John_Duncan_And_A._M._Mckenzie_-_Contact-1990-EMP
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| aRTiST : John Duncan And A. M. Mckenzie |
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| tiTLE : Contact |
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| sTYLE : Electronic |
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| lABEL : Touch |
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| cAT-nR : TO:17 |
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| sOURCE : CDDA |
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| tRACKS : 01 :
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| siZE : 75,5 MB :
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: rEL-dATE : Mar-13-2002 :
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: sTR-dATE : 1990 |
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: qUALiTY : 192K/44.1K/Full Stereo |
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| eNCODER : Fraunhofer IIS |
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| sUPPLiER : Team EMP |
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| riPPER : Team EMP |
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. ___/ . / . | . | . l . | . .____ . __/
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| ` l_ | l_ | l_ ` l_ | l_ ` l_ | ' l_ ` l_
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: .--l____/---l___/---l___/---l___/---l___/---l___/--------l___⌐dtA!__/
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| `-------> t.r.a.c.k.l.i.s.t <-) |
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| play |
| no. title time |
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| 01 Untitled 54:57 |
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: __. ____ _____ _____ __.__ _____ ______ _____ :
__) |___ _\__ )_ _\__ (_ _) __/_ _) | /_ _/)_ _\__ (_ _) ___/_\__ (_
. ___/ . / . | . | . l . . | . __). | .
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| ` l_ | l_ | l_ ` l_ | l_ | | l_ | | ` l_
|_____ /__| /__| /___ /__| /___l___| /__| l____ /
: .--l____/---l___/---l___/---l___/---l___/--------l___/------⌐dtA!___/
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| `-------> t.r.a.c.k.i.n.f.o <-) |
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| Style: Noise(s), Background Noise, Music Concrete |
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| Treated sounds, cues to music concrete. |
| The sound is clamorously evocative, every discourse of ambient |
| or postindustrial music becomes forgotten in the evolution and |
| fragmentation of long silences and acid reverbs. Splendid |
| acceleration of sound in crescendoes of volume and intensity, |
| for an enormous aural and cerebral entreaty. Intelligently |
| utilized noise interrupts the fluidity every so often. At |
| around 30+ minutes there's a magnificent electronic border that |
| leaves you stunned... This CD is best heard in silence: a shame |
| to disturb it with distracting noises or while walking home |
| alone. Truly wonderful! |
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| Recorded by John Duncan and A.M. McKenzie. |
| Design by Jon Wozencroft. |
| Booklet includes text by A.M. McKenzie |
| Photos by John Duncan. |
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| The immovability of the foundation of belief is an illusion. |
| The transparency of this statement is in effect its proof, and |
| the method of its perpetuation. For as long as we remain within |
| the boundaries and agreements of linguistic communication |
| systems as we know them, we may allow automatically possess the |
| faculty of judgement. The paradox is the genesis of itself: how |
| can we know something we don't know? This question/statement, |
| also palpably 'obvious' as being 'true' (insofar as we may |
| reach an agreement that a question may contain truth) |
| demonstrates our hypocrisy towards ourselves in the way that we |
| continue to ignore its evidence. We push ever further outwards |
| to 'find'something we already have. |
| The energy and effort expended in expanding our communication |
| systems is dissipated for exactly the same reason. The more we |
| attempt to ignore the evidence of our senses as we know them, |
| the more we will have to explain the 'facts' away. Our |
| dualistic foundations dictate the shape of the building that |
| rests upon them. We discover our truths as an archaeologist |
| stumbles upon crumbling bones in dust, stuck dumb with wonder |
| that previous civilisations we so 'advanced'. |
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| Our emmisions also dictate what we receive: our transmission |
| draw an audience interested in the same wavelengths. The rarer |
| the atmosphere and the lighter the medium, the more we seek the |
| balance of the solid - that which exists. |
| And the dissipation of those frequencies attracts many beings |
| interested in feeding this abundance of split seed. We are the |
| endlessly fertile parents of innumerable offspring. The |
| ever-increasing multiplicity of forms we choose to approximate |
| an extension of our senses makes no difference whatsoever - one |
| grain of salt has precisely the same qualities as a bushel. By |
| taking a fragment and subjecting it to any process of change, |
| we affect, qualitatively, the whole. And the very act of |
| looking at things, as we know them, literally creates them. |
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. \_ . / . | . | . / . . | . __). | .
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| ` l_ | l_ ` l_ ` l_ | | | | l_ | | ` l_
|_____ /__| /___ /___ /__| l____l___| /__| l____ /
: .--l____/---l___/---l___/---l___/----------------l___/------⌐dtA!___/
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| `-------> g.r.o.u.p.i.n.f.o <-) |
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: .eMPHASIs. |
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: releasing all kinds of electronic music for over a year |
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: some kats from the old amiga scene who are |
. still keeping the -good- old friendship spirit alive |
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__/\ / \_ __) ___/ __/\ / \_ _\__ )_ _) ___/ __\__ )_ __) __/__
. Y . __)__. Y . / . __)__. / ._____ .
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| Y l_ ` l_ Y l_ / l_ ` l_ | l_ ` l_
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: .--l_____/----l____/----l_____/---l____/---l____/----l____/⌐dtA!____/
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| `-------> m.e.m.b.e.r.s <-) |
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. ..we are crazy freaks dedicated to all kind of electronic music.. |
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| our aim is to share music with other nasty music lovers. :
: we are always looking for people who have the same interests. :
: anyone out there want to share your music? .
| take your chance. |
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| maybe you have some nice electronic tunes, new or old |
. interested ?! |
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| don't hesitate to drop us line |
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: We are still looking for some nice euro sites |
. who want our group affiliated. |
| Or you simply got a fast link and searching for a taker? catch us! |
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: any questions?! drop us a line |
. ..peace.. |
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| ` l_ ` l_ | l_ ` l_ | l_ ` l_ ` l_
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: .--l____/----l____/----l____/----l____/----l____/----l____/⌐dtA!____/
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| `-------> c.o.n.t.a.c.t <-) |
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|_________ _________|
dESIGN bY)_________ _________(dAYTONA'01
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Files
| Path | Size |
|---|---|
| 01_john_duncan_and_a._m._mckenzie_-_untitled-emp.mp3 | 75,48 MB |