items only on vinyl. This is the basis upon which SOUR      |  
|                                 operates.                                   |  
|                                                                             |  
`---------------------------------------------------------/                   |  
                                                  ...... /____________________|  
                                                  :            .                 
                                               ...:..          :                 
                                               :    :..........:                 
                                               :....:                            
                                             ::                                  
                                                                                 
                                                                                 
                      [ sour productions(c) 1999-2008 ]                          

Files

PathSize
01-break-last_chance_(feat_kyo)-sour.mp36,31 MB
02-break-hooked_up-sour.mp36,91 MB
03-break-in_between-sour.mp31,85 MB
04-break-reach_out-sour.mp37,52 MB
05-break-too_hot_to_hold_(feat_sp)-sour.mp33,97 MB
06-break-light_speed-sour.mp39,39 MB
07-break-symmetrics-sour.mp36,50 MB
08-break-recovery-sour.mp36,60 MB
09-break-in_my_mind_(feat_kyo)-sour.mp38,41 MB
10-break-its_coming-sour.mp37,44 MB
11-break-is_this_what_you_want-sour.mp35,74 MB
12-break-walk-sour.mp34,06 MB
13-break-all_around-sour.mp38,45 MB
14-break-z_step-sour.mp37,10 MB
15-break-thin_ice-sour.mp34,69 MB
16-break-adrenaline-sour.mp36,49 MB
17-break-jungle_step-sour.mp38,37 MB
18-break-in_the_blue-sour.mp34,87 MB