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▀▀▓▓█▌ Carla Bley Big Band - Appearing Nightly ░
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▀▀▄▓▒▓ Artist .....: Carla Bley Big Band ▓▒▓
▐█▓▓ Title ......: Appearing Nightly ▓▓█
▀██▓ Year .......: 2008 ▓██
██▓ Genre ......: Jazz ▓██
███ Label ......: WATT ▓██
███ Source .....: CD ▓█▓
███ Bitrate ....: 194 kbps avg ██▓
███ khz ........: 44.1 █▓▓
███ Mode .......: Joint Stereo ██▓
██▓ Encoder ....: LAME v3.97 -V2 --vbr-new ██▓
██▓ Reldate ....: 2009-01-08 ▓██
██▓ Storedate ..: 2008-00-00 ▓██
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███▌ Tracklist ▀ ███
██▓▀ ███
███ 1. Greasy Gravy 8:50 ███
███ 2. Awful Coffee 6:11 ███
███ 3. Appearing Nightly At The Black Orchid 25:23 ███
███ 4. Someone To Watch 5:56 ███
███ 5. I Hadn't Anyone Till You 7:38 ███
██▓ ----- ▓██
██▓ 53:58 ▓██
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███▌ Release ▀ ███
██▓▀ ███
██▓ Bandleader and musical provocateur Carla Bley is ▓██
██▓ the Hector Berlioz of jazz. Her command of her ▓██
██▓ large ensembles is complete and potent. Her ▓██
██▓ composition, arrangement, and adaptation are ▓██
██▓ intelligent with a sophisticated sense of humor. A ▓██
██▓ superb pianist, Bley's true talent lies in her ▓██
██▓ ability to define and then guide an orchestra ▓██
██▓ through her arrangements without veering off into ▓██
██▓ parts unknown. Her relationship with big bands is ▓██
██▓ long lived, beginning in the late 1960s, including ▓██
██▓ the recordings Looking For America (ECM, 2003), The ▓██
██▓ Carla Bley Big Band Goes to Church (ECM, 1996), Big ▓██
██▓ Band Theory (ECM, 1993), and The Very Big Carla ▓██
██▓ Bley Band (ECM, 1990). ▓██
██▓ ▓██
██▓ The centerpoint of Appearing Nightly is the ▓██
██▓ 25-minute suite ôAppearing Nightly at the Black ▓██
██▓ Orchid.ö The suite extends the Berlioz comparison ▓██
██▓ by manifesting as ôprogramö jazz. Like Berlioz's ▓██
██▓ Symphonie Fantastique, ôAppearing Nightly at the ▓██
██▓ Black Orchidö is a multiple-part composition that ▓██
██▓ tells a story with music. Section 1: ô40 on/20 offö ▓██
██▓ alludes to jazz artists playing 40 minute sets with ▓██
██▓ 20 minute intermissions. ▓██
██▓ ▓██
██▓ The section begins with an eccentric Bley survey of ▓██
██▓ jazz piano literature. The solo piano opening is a ▓██
██▓ dead ringer for ôMy Foolish Heartö with ▓██
██▓ interpolations of ôAs time Goes By.ö This abruptly ▓██
██▓ gives way to a bassist Steve Swallow-drummer Billy ▓██
██▓ Drummond duet soon interrupted by a Bley hallmark: ▓██
██▓ low brass and reeds weaving in and out as if tuning ▓██
██▓ and in the process building toward a consonant ▓██
██▓ crescendo that leads into a spontaneous tenor ▓██
██▓ saxophone counterpoint and riffs, just as if the ▓██
██▓ listener had walked in the door mid-tune. From ▓██
██▓ there, the concert is in full swing. ▓██
██▓ ▓██
██▓ Section 2: ôSecond Roundö musically details the ▓██
██▓ evening in full swing with low brass conversation ▓██
██▓ dominated by a lengthy trombone solo, both Bley ▓██
██▓ touchtones. Bley likes the rasp of muted and full ▓██
██▓ bell 'bones and allows her collaborators full ▓██
██▓ reign. This is followed by a more full-throated ▓██
██▓ tenor saxophone solo that brings the section to a ▓██
██▓ silent end. Section 3: ôWhat Would You Like to ▓██
██▓ Hereö takes on a 1930s Duke Ellington ambiance with ▓██
██▓ a plunger muted trumpet solo delivered over the ▓██
██▓ plush bed of the full horn section and then, Bley's ▓██
██▓ piano, which flows into her own solo. ▓██
██▓ ▓██
██▓ Section 4: ôLast Callö closes the suite on an ▓██
██▓ upbeat note. Swallow further reveals his importance ▓██
██▓ to the Bley big band sound with his high-register ▓██
██▓ playing. More raspy trombone peppers the piece over ▓██
██▓ muted, then open-bell brass, propels the piece to ▓██
██▓ its conclusion. The suite is slightly palandromic, ▓██
██▓ recalling motifs from Section 1 as the solo ▓██
██▓ instruments are given eight bars alternating into a ▓██
██▓ quote-heavy coda. ▓██
██▓ ▓██
██▓ öAweful Coffeeö sports a Julian Argu"elles baritone ▓██
██▓ saxophone solo that meanders all over the map, ▓██
██▓ introducing the piece. It is also a tunefest with ▓██
██▓ quotes from ôSalt Peanuts,ö ôYou're the Cream in My ▓██
██▓ Coffee,ö ôWatermelon Man,ö ôLife is Just a Bowl of ▓██
██▓ Cherries,ö ôHey Pete, Let's Eat More Meat,ö and ▓██
██▓ ôTea for Twoö (note all having a food motif). ▓██
██▓ ôGreasy Gravyö slows down the tempo to a strut ▓██
██▓ again featuring low reeds and brass in solos before ▓██
██▓ Bley takes things for a spin herself. Bley mixes ▓██
██▓ old and new arrangement forms on ôI Ain't Had Nyone ▓██
██▓ Till Youö and ôSomeone to Watch,ö quoting the Great ▓██
██▓ American Songbook liberally and intelligently. ▓██
██▓ ▓██
██▓ Comparisons of Bley's big band talents to Ellington ▓██
██▓ and Charles Mingus are not hyperbole. In a field ▓██
██▓ crowded with every measure of big bands, Carla ▓██
██▓ Bley's Big Band stands as one of the most inventive ▓██
██▓ and unique ensembles. ▓██
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▄ ▀▄▓▄▓██ if you have something to offer contact us. ███
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