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: : release no ( 2626 ) \ rating |
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: : artist (T-Power ) | .---. |
: : title (Police State ) | 0 | | |
: : record label (S.O.U.R. - TPOWCD001 ) | 9 |%%%| |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2001/08/23) | 7 |%%%| |
: : street date (1995/??/??) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl ( ) tape ( ) cd (x) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
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: : :.: ( 4 tracks) (39:13 min) ( 53.9 mb) | `---' |
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nr times track titles
.----^-------^----------------------------------------------------------------.
| 01 14:03 T-Power - Police State |
| 02 0:46 T-Power - Prospects For Democracy |
| 03 12:41 T-Power - Radio Start Point (Fade At Will) |
| 04 11:43 T-Power - Synthesis |
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| | | |
| | "One of the most prolific and imaginative | |
| | producers on the drum & bass, breakbeat & | |
| | ambient scenes. Marc Royal and Chris Stevens | |
| | (A.K.A. T-Power, Atomic Dog) started life as | |
| | part of Bass Selective back in 91' on the | |
| | DJ-Only label. Label and artist was to evolve | |
| | into the Mighty, World beating S.O.U.R. | |
| | | |
| | Records and T-Power respectfully. | |
| | Never quite playing into the grasps of the | |
| | incestuous Jungle scene T-Power scored | |
| | massive points with his generic forming sound | |
| | with the seminal 95' track 'Mutant Jazz' | |
| | (Remixed twice by DJ Trace), 96's information | |
| | overloaded 'Police State' and his two thought | |
| | provoking albums (The self evident truth of | |
| | an intuitive mind & Waveform). This has | |
| | culminated in a massive profile both here and | |
| | abroad which has seen them only recently | |
| | return from an extensive US tour with Ninja | |
| | Tune, following the release of the critically | |
| | acclaimed Chocolate Weasel project. T-Power | |
| | as literally been there, seen it and done | |
| | it. and are set to do it again for Botchit | |
| | and Scarper. This artist has a seriously | |
| | rooted history in the current UK's breakbeat | |
| | scene development." | |
| | | |
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.-----------------------------------------------------------------------------.
| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum & bass, jungle & oldskool rips |
| to the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically |
| in many remote countries where traditional distributors can not afford |
| to target. Also, the availability of drum & bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum & bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues |
| can only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, |
| many artists will find that SOUR releases IMPROVE their real world |
| sales; especially for items only on vinyl. This is the basis upon |
| which SOUR operates. |
| |
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[ www.sourmp3.org ] [ #sour on efnet ] [ sourmp3@hotmail.com ]
[ sour productions(c) 2001 ]