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▓ █ ▀▓▀[ snakkelfatz ]▀▓▀ ▐████▌▀▓▀ ▐█████▓ ▄ ▄▄█
▒ █ ░ [ Entertainment ] ░ ▓████ ░ ▄█████▓▀ ▀▓▀ █ █
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░ ▒ █ Goblin-Buio Omega ost █ █ ░
▒ ░ █ █ ▓ ░
▓ ▒ █ Supplier : sfE Date : May-11-2003 █ ▒ ▓
█ ░ █ Ripper : spaun Style : soundtrack █ ░ █
█ ▓ w/ help of : cdex 1.40b/lame Trax : 15 ▓ █
█▄▄ ▒ Bitrate : 192kbps / 44,1kHz / full stereo ▒ ▄▄█
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▒ █ █ [ informations ] █ █ ▒
░ █ █ █ █ ░
█ █ label : Cinevox Record Srl █ █
█ █ code : CD MDF 304 █ █
█ █ █ █
█ █ comments : Interessante cd che contiene la completa █ █
█ █ colonna sonora del cult film horror di █ █
█ █ Joe D'Amato, Buio Omega. Prima della █ █
█ █ realizzazione di questo cd solo alcuni █ █
█ █ brani sono stati inclusi in compilations █ █
█ █ molto rare. La vecchia edizione e' del █ █
█ █ 1979, da cui e' stato estratto un raro █ █
█ █ 45 giri, Bikini Island, incluso in una █ █
█ █ compilation di classici del terrore, █ █
█ █ "Ciak" della Cinevox, ed inoltre nella █ █
█ █ colonna sonora del film Contamination di █ █
█ █ Luigi Cozzi del 1980 insieme ad altre █ █
█ █ musiche del film Buio Omega, quali █ █
█ █ Pillage, Rush e Quiet Drops. Pillage e' █ █
█ █ stata sfruttata per il film L'altro █ █
█ █ Inferno. Altri brani insieme a quelli di █ █
█ █ Zombi e Contamination sono stati █ █
█ █ saccheggiati per la colonna sonora del █ █
█ █ film Virus. La formazione Φ composta da █ █
█ █ Fabio Pignatelli, basso; Agostino █ █
█ █ Marangolo, batteria, Maurizio Guarini, █ █
█ █ tastiere; Carlo Pennisi, chitarre in █ █
█ █ tutte le versioni di Buio Omega e Strive █ █
█ █ After Dark, Keen, Ghost Vest; Roberto █ █
█ █ Puleo, chitarre nei rimanenti brani. In █ █
█ █ questo disco si alternano brani ritmati █ █
█ █ come la title track, Pillage, Rush, █ █
█ █ Bikini Island e brani in cui Guarini █ █
█ █ mette in evidenza le sue doti di ottimo █ █
█ █ tastierista creando atmosfere liquide e █ █
█ █ sognanti in Quiet Drops, Strive After █ █
█ █ Dark, e atmosfere arcane in Ghost vest, █ █
█ █ per solo organo (argentiano) da chiesa. █ █
█ █ █ █
█ █ Questo cd contiene, oltre agli 8 brani █ █
█ █ gia' editi, 7 tracks tra alternate, █ █
█ █ suite e film version di Buio Omega, █ █
█ █ Strive After Dark e Quiet Drops, e una █ █
█ █ suite version di effetti sintetizzati di █ █
█ █ Buio Omega Theme per i fans dell'horror █ █
█ █ music. Atmosfere da incubo in Strive █ █
█ █ After Dark (suite e alternate version) e █ █
█ █ in Buio Omega (sinth effect û alternate █ █
█ █ takes suite). █ █
█ █ [http://www.cdmusicsongs.com/hardrock/Go █ █
█ █ blin_Hard_Rock_Metal_6_44005.cfm] █ █
█ █ █ █
█ █ [Notes about the movie] █ █
█ █ █ █
█ █ Year: 1979 █ █
█ █ Director: Joe D' Amato █ █
█ █ Cast: Kieran Canter, Cinzia Monreale, █ █
█ █ Franca Stoppi, Sam Modesto █ █
█ █ █ █
█ █ Frank Willer (Kieran Canter) lives in a █ █
█ █ large Italian villa left to him when his █ █
█ █ parents died in a car accident with only █ █
█ █ his wife, Anna (Cinzia Monreale,) and a █ █
█ █ housekeeper, Iris (Franca Stoppi). He █ █
█ █ also inherited enough money to live out █ █
█ █ the rest of his life, so he passes the █ █
█ █ time with his hobby, taxidermy. Early █ █
█ █ in the film young Anna dies of some █ █
█ █ prolonged illness, possibly due to █ █
█ █ witchcraft on Iris' part. At his wife's █ █
█ █ bedside, just before she dies, he █ █
█ █ reassures her, "Death has no power to █ █
█ █ separate us." Nonetheless, Frank is █ █
█ █ completely destroyed by this loss, his █ █
█ █ love for Ann having been the only thing █ █
█ █ worth living for in his otherwise sad █ █
█ █ and lonely life. █ █
█ █ █ █
█ █ It's at this point that we begin to see █ █
█ █ the strange relationship between Frank █ █
█ █ and the housekeeper, Iris, who appears █ █
█ █ to be nearly twice his age. Back at the █ █
█ █ villa she comforts him. "So there's no █ █
█ █ one left to take care of you now. Only █ █
█ █ me, your little Iris. I'll always help █ █
█ █ you dear." She exposes a breast which █ █
█ █ Frank begins to suckle, as Iris calls █ █
█ █ him "Lil' Frank" and "my little baby █ █
█ █ boy". █ █
█ █ █ █
█ █ The funeral is the next day. Before the █ █
█ █ ceremony, Frank enters the funeral home █ █
█ █ and injects his wife's corpse with an █ █
█ █ embalming liquid, because he still has █ █
█ █ plans for her. Unbeknownst to frank, █ █
█ █ the funeral director, Mr. Kale (Sam █ █
█ █ Modesto) witnessed the incident. The █ █
█ █ funeral takes place and Anna is █ █
█ █ interred, but Frank is back that very █ █
█ █ night to exhume his bride. He puts her █ █
█ █ in the back of the large van he uses to █ █
█ █ collect his taxidermy subjects and takes █ █
█ █ her home- but not without first enduring █ █
█ █ a flat tire, a brush with the police, █ █
█ █ and a hitchhiker who won't take no for █ █
█ █ answer. The hitcher is asleep in the █ █
█ █ van when Frank arrives home, so he █ █
█ █ leaves her there while he takes Anna █ █
█ █ into his basement taxidermy lab to work █ █
█ █ on her. He slices her open from the █ █
█ █ chest to the navel, removes the █ █
█ █ intestines and organs, and pumps her █ █
█ █ brain matter out through tubes inserted █ █
█ █ in her nostrils. He deposits the waste █ █
█ █ in an ordinary metal bucket. He is just █ █
█ █ finishing Anna's restoration, putting █ █
█ █ glass eyes in place in their sockets, █ █
█ █ when the hitcher wakes up and stumbles █ █
█ █ in. She sees Frank bent over Anna on █ █
█ █ the table and screams, then turns to █ █
█ █ run, upsetting the slop bucket in her █ █
█ █ haste. She does not escape, as Frank █ █
█ █ corners her and dispatches her with █ █
█ █ relative ease. Iris, no doubt having █ █
█ █ heard the struggle, has by this time █ █
█ █ arrived. She is not shocked or █ █
█ █ horrified by the charnel seen she has █ █
█ █ walked into. She helps Frank stow the █ █
█ █ hitcher, wrapped in a sheet, in the van, █ █
█ █ and together they move Anna to the █ █
█ █ master bedroom, place her on the bed, █ █
█ █ and dress her in a white night gown. █ █
█ █ Iris paints her fingernails red. █ █
█ █ █ █
█ █ The next morning Frank is visited by a █ █
█ █ friend of his who helps him find clients █ █
█ █ for his taxidermy work. He has a client █ █
█ █ who he says will pay a lot of money for █ █
█ █ the baboon Frank has been working on █ █
█ █ recently. The client, however, is Mr. █ █
█ █ Kale, who remained in the car while █ █
█ █ Frank and his friend went into the house █ █
█ █ to talk. He takes this opportunity to █ █
█ █ slip into the garage and the basement █ █
█ █ lab and snoop around, but all he finds █ █
█ █ is a few small spots of blood and █ █
█ █ necklace Anna was wearing when she was █ █
█ █ buried- the hitcher's body has been █ █
█ █ moved from the van. █ █
█ █ █ █
█ █ During the night, Iris had removed the █ █
█ █ body from the van, and now that they are █ █
█ █ alone again, it is time to dispose of █ █
█ █ it. Frank and Iris carry the corpse to █ █
█ █ the bathroom and Iris begins to █ █
█ █ dismember it with a large meat cleaver, █ █
█ █ while Frank is filling the bathtub with █ █
█ █ acid. After the corpse has been █ █
█ █ dissolved, the liquid remains are poured █ █
█ █ into bucks and buried in the back yard. █ █
█ █ Throughout this, Iris is calm and █ █
█ █ casual- Frank looks a little green. █ █
█ █ Frank becomes sick at dinner, and Iris █ █
█ █ taunts him cruelly. He takes refuge in █ █
█ █ the bedroom with Anna. But Iris takes █ █
█ █ pity on him, and again comforts him, but █ █
█ █ with a decidedly more "hands-on" █ █
█ █ approach this time, all the while cooing █ █
█ █ to him, "My Lil' Frank is better now. █ █
█ █ Good, clever Iris knows how to take care █ █
█ █ of him, doesn't she?" █ █
█ █ █ █
█ █ █ █
█ █ █ █
█ █ █ █
█ █ █ █
█ █ It isn't long before another woman comes █ █
█ █ into Frank's life, a young woman jogger █ █
█ █ who twists her ankle on a lonely road █ █
█ █ near the villa. Frank takes her home █ █
█ █ and bandages her up, and the woman is █ █
█ █ obviously attracted to him. They move █ █
█ █ into the bedroom, where Anna's body █ █
█ █ still lies in the bed covered by the █ █
█ █ sheets. They begin to make love, but █ █
█ █ Frank cannot resist pulling the covers █ █
█ █ down so he can look at Anna. The jogger █ █
█ █ turns her head, sees Frank's dead wife █ █
█ █ and screams, and Frank is forced to kill █ █
█ █ her. Once again, Iris helps with the █ █
█ █ cleanup, only this time they use the █ █
█ █ industrial sized furnace in the basement █ █
█ █ to cremate the body. Iris tells Frank █ █
█ █ that they should also get rid of Anna's █ █
█ █ body because it is becoming too █ █
█ █ dangerous to have it in the house. █ █
█ █ Frank resists the idea, saying that he █ █
█ █ cannot part with her. He agrees to █ █
█ █ marry Iris and make her the mistress of █ █
█ █ the estate, but Anna must stay. Iris █ █
█ █ agrees, saying, "All right little boy, █ █
█ █ no one will touch your baby doll." A █ █
█ █ few days later two police come looking █ █
█ █ for the missing jogger, but they find no █ █
█ █ trace of foul play in the basement. █ █
█ █ Miraculously, they do not search the █ █
█ █ rest of the house. █ █
█ █ █ █
█ █ Iris has her family over for dinner to █ █
█ █ celebrate the engagement, but Frank is █ █
█ █ sullen and withdrawn and barely makes an █ █
█ █ appearance. He instead locks himself in █ █
█ █ his bedroom with Anna and professes his █ █
█ █ undying love for her. This leads to a █ █
█ █ fight- Iris again tries to force Frank █ █
█ █ to get rid of the corpse, and Frank █ █
█ █ refuses. Frank calls Iris a "dirty old █ █
█ █ slut" and they come to blows. Their █ █
█ █ relationship is irreparably damaged (as █ █
█ █ well as Iris' already questionable █ █
█ █ sanity). Meanwhile, Mr. Kale has been █ █
█ █ keeping a very close eye on Frank and █ █
█ █ the villa. When Anna's younger sister, █ █
█ █ Elena (who looks exactly like her) pays █ █
█ █ a visit to see Frank, she becomes the █ █
█ █ catalyst which drives this gruesome love █ █
█ █ triangle to its inevitably violent █ █
█ █ conclusion █ █
█ █ █ █
█ █ It is hard to say which half of this █ █
█ █ film is more grotesque- Anna's autopsy █ █
█ █ and the corpse disposal scenes, or the █ █
█ █ relationship between Frank and Iris. █ █
█ █ For those unaccustomed to gore, it may █ █
█ █ be the former. While all the murders in █ █
█ █ this film are violent and gory █ █
█ █ themselves, it is the aftermath which █ █
█ █ D'Amato focuses on most lovingly. The █ █
█ █ scene I refer to as the "autopsy", where █ █
█ █ Frank prepares his wife's body for █ █
█ █ keeping, is over four minutes long , and █ █
█ █ little attention to detail is spared as █ █
█ █ the organs and the brains are removed █ █
█ █ and dropped into the slop bucket. The █ █
█ █ disposal of the hitchhiker's body is an █ █
█ █ equally prolonged and graphic scene. █ █
█ █ Iris does the heavy work, chopping █ █
█ █ through the rather corpulent flesh of █ █
█ █ the arms and legs with the cleaver █ █
█ █ before tossing █ █
█ █ the limbs in the tub. Each time the █ █
█ █ cleaver goes down, there is an audible █ █
█ █ and wholly unwholesome thud, and blood █ █
█ █ splatters Iris' face. After the remains █ █
█ █ are dissolved and buried in the yard, █ █
█ █ Iris serves up dinner- a thick, chunky █ █
█ █ beef stew. █ █
█ █ █ █
█ █ In one of the most stomach turning █ █
█ █ scenes in the entire film, we are shown █ █
█ █ close-ups of Iris eating the stew, and █ █
█ █ her table manners are lacking, to say █ █
█ █ the least. The view is enough to send █ █
█ █ Frank vomiting from the room. On the █ █
█ █ other hand, Frank's relationship with █ █
█ █ Iris is also repulsive. It is not so █ █
█ █ much the age difference, but the █ █
█ █ bizarre Oedipal fetish they share, which █ █
█ █ is most disturbing. The scenes in which █ █
█ █ sexual acts are mixed with Iris' baby █ █
█ █ talk to Frank definitely make the skin █ █
█ █ crawl. These scenes are not especially █ █
█ █ graphic, which I consider a blessing. █ █
█ █ █ █
█ █ From a critical standpoint, there are █ █
█ █ some flaws with this film. Franca █ █
█ █ Stoppi steals the show with her █ █
█ █ portrayal of Iris, the black widow. █ █
█ █ True to her maternal role, she takes █ █
█ █ charge when serious work needs to be █ █
█ █ done, and does not cringe like Frank █ █
█ █ does during the acid bath scene. Her █ █
█ █ character is pure evil from the █ █
█ █ beginning, where we see her placing a █ █
█ █ voodoo curse on Anna, to the end, where █ █
█ █ as the jilted lover she tries to stab to █ █
█ █ death both Frank and Anna's look-alike █ █
█ █ sister. However, Frank's character, █ █
█ █ portrayed by Kiernan Canter, was less █ █
█ █ consistent. He did not hesitate or look █ █
█ █ the slightest bit ill when working on █ █
█ █ Anna's corpse, in fact, he holds her █ █
█ █ heart in his hand and takes a bite out █ █
█ █ of it. He is equally efficient in █ █
█ █ murdering the two other victims, █ █
█ █ torturing the first one by pulling her █ █
█ █ nails out with a pair of pliers, and █ █
█ █ ripping out the throat of the second █ █
█ █ with his teeth. Yet he seems out of his █ █
█ █ element when it comes to destroying the █ █
█ █ evidence, relying on Iris, and even █ █
█ █ becomes ill at one point. This movie █ █
█ █ also kind of comes off the rails at the █ █
█ █ end, which is ambiguous and confusing. █ █
█ █ After the bloody end of Iris, we see █ █
█ █ Frank carry Elena off. The next scene █ █
█ █ shows the ubiquitous Mr. Kale enter the █ █
█ █ home and discover Frank near the █ █
█ █ incinerator. There is a body in the █ █
█ █ incinerator and one naked on the table, █ █
█ █ and it is unclear which is Anna and █ █
█ █ which is Elena. We are not shown what █ █
█ █ becomes of Frank, who is possibly █ █
█ █ mortally wounded. Mr. Kale leaves with █ █
█ █ the body on the table and takes it back █ █
█ █ to the church and the priest where Elena █ █
█ █ was buried, with a story about how he █ █
█ █ bought it from grave robbers. He is █ █
█ █ compensated for his trouble with money █ █
█ █ left with the priest by Anna's parents. █ █
█ █ The final scene shows him nailing the █ █
█ █ body shut into a coffin, when suddenly █ █
█ █ the lid flies off and Elena bursts out. █ █
█ █ I am left with the question, "What were █ █
█ █ Kale's motives all along?" He witnessed █ █
█ █ Frank tampering with his wife's corpse █ █
█ █ and surely must have known that Frank █ █
█ █ had stolen it. Instead of calling the █ █
█ █ police, he continues to spy on Frank and █ █
█ █ snoop in the villa instead. Even at the █ █
█ █ end, when he steps over Iris' body on █ █
█ █ the way to the basement where Frank is a █ █
█ █ bloody mess, he still contacts no one, █ █
█ █ but merely walks off with a corpse- █ █
█ █ which turns out not to be a corpse as █ █
█ █ Elena is still alive. █ █
█ █ █ █
█ █ Still, almost all horror films have a █ █
█ █ few weaknesses, and they are far █ █
█ █ outweighed by the strong points in Buio █ █
█ █ Omega (Beyond the Darkness). The █ █
█ █ notorious Joe D'Amato, famous for █ █
█ █ effectively mixing sex and gore, has █ █
█ █ directed a film which is both viscerally █ █
█ █ and psychologically disturbing, and the █ █
█ █ blending of these two elements elevates █ █
█ █ the film beyond the status of a mere █ █
█ █ slasher. (Note: D'Amato is also the █ █
█ █ cinematographer under the alias Aristide █ █
█ █ Massaccesi). In this film D'Amato █ █
█ █ carries on the tradition of fetishising █ █
█ █ autopsy procedures, which many credit to █ █
█ █ the 1959 French film, Les Yeux San █ █
█ █ Visage (Eyes Without a Face) and which █ █
█ █ is seen in many films of the '70's, such █ █
█ █ as Armando Crispino's Machie Solari █ █
█ █ (Autopsy). In comparison to Autopsy █ █
█ █ though, this film is even further beyond █ █
█ █ the pale. █ █
█ █ █ █
█ █ █ █
█ █ █ █
█ █ As mentioned above, Franca Stoppi steals █ █
█ █ the show as Iris. If she looks █ █
█ █ familiar, you may have seen her in Bruno █ █
█ █ Mattei's Emanuelle in Hell (AKA Caged █ █
█ █ Women). Another familiar face is Cinzia █ █
█ █ Monreale, who played the role of Anna, █ █
█ █ the "exquisite corpse". She played the █ █
█ █ character Emily in Lucio Fulci's The █ █
█ █ Beyond (AKA Seven Doors of Death), and █ █
█ █ also had a brief role in Dario Argento's █ █
█ █ the Stendhal Syndrome. As Anna, she is █ █
█ █ arguably the most beautiful corpse in █ █
█ █ Italian film, and provides a good case █ █
█ █ for necrophilia, which is definitely a █ █
█ █ recurring motif here- there are several █ █
█ █ nude women in this film, but they are █ █
█ █ all dead. Goblin, also of Argento fame, █ █
█ █ provided the music for this film, a █ █
█ █ mixture of synth keyboards and disco █ █
█ █ beats. Normally I would consider a █ █
█ █ Goblin soundtrack a plus, and they have █ █
█ █ done some great ones, probably the █ █
█ █ greatest and most well known being █ █
█ █ Suspiria. I just wasn't digging this █ █
█ █ one, although I have read reviews where █ █
█ █ some people list it as a strong point- I █ █
█ █ suppose it's just a matter of taste. █ █
█ █ █ █
█ █ All in all, this is a strong horror █ █
█ █ movie. Not a thrill a minute ride, but █ █
█ █ evenly paced and dragging only █ █
█ █ occasionally. Not much suspense, just █ █
█ █ the story of two lonely and disturbed █ █
█ █ individuals and their own little slice █ █
█ █ of hell in an Italian villa. Gory, sexy, █ █
█ █ and repulsive are all apt and equally █ █
█ █ fitting words to describe it. I highly █ █
█ █ recommend it. █ █
█ █ █ █
█ █ I reviewed the recent 2002 Media █ █
█ █ Blasters (Shriek Show) DVD release. █ █
█ █ The cover art is beautifully done and █ █
█ █ the DVD includes an informative booklet █ █
█ █ on the background of the film, █ █
█ █ director Joe D'Amato, and the band █ █
█ █ Goblin. It also features a very █ █
█ █ complete fourteen part chapter index, █ █
█ █ the film's original trailor (as well as █ █
█ █ those of several other Media Blasters █ █
█ █ releases), an audio commentary provided █ █
█ █ by art director Donatelli Donati, an █ █
█ █ interview with Cinzia Monreale, and a █ █
█ █ slide show of still shots, movie █ █
█ █ posters, and lobby cards- set to █ █
█ █ Goblin's theme. █ █
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▓ ▒ █ greets : sb - amrc - kw - ftd - ube - hbz █ ▒ ▓
█ ░ ▓ iMPG - HiT - dps - rac ▓ ░ █
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▒ █ █ [ tracklist ] █ █ ▒
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█ █ 01.buio omega main title [02:56] █ █
█ █ 02.quiet drops [04:34] █ █
█ █ 03.strive after dark [02:31] █ █
█ █ 04.pillage [02:20] █ █
█ █ 05.rush [04:14] █ █
█ █ 06.keen [04:05] █ █
█ █ 07.goblin - ghost vest [02:59] █ █
█ █ 08.bikini island [03:50] █ █
█ █ 09.buio omega (suite 1) [02:27] █ █
█ █ 10.quiet drops (film version) [02:17] █ █
█ █ 11.strive after dark (suite) [03:20] █ █
█ █ 12.buio omega (alternate version) [01:49] █ █
█ █ 13.strive after dark (alternate version) [03:10] █ █
█ █ 14.buio omega [03:09] █ █
█ █ (synth effect - alternate takes suite) █ █
█ █ 15.buio omega theme (reprise) [03:57] █ █
█ █ ------- █ █
█ █ 47:38 min █ █
█ █ 65,60 MB █ █
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▒ █ █ [ group notes ] █ █ ▒
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█ █ Positions open: Mostly ALL :> visit #snakkelfatz █
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▒ ▓ █ We need an archive... █ ▓ ▒
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█ ░ ▓ Friends : Yes, and thx to all of them :) ▓ ░ █
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█▄▒▄▄▄▄▒▄▐▓░ nfo+layout: z0oy0rk | Mar-15-2oo1 ░▓▌▄▒▄▄▄▄▒▄█