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`-----------------------:----' : design.by.ant1k
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: : _\ rippers /____.
: : release no ( 2546 ) \ rating |
: : \_____. |
: : artist (Jonny L ) | .---. |
: : title (Make Me Work (Turn Me Round) ) | 0 | | |
: : record label (XL Recordings - XLT49 ) | 9 | | |
: : genre (oldskool rave ) | 8 | | |
: : release date (2001/08/??) | 7 | | |
: : street date (1993/??/??) | 6 | | |
: : | 5 |%%%| |
: : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
:.. :..... ... | 1 |%%%| |
: : :.: ( 4 tracks) (22:28 min) ( 30.8 mb) | `---' |
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nr times track titles
.----^-------^----------------------------------------------------------------.
| A1 05:48 Make Me Work (Turn Me Round) (Primal Urge Mix) |
| A2 06:12 Make Me Work (Turn Me Round) (Vocal Excitement Mix) |
| B1 05:34 Mother (Original Mix) |
| B2 04:52 Jonny Acid (Locked Out Dog Mix) |
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| |
.-------+ -+-------.
| So, poor Jonny L has been taking a lot of |
| flak for producing "sellout rubbish garage" |
| under the Truesteppers pseudonym lately, eh? |
| I personally find those claims to be invalid, |
| mainly because IT'S NOT THE FIRST TIME. He's |
| cashed in many a time in the past, and here's |
| a good example for you. "Make Me Work" was |
| released a few months after the unexpected |
| smash success of "Hurt U So" and the followup |
| "Ooh I Like It" and doesn't really feature |
| much in the way of breakbeats aside from a |
| minor Apache in the background... mostly it's |
| just a cheap cash-in club tune. But here it |
| is anyway for completists sake. Personally |
| I'll take the L mix of "Hurt U So" any day. |
| - Kerisu |
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.-----------------------------------------------------------------------------.
| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum & bass, jungle & oldskool rips |
| to the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically |
| in many remote countries where traditional distributors can not afford |
| to target. Also, the availability of drum & bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum & bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues |
| can only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, |
| many artists will find that SOUR releases IMPROVE their real world |
| sales; especially for items only on vinyl. This is the basis upon |
| which SOUR operates. |
| |
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[ sour productions(c) 2001 ]