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█▀ J.Fischer-G.Nikolic-Y.Kreizberg - W.A.Mozart-Sinf ▀█
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▀▀███ ▓ Type ........: Album ▓ ███▀▀
▀ ██ ░ Music Style .: Classical ░ ██ ▀
▄ ▐█ Release.Date : 12.02.2009 █▌ ▄
▀▓▀ ▐█ Release.Size : 74,3 MB █▌ ▀▓▀
█ Playtime ....: 63:35 min █
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▀ ..;.TracKList.;.. ▀
01 ::: Symphonie Concertante En Mi BΘmol ::: 12:32
Majeur K.364 - Allegro Maestoso
02 ::: Symphonie Concertante En Mi BΘmol ::: 11:11
Majeur K.364 - Andante
03 ::: Symphonie Concertante En Mi BΘmol ::: 06:19
Majeur K.364 - Presto
04 ::: Rondo Pour Violon Et Orch. En Ut ::: 06:04
Majeur K.373 - Allegretto Grazioso
05 ::: Concertone Pour 2 Violons Et Orch. ::: 08:24
En Ut Majeur K.190 - Allegro Spiritos
06 ::: Concertone Pour 2 Violons Et Orch. ::: 10:42
En Ut Majeur K.190 - Andantino Grazio
07 ::: Concertone Pour 2 Violons Et Orch. ::: 08:23
En Ut Majeur K.190 - Tempo Di Menuett
Total ::: 63:35
░ ..;Release Notes;.. ░
░ Mozart: Sinfonia Concertante K.364, ░
░ Concertone K.190, Rondo K.373 ░
░ Julia Fischer, Gordan Nikoli?, ░
░ Netherlands CO/Kreizberg (Pentatone PTC ░
░ 5186 098) ░
░ Release Date: October, 2007 ░
░ Pentatone have really backed a winner ░
░ with Julia Fischer. Only in her mid ░
░ twenties she is consistently praised to ░
░ the skies for her concert performances ░
░ and recordings. To cap it all, Gramophone ░
░ named her Artist of the Year in their ░
░ 2007 awards. Having already produced well ░
░ received versions of Mozart's Violin ░
░ Concertos with the Netherlands Chamber ░
░ Orchestra under Yakov Kreizberg, she here ░
░ turns her attention to the wonderful ░
░ Sinfonia Concertante K.364. In this and ░
░ the earlier Concertone for 2 Violins and ░
░ Orchestra K.190, she is partnered ░
░ excellently by Gordan Nikoli? and the ░
░ result is a disc of elegant and eminently ░
░ enjoyable music-making. ░
░ Although they are performances that have ░
░ evidently learnt a little from ░
░ 'authentic' performance, they retain, ░
░ especially in the tutti sections of the ░
░ Sinfonia Concertante, a sense of grandeur ░
░ and occasion. Although the orchestra ░
░ lacks nothing in rhythmic bite when ░
░ required, listen for example to the ░
░ vigorous pizzicati at 1'18 in the first ░
░ movement. The actual sound of the ░
░ Netherlands Chamber Orchestra, especially ░
░ when listening as an SACD, is ░
░ refreshingly vibrant; there's no smooth ░
░ lacquer masking the orchestral details. ░
░ Against this backdrop, Fischer's sweet ░
░ toned violin and Nikoli?'s pungent and ░
░ plangent viola converse playfully. ░
░ Throughout, the playing by the two ░
░ soloists has an irresistible joie de ░
░ vivre, but with no lack of intimacy: ░
░ their shared cadenza in the first ░
░ movement is particularly delightful. The ░
░ glorious Andante is made to sound like a ░
░ real, human dialogue - the slightly ░
░ confused liner note is without doubt ░
░ right here when it notes 'the slow ░
░ movement, especially, could easily be a ░
░ duet from one of his operas'. Nikoli?'s ░
░ viola playing gives one a good idea of ░
░ why Mozart was so fond of the instrument ░
░ and Fischer's playing is remarkably ░
░ unaffected, she might be a star player ░
░ but she is a natural chamber musician ░
░ too. Although some more Romantic versions ░
░ of the work might wring out more in the ░
░ way of tortured emotion in this movement, ░
░ this subtle, understated performance is ░
░ every bit as moving. The Presto is ░
░ despatched with evident relish capping a ░
░ fine performance of one of the greatest ░
░ works of Mozart's pre-Vienna period. ░
░ The Concertone, an earlier work dating ░
░ from 1774 - as indicated by the distant ░
░ clinking of a harpsichord in the ░
░ orchestra - is a wonderfully easy-going ░
░ complement to the meatier Sinfonia ░
░ Concertante. Although lighter (and ░
░ slighter), it provides ample ░
░ demonstration of Mozart's elusive genius. ░
░ Much of the compositional process is ░
░ based on repetition and sequential ░
░ writing which, in anyone else's hands, ░
░ could so easily end up being tedious. ░
░ However, Mozart employs these devices ░
░ artlessly and to wonderful effect. He's ░
░ helped significantly by the playing of ░
░ Fischer and Nikoli?, as well as Hans ░
░ Meyer, the orchestra's oboist, who also ░
░ plays a significant part (indeed the ░
░ booklet essay contradicts the cover's ░
░ designation - and Grove's - by calling it ░
░ a Concertone for two violins, oboe and ░
░ cello). The conversation here might be ░
░ less involved and serious than in the ░
░ Sinfonia Concertante but is every bit as ░
░ enjoyable for the listener, as evidently ░
░ it was for the performers. ░
░ This disc is the icing on the cake of ░
░ Fischer's Mozart concerto series on ░
░ Pentatone and is another distinguished ░
░ addition to her burgeoning discography. ░
░ Let's hope we don't have to wait too long ░
░ for the next. ░
░ ░
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