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▒ ░ ░ "OPEN MUSiC ASSOCiATiON"
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▒ █▓▓█▀ ██▓░ ▓ PROUDLY PRESENTS: ░ ▒ ░ █▓▓▓▒█ ▒
▓ ▀█▒█▄ █ ▓ ██▓▒█▀ ▓
▓█ █▓░█ ▒ The Cinematic Orchestra - Les Ailes Pourpres █░▒█ █▓
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▀█▄▄ ▀ ARTiST..[ The Cinematic Orchestra ▀ ▄▄█▀
░ █ ▀█ TiTLE...[ Les Ailes Pourpres █▀ █ ░
▒ █ ▀█ GENRE...[ Soundtrack GRABBER.[ EAC █▀ █ ▒
▓ █▄ █ LABEL...[ EMI ENCODER.[ Lame 3.97 █ ▄█ ▓
█▄ █▄ █ YEAR....[ 2008 QUALiTY.[ avg. 180kbps █ ▄█ ▄█
█▄ █▄█ SOURCE..[ CDDA MODE....[ Joint-Stereo █▄█ ▄█
█ ▀█ PLAYTiME[ 46:36 min REL.DATE[ 01.12.2009 █▀ █
██▄ TRACKS..[ 12 RiPPER..[ TEAM OMA ▄██
░ █▓█▄ SiZE....[ 62,3 MB SUPPLiER[ TEAM OMA ▄█▓█ ░
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░ █ ▀█ █▀ █ ░
▒ █▄ ▀█ NR. TRACK. TiME. █▀ ▄█ ▒
▓▄ █ █ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ █ █ ▄▓
█ █░ █ 01 opening titles 02:53 █ ░█ █
█ █░ █ 02 arrival of the birds 02:38 █ ░█ █
█ █░ █ 03 the dance 03:21 █ ░█ █
█ █░ █ 04 soda 03:11 █ ░█ █
█ █░ █ 05 hatching 05:12 █ ░█ █
█ █░ █ 06 marabou 03:56 █ ░█ █
█ █░ █ 07 exodus 07:17 █ ░█ █
█ █░ █ 08 transformation 05:16 █ ░█ █
█ █░ █ 09 hyena 01:49 █ ░█ █
█ █░ █ 10 life of the bird 03:33 █ ░█ █
█ █░ █ 11 first light 04:06 █ ░█ █
█ █░ █ 12 crimson skies (featuring lou rhodes) 03:24 █ ░█ █
█ █░ █ █ ░█ █
█ ▀█▄█ ∙∙∙∙∙∙∙∙∙∙∙ ░ █▄█▀ █
▀█ ▀█ ▒ TOTAL: 46:36 ▒ █▀ █▀
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▓█ █▓░█ █░▓█ █▓
█ █▓░█ Unfortunately this is just an average soundtrack. Not █░▓█ █
█ █▓░█ comparable with other Cinematic Orchestra albums. █░▓█ █
█ █▓░█ Didn't check at the shop before buying. :/ But not █░▓█ █
█ █▓░█ really bad though. So enjoy! █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ The aptly named Cinematic Orchestra (TCO) were formed █░▓█ █
█ █▓░█ by 30 year old J. Swinscoe back in 1999. At the time █░▓█ █
█ █▓░█ Jay was still an employee at Ninja Tune in South █░▓█ █
█ █▓░█ London, where he was responsible for export sales at █░▓█ █
█ █▓░█ the long-standing independent record label. Swinscoe █░▓█ █
█ █▓░█ arrived at London Bridge from Scotland via Yorkshire █░▓█ █
█ █▓░█ and Cardiff with a background playing bass and guitar █░▓█ █
█ █▓░█ in bands and DJing, as well as a head full of ideas █░▓█ █
█ █▓░█ and influences, such as his love of jazz bass █░▓█ █
█ █▓░█ players, rhythm sections and film soundtracks. So █░▓█ █
█ █▓░█ while he knocked out Mr. Scruff and Coldcut records █░▓█ █
█ █▓░█ to Spain and Scandinavia by day, he began putting █░▓█ █
█ █▓░█ together the TCO album 'Motion' in his downtime. In █░▓█ █
█ █▓░█ 2004, Swinscoe relocated to Paris, which slightly █░▓█ █
█ █▓░█ altered the balance of work between himself and █░▓█ █
█ █▓░█ France during the making of ôMa Fleurö (and was also █░▓█ █
█ █▓░█ responsible for its French title). Then in 2006 he █░▓█ █
█ █▓░█ moved again, this time to Brooklyn, New York. Jason █░▓█ █
█ █▓░█ is the first to acknowledge that this has had a █░▓█ █
█ █▓░█ direct impact on his creativity: ôI think the cities █░▓█ █
█ █▓░█ IÆve lived in have had an effect on my perspective █░▓█ █
█ █▓░█ both personally and musically. The dynamics of a city █░▓█ █
█ █▓░█ changes the energy and pace of all things, but █░▓█ █
█ █▓░█ particularly music.ö æMa FleurÆ: In Paris, Jason █░▓█ █
█ █▓░█ began work on the instrumentals, which would form the █░▓█ █
█ █▓░█ basis of his new record. Having completed a rough █░▓█ █
█ █▓░█ version by early 2005, he gave this to a friend who █░▓█ █
█ █▓░█ disappeared for 3 weeks and came back with short █░▓█ █
█ █▓░█ story scripts in which each track represented a █░▓█ █
█ █▓░█ scene. Jason then took this and worked some more on █░▓█ █
█ █▓░█ the tracks, and in turn gave this back to his █░▓█ █
█ █▓░█ scriptwriter, the two aspects of the project █░▓█ █
█ █▓░█ developing alongside one another. This yet-to-be-made █░▓█ █
█ █▓░█ movie gave Jason the emotional and narrative impetus █░▓█ █
█ █▓░█ he needed to develop the pieces and, in particular, █░▓█ █
█ █▓░█ led him even further into his exploration of song █░▓█ █
█ █▓░█ than he had previously gone. ôFor me, I think it █░▓█ █
█ █▓░█ became a natural evolution to enquire into that whole █░▓█ █
█ █▓░█ new world of the song form,ö he says. ôAlso I think █░▓█ █
█ █▓░█ the æsceenplayÆ experiment led to a need for a much █░▓█ █
█ █▓░█ more direct relationship to words and stories. So it █░▓█ █
█ █▓░█ still has links with film and narrative, in fact was █░▓█ █
█ █▓░█ driven by it.ö The Current Band: Over the years, the █░▓█ █
█ █▓░█ membership of Cinematic Orchestra has gradually █░▓█ █
█ █▓░█ evolved. Alongside core members Swinscoe and Phil █░▓█ █
█ █▓░█ France is Tom Chant, a fixture at left of centre jazz █░▓█ █
█ █▓░█ gigs all over the world, saxophonist Chant is known █░▓█ █
█ █▓░█ as one of the UKÆs top free jazz players. For æEvery █░▓█ █
█ █▓░█ DayÆ young drumming legend Luke Flowers was █░▓█ █
█ █▓░█ recruited, who had played together with France for a █░▓█ █
█ █▓░█ number of years as youthful stars on the northern █░▓█ █
█ █▓░█ jazz circuit. New members for the current incarnation █░▓█ █
█ █▓░█ of TCO are Nick Ramm - a pianist from London who has █░▓█ █
█ █▓░█ played with Matthew Herbert amongst many others û and █░▓█ █
█ █▓░█ Stuart McCallum, a guitarist from Manchester, whose █░▓█ █
█ █▓░█ subtle, six string antics have slightly changed the █░▓█ █
█ █▓░█ dynamics of TCOÆs sound on their new record. The █░▓█ █
█ █▓░█ shows will also feature vocals from Patrick Watson █░▓█ █
█ █▓░█ and special guests on selected dates. █░▓█ █
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██▄ All the siteops that host us... ▄██
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█▄ █▄ █ ░ iRC: #euhmnope? ░ █ ▄█ ▄█
█▄ █▄█ MAiL: oma@hushmail.com █▄█ ▄█
█ ▀█ ░ WEB: http://www.never-ever.com ░ █▀ █
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░ █▓█▄ ▓▓░ We're always looking for skilled rippers! ░▓▓ ▄█▓█ ░
▒ █▓▓█ ██▓░ Use one of the contact methods above to apply ;) ░▓██ █▓▓█ ▒
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▀▀▀ ▀▀▀ ▀▀▀ updated by ▀▀▀ ▀▀▀▄ ▀▀▀
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