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▀▀██████≥▒░ Ripped ░ ███ ▒▓░░░▒ ██ FUCK WHAT YOU HEARD! ░▒▓███████▀▀
░███≥▒░ by TEAM ░░ ██ ▒░░ ░░ ██ PRESENTS ░▒▓███≡
▓██± FWYH ░░ █ ▒░ ░ ▀ ▒██≥
██≥ ▓███
▒██≡ ARTiST....[ Mika Goedrijk ░██±
██± TiTLE.....[ Pellicules ▒███
▓█≥ GENRE.....[ Electronic ▓█≥
███ LABEL.....[ ant-zen ███
▓█≡ KHZ.......[ 44,1 ░█≥
▒█± MODE......[ avgkbps / Joint-Stereo ▒█±
░█± ENCODER...[ Lame 3.97 ▒█≡
▀▄ ▒█≥ REL.DATE..[ 06-Feb-2009 ▓█± ▄▀
░ ▀██▄█≥ ▓██▄██▀ ░
░ ▀≥▓█▄ ▄▄≥▓█▀ ░
▄ ▓▒░██≥▄▄▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄▄2██≡▒▓ ▄
█▄▄▄▄2▒▀▀▀▀▀▀ [TRACKLiST] ▀▀▀▀▀±▓▄▄▄▄█
▓≥▀ Nr. TRACK ∙∙∙∙∙∙∙∙∙ TiME: ≥≥
░± ________________________________________________________________ ▒≡
░± 01│ Tempest │ 05:29 ▒≡
░± 02│ Strain │ 05:47 ▒≡
░± 03│ Locusts │ 04:20 ▒≡
░± 04│ White Spiders │ 05:31 ▒≡
░± 05│ Undulate │ 05:25 ▒≡
░± 06│ Zerotiefe │ 06:09 ▒≡
░± 07│ Grey Hours │ 06:26 ▒≡
░± 08│ Butterfly's Call (End Off) │ 06:17 ▒≡
░± 09│ The Sound and the Fury │ 05:44 ▒≡
░± │ │ _____ ▒≡
░≥ │ TOTAL PLAYTiME (MiN):│ 51:08 ▓≡
▒██▄ ▄█±
2▓≥▒░≥▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄2≡▒▓≥▓▄
≥≥▀ [RELEASENOTES] ≥≥▀
▒≥ ∙∙∙∙∙∙∙∙∙ ▓±
░± ▒≡
░± "to create is divine - to reproduce is human" (man ray) ▒≡
░± ▒≡
░± many listeners will have expectations about this release as mika ▒≡
░± goedrijk is well-known as the mastermind of projects such as ▒≡
░± this morn' omina, project arctic and pow(d)er pussy. ▒≡
░± ▒≡
░± what you are about to hear illustrates mika's decision to form a ▒≡
░± 'brand new' project (which is named perfectly). pellicules ▒≡
░± (films) highlights previously unrecognized facets of mika's ▒≡
░± musical self-conception. this album accentuates prior subsurface ▒≡
░± appearances of technoid intelligent dance music structures, ▒≡
░± catchy impulsive beats, melodic soundscapes and (unpredictable) ▒≡
░± tribal elements. for this project mika goedrijk left out ▒≡
░± oriental mysticism for occidental accuracy - the result is ▒≡
░± conclusive evidence that a pretend 'misfortune' can turn into a ▒≡
░± valuable work of electronic art. ▒≡
░± ▒≡
░± "a man is the sum of his misfortunes" (william faulkner) ▒≡
░± or is he? while musing (somewhere late december 2007) on why a ▒≡
░± cinematographer (before the digital age) cuts away parts of his ▒≡
░± visual creation and lets the pellicules drop on the floor (never ▒≡
░± to look at them again), have them burned or simply let them ▒≡
░± gather dust in some archive. as if he is unsatisfied with the ▒≡
░± result and is technologically unable to recreate anything on the ▒≡
░± fabric of the pellicule. i decided to go back to what i ▒≡
░± considered to be my pellicules, face them and recreate them as ▒≡
░± there was still a spark of life in them upon closer inspection. ▒≡
░± it was an arduous task but nevertheless a pleasant one at times. ▒≡
░± ▒≡
░± marcel proust was the main inspiration: ▒≡
░± "...for you are not even a person, a clearly defined entity, ▒≡
░± imperfect but at least perfectible" (from 'swann in love')... ▒≡
░± this particular sentence ignited the spark to (re)create) - ▒≡
░± other interesting guides in this endeavour were faulkner, ▒≡
░± derrida, foucault and man ray. although the above seem to be ▒≡
░± irreconcilable at first sight, they are not. ▒≡
░± ▒≡
░± so here you have it, my personal pellicules. discarded as they ▒≡
░± were seen as 'misfortunes' (or part of them) but now teeming ▒≡
░± with life - as they were (re)created beyond any form of ▒≡
░± recognition. ▒≡
░± ▒≡
░± so yes you are wrong when thinking this is 'old stuff'. it is in ▒≡
░± fact brand new. it has no relation to any of the other projects ▒≡
░± - which is the main reason why i wanted it to be released under ▒≡
░± my own name and not a 'project name'. ▒≡
░± ▒≡
░± enjoy to the fullest extent possible. let it wrap around you ▒≡
░± like a warm blanket in the midst of winter and play it loud! ▒≡
░± ▒≡
░± m.goedrijk ▒≡
▒██▄ ▄█±
▄█≥█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄≥██▄
▄▀ ▓▒≥▓±▀▀▀▀▀▀ [GROUPNOTES] ▀▀▀▀▀±≥▓±▓ ▀▄
░ ▄███≥░ ∙∙∙∙∙∙∙∙∙∙ ░▓████▄ ░
░ ▄█±█≡░ ░░█±██▄ ░
▄▀ ▓±░ FWYH : FUCK WHAT YOU HEARD, We're all about Family ░▒≥ ▀▄
▓≥░ Dedication, Quality, Respect & LOVE for the music! ░▓≥
▓≥░ As the years pass, all our motives and objectives ░▓≥
▓≥░ remain,we want to give the best of dark electronic ░▓≥
▓≥░ genres,with the quality deserved for the only true ░▓≥
▓≥░ underground scene, the Future is these genres!!!!! ░▓≥
▓≥░ ░▓≥
▓≥░ To all the artists that we release, some newcomers ░▓≥
▓≥░ & other established acts: We are sorry if you dont ░▓≥
▓≥░ understand the promotion we do, of your own work, ░▓≥
▓≥░ but if you make quality music, we are pretty sure ░▓≥
▓≥░ that a lot of people will spend their own money on ░▓≥
▓≥░ your art. Our intention isn't to spread for the ░▓≥
▓≥░ masses, but just to promote good music, so all we ░▓≥
▓≥░ can ask is an apologize for any misunderstanding!! ░▓≥
▓≥░ You People deserve all our respect and attention!! ░▓≥
▓≥░ ░▓≥
▓≥░ Alternately to all the Xdcc & p2p lamerz that one ░▓≥
▓≥░ day will probably destroy us all, our releases are ░▓≥
▓≥░ not supposed to be spread around, but to be where ░▓≥
▓≥░ they are meant to stay! Behind Doors & Locked Away ░▓≥
▓≥░ ░▓≥
▓≥░ __________________________________________________ ░▓≥
▓≥░ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ [GREETS] ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ░▓≥
▓≥░ ░▓≥
▓≥░ To our competition: AMOK, CMG, D2H, radial, SEVER ░▓≥
▓≥░ for all the good "fights", may you lose more than ░▓≥
▓≥░ win,there's no room for second place in this bizz ░▓≥
▓≥░ ░▓≥
▓≥░ To all the crews that have been an example for us ░▓≥
▓≥░ trough this years, many to enumerate, but we all ░▓≥
▓≥░ know "Who is Who", Props go to "WHO" deserves it! ░▓≥
▓≥░ ░▓≥
▓≥░ And finally, greets to all FWYH guys and their own ░▓≥
▓≥░ families, takes time and patience to go along with ░▓≥
▓≥░ all of this, so the warmest greets are to them!!!! ░▓≥
▓≥░ ░▓≥
0▓███▄ ▄███≥░▄
░▀ ▄▄██±░███▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄██≡▒███▄▄ ≡
▄███▀▀≥▒▒██▀▀▀ ▀▀▀█±▒▓█▀▀███▄
▀≥██ ASCii By AyLieN OF CHEMICAL REACTiON 2oo2! █≥█▀
████ Updated on 12-2006 ████
████ ████
███ FWYH : in Joint-Stereo forces ███
██▄ with Lame 3.97 ▄██
██ Alive since 2001 ██
█▄ ▄█