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█▀ Pascal RogΘ - Debussy Piano Music Vol.III ▀█
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▄▄▄▄▄▄▄█████▓░ ▄▄██▓▀▀ ;.. General infos ..; ▀▀▓██▄▄ ░▓█████▄▄▄▄▄▄▄
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▀▀███ ▓ Type ........: Album ▓ ███▀▀
▀ ██ ░ Music Style .: Classical ░ ██ ▀
▄ ▐█ Release.Date : 08.02.2009 █▌ ▄
▀▓▀ ▐█ Release.Size : 83,5 MB █▌ ▀▓▀
█ Playtime ....: 78:08 min █
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██▓░ █ Tracks ......: 16 █ ░▓██
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▀ ..;.TracKList.;.. ▀
01 ::: Images ::: 05:42
(Serie I) - I. Reflets Dans L'eau
02 ::: II. Hommage α Rameau ::: 08:08
03 ::: III. Mouvement ::: 03:23
04 ::: Images ::: 05:15
(Serie II) - I. Cloches α Travers Les
05 ::: II. Et La Lune Descend Sur Le ::: 06:31
Temple Qui F√t
06 ::: III. Poissons D'or ::: 04:28
07 ::: L'isle Joyeuse ::: 06:35
08 ::: D'un Cahier D'esquisses ::: 05:09
09 ::: Pour Le Piano - I. PrΘlude ::: 04:08
10 ::: II. Sarabande ::: 05:26
11 ::: III. Toccata ::: 04:25
12 ::: Berceuse HΘroique ::: 05:08
13 ::: PiΦce Pour L'ouevre Du VΩtement Du ::: 01:33
BlessΘ (Page D'album)
14 ::: Danse (Tarantelle Styrienne) ::: 05:26
15 ::: Hommage α Haydn ::: 02:28
16 ::: RΩverie ::: 04:23
Total ::: 78:08
░ ..;Release Notes;.. ░
░ Review Published: 15 June 2008 ░
░ Debussy's piano music seems rather to be ░
░ in vogue at the moment and the two ░
░ complete surveys by French pianists ░
░ Jean-Efflam Bavouzet and Pascal Roge make ░
░ a fascinating comparison. The discs ░
░ reviewed here are the third volumes in ░
░ their respective series but only have a ░
░ handful of shorter pieces in common. The ░
░ bulk of Roge's disc is taken up by the ░
░ two sets of Images and Pour le Piano ░
░ while Bavouzet gives us the Suite ░
░ bergemasque and Children's Corner, along ░
░ with what he calls 'the isolated salon ░
░ pieces or those of the late period.' ░
░ It is the shorter pieces which are common ░
░ to both discs - the early Reverie and the ░
░ later Berceuse Heroique, Page d'album and ░
░ Hommage a Haydn - that obviously give the ░
░ best demonstration of these pianists' ░
░ respective styles. As I noted in my ░
░ review of the second disc in Bavouzet's ░
░ cycle, his Debussy is at times muscular, ░
░ often favouring clarity over atmosphere, ░
░ avoiding the temptation to create the ░
░ washes of colour that some would advocate ░
░ in this so-called impressionist music. ░
░ Roge's performances are probably more ░
░ conventional, yet his softer grained ░
░ approach is every bit as persuasive. It's ░
░ testament to both artists' quality that ░
░ the two styles are equally convincing in ░
░ their hands. ░
░ Roge strikes me as particularly fine in ░
░ the Images where his ear for sonority and ░
░ broad palette of colours are especially ░
░ impressive. He maintains a stunningly ░
░ rapt atmosphere for 'et la lune descend ░
░ sur le temple qui fut' and sustains a ░
░ daringly slow tempo for 'Hommage a ░
░ Rameau'. In 'mouvement' he mixes ░
░ virtuosity with a delightful lightness of ░
░ touch, as he does in L'isle joyeuse, ░
░ which is for once truly joyful and ░
░ playful, reaching an exultant climax. In ░
░ Pour le piano he brings a real sense of ░
░ excitement to the 'Prelude' but again it ░
░ is the seductive, skipping lightness he ░
░ brings to the 'Toccata' that is ░
░ particularly enjoyable. These qualities ░
░ are there in the other shorter pieces ░
░ which complete the disc, culminating in ░
░ an ethereal and touching 'Reverie'. ░
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