Aux_88-Is_It_Man_or_Machine-DBCD2-1996-BOSS

Section
MP3/FLAC
Group
BOSS
Size
85,70 MB
Files
18
Date
2009-02-23

NFO

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█  ▀███                                            ▀▀▀▀▀                 █ ██ █
███ █ ▐  T H A    B O S S    I S    P R O U D   T O   P R E S E N T      █ ██ █
  █ █ ▐  **********************************************************     ▌██████
█ █ █    artist: Aux 88                       size: 85,7 MB             ▌  ██ █
█▄█ █ █  album: Is It Man or Machine DBCD2    label: Pinnacle           █████ █
▀▀█ █ █  genre: Electronic                    str.date: ???-??-1996     ▄▄▄█
███▄▄▄█  time: 62:17 min                      rip.date: Jan-29-2003     ▌█  ███
█ █▀▀ █  bitrate: 192 kbit                    ripper: Team BOSS         ███ ███
█ █   ▌  source: CDDA                                                   ▌   ███
  █▀▀▀▌                                               ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄  ▀█▀▀█
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 ██ █ █                                                                  █ █▀▀█
 █  █ █       What happens when you take an accomplished dancer          █ ████
 █  █ █       who's musically trained and unleash him in a studio?       █ ████
 █  █ █       Well, if the conditions are right, you might get Aux       █ ████
 █  █ █       88. But not overnight...                                   █ ████
 █  █ █                                                                  █ ████
 █  █ █       Tommy Hamilton had always been musically inclined.         █ ████
 █  █ █       From the age of 5 he had played with drums, so the         █ ████
 █  █ █       concept of the beat and rhythm were with him early         █ ████
 █  █ █       on. While he was in high school in the early 80's,         █ ████
 █  █ █       influenced by his sister, he became a dancer. Tom          █ ████
 █  █ █       Tom, as he was to be known, became a member of a           █ ████
 █  █ █       number of different dance groups, from the Cosmic          █ ████
 █  █ █       Swingers, the Motor City Poppers, to the Devo              █ ████
 █  █ █       Dancers. Things were going good, but Tom was looking       █ ████
 █  █ █       for more. It was through the dance scene that Tom          █ ████
 █  █ █       met up with BJ, another dancer who was looking for         █ ████
 █  █ █       more.                                                      █ ████
 █  █ █                                                                  █ ████
 █  █ █       Together, in 1985 they formed Regime. Regime was a         █ ████
 █  █ █       live band that performed inspired cover versions of        █ ████
 █  █ █       Cybotron and Model 500 tracks. It wasn't so much           █ ████
 █  █ █       that they were trying to break new ground by playing       █ ████
 █  █ █       live--they knew no other way. MIDI and sequencers          █ ████
 █  █ █       were virtually unheard of, especially to two high          █ ████
 █  █ █       schoolers who simply had a love for the music.             █ ████
 █  █ █                                                                  █ ████
 █  █ █       Though Regime soon broke up, Tom was sold on the           █ ████
 █  █ █       concept of live electronic dance music. Finding a          █ ████
 █  █ █       kindred soul in Keith Tucker, who had been DJing as        █ ████
 █  █ █       DJ K-1, they formed RX7. Not content to only do            █ ████
 █  █ █       covers, RX7 also featured original tracks by both          █ ████
 █  █ █       Tom and Tucker. They dominated a number of area            █ ████
 █  █ █       festivals and for a time, there was even talk of           █ ████
 █  █ █       them acting as tour support for techno godfather           █ ████
 █  █ █       Juan Atkins' Cybotron and Model 500. In the end,           █ ████
 █  █ █       nothing came of that, and, after about two years,          █ ████
 █  █ █       RX7 split up to go their separate ways. The split          █ ████
 █  █ █       was less permanent than either expected.                   █ ████
 █  █ █                                                                  █ ████
 █  █ █       In the time that followed Tom began getting even           █ ████
 █  █ █       deeper in keyboards and experimenting with other           █ ████
 █  █ █       styles of music such as jazz and R&B. He also spent        █ ████
 █  █ █       time exploring his percussive roots, playing in what       █ ████
 █  █ █       he termed "the acoustic world."                            █ ████
 █  █ █                                                                  █ ████
 █  █ █       In fall of 1992, Tom Tom and Tucker reunited and           █ ████
 █  █ █       found that their time apart had done them both good.       █ ████
 █  █ █       With a renewed sense of purpose, they put together a       █ ████
 █  █ █       fusion of styles and added Anthony Horton and              █ ████
 █  █ █       vocalist Andrea Gilmore to become...Sight Beyond           █ ████
 █  █ █       Sight. SBS was soon signed to 430 West Records.            █ ████
 █  █ █       While SBS enjoyed a degree of success, Tom Tom and         █ ████
 █  █ █       Tucker made the decision to continue with the bass         █ ████
 █  █ █       heavy techno they had began with some time earlier.        █ ████
 █  █ █       1993 saw this return to their roots as the birth of        █ ████
 █  █ █       Aux 88.                                                    █ ████
 █  █ █                                                                  █ ████
 █  █ █       As Aux took off, SBS was put on hold and the other         █ ████
 █  █ █       members went to work on individual projects. Then,         █ ████
 █  █ █       as if to acknowledge the move, Aux 88 released "My         █ ████
 █  █ █       A.U.X. Mind" which went on to become a Detroit             █ ████
 █  █ █       classic. Putting the icing on the cake, Aux 88             █ ████
 █  █ █       joined up with other area musicians to perform with        █ ████
 █  █ █       Juan Atkins as Model 500 on the 10th anniversary of        █ ████
 █  █ █       his label, Metroplex. However, the evolution of Aux        █ ████
 █  █ █       88 was not over.                                           █ ████
 █  █ █                                                                  █ ████
 █  █ █       In 1995, desiring to do more experimental tracks,          █ ████
 █  █ █       Tucker went solo. Tom didn't miss a beat. Reuniting        █ ████
 █  █ █       with BJ, Aux 88 went on to release the full length         █ ████
 █  █ █       CD, "Man or Machine." Touring both the US and              █ ████
 █  █ █       Europe, and with video airplay on MTV's AMP, Aux 88        █ ████
 █  █ █       began the process of turning on the planet on to           █ ████
 █  █ █       their techno/bass/dance fusion. Still, it was not          █ ████
 █  █ █       enough. Aux had already made a name for itself via         █ ████
 █  █ █       live performances. As individuals who had been deep        █ ████
 █  █ █       in the scene long before recording music, they knew        █ ████
 █  █ █       they had to take it to the next level. Acting on a         █ ████
 █  █ █       tip from another recording artist on 430 West,             █ ████
 █  █ █       Octave One, Tom met up with the young DJ Di'jital.         █ ████
 █  █ █       Already established in the Detroit underground             █ ████
 █  █ █       scene, Di'jital joined the Aux 88 live show. As Aux        █ ████
 █  █ █       plays live, Di'jital mixes an array of music. The          █ ████
 █  █ █       effect is that of an electrified old school hip hop        █ ████
 █  █ █       show. It isn't accidental. Aux 88 is one of the few        █ ████
 █  █ █       who remember that techno has its roots in the hip          █ ████
 █  █ █       hop of pioneers like Afrika Bambaataa, Planet Patrol       █ ████
 █  █ █       and Newcleus. Rounding out the show was the addition       █ ████
 █  █ █       of two female dancers-turned-recording-artists who         █ ████
 █  █ █       call themselves X-ILE. If anyone mistakes their live       █ ████
 █  █ █       show as a scaled down electronic hip hop oriented          █ ████
 █  █ █       Parliament show, well, you're not too far off the          █ ████
 █  █ █       mark. After the success of "Man or Machine," BJ left       █ ████
 █  █ █       to explore other musical realms while Tom Tom went         █ ████
 █  █ █       on to record "Xeo-Genetic," the latest Aux offering        █ ████
 █  █ █       on Direct Beat records.                                    █ ████
 █  █ █                                                                  █ ████
 █  █ █       Meaning "derived from another species," xeogenetic         █ ████
 █  █ █       is an accurate description of what Aux 88 has stood        █ ████
 █  █ █       for from the beginning. Hip hop, techno, Miami bass,       █ ████
 █  █ █       trip hop and funk all have legitimate claim to the         █ ████
 █  █ █       sound that is Aux 88, which is something different         █ ████
 █  █ █       altogether. So the question may be asked, "Who             █ ████
 █  █ █       exactly is Aux 88? What is their sound?" As Tom Tom        █ ████
 █  █ █       says, laughing from his base of operations in              █ ████
 █  █ █       Detroit, "Aux isn't looking to fit any one                 █ ████
 █  █ █       description. Aux is looking to make people dance by        █ ████
 █  █ █       any means necessary. And while Aux has a definite          █ ████
 █  █ █       sound, easy to identify, Aux is *never* the same           █ ████
 █  █ █       group twice!"                                              █ ████
 █  █ █                                                                  █ ████
 █  █ █                                                                  █ ████
 █  █ █       Enjoy this fine classic rls from BOSS!!                    █ ████
 █  █ █                                                                  █ ████
 █  █ █       WE noticed the 2x12" vinyl was ripped but not the          █ ████
 █  █ █       full CD so enjoy!                                          █ ████
 █▀██ ▀                                                                  █▄▄▄▄█
 █ ██                                                                    █ █  █
 █ ██▐                                                                        █
▄█ ██                                                                      █ █▄
██ ██▐                                                                   ▀▀▀▀▀▀
   ██▐                                                                   ▀█████
 █▐███                  .........................                         █   █
██  █                                                                    ████ █
▀█  █                      [Track Information]                            ██▄▄▄
██  █                                                                    ▀▀█
 █ ▌█         01. Passcode                                      00:19    ▀▀▀▀█
 █ ▌█         02. A Children's Story                            00:31    ▀▀▀▀█
 █ ▌█         03. Welcome To Avalon                             04:23    ▀▀▀▀█
 █ ▌█         04. X-ile                                         05:13    ▀▀▀▀█
 █ ▌█         05. I Need To Freak                               05:27    ▀▀▀▀█
 █ ▌█         06. Massive Effect                                03:43    ▀▀▀▀█
 █ ▌█         07. Electro Techno                                05:05    ▀▀▀▀█
 █ ▌█         08. The Black Planet                              02:13    ▀▀▀▀█
 █ ▌█         09. Space Jammer                                  01:31    ▀▀▀▀█
 █ ▌█         10. Break It Down                                 04:09    ▀▀▀▀█
 █ ▌█         11. Sequence                                      00:12    ▀▀▀▀█
 █ ▌█         12. Man Or Machine                                05:48    ▀▀▀▀█
 █ ▌█         13. The Journey                                   01:20    ▀▀▀▀█
 █ ▌█         14. Algorithm                                     05:41    ▀▀▀▀█
 █ ▌█         15. Control                                       04:43    ▀▀▀▀█
 █ ▌█         16. My Mind Goes Into Programming                 05:37    ▀▀▀▀█
 █ ▌█         17. Cybercity Radio                               01:17    ▀▀▀▀█
 █ ▌█         18. The Countdown                                 05:05    ▀▀▀▀█
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█▄▄▄ ▐                           85,7 MB                                 ██   █
 █ █ ▐                          62:17 min                                ██  ██
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 █  █ █   Hello there, obviously you are reading this because BOSS has   █ ████
 █▀██ ▀   caught your attention in one way or another, most likely from  █▄▄▄▄█
 █ ██    this great release. In fact, we have many great releases coming █▄▄▄██
 █ █   out all the time you just have to look for them. Our team started █▄▄▄██
 ██ █       to release internationally in 2000 and is now releasing      █ ▀  █
  █ █▐  worldwide. In our group news we always inform you with what we   ▀▀▀███
 █ ███     are looking for. Currently, we are looking for a few key      ██▀▀██
   █ █  positions that must be filled soon, so read carefully and see if ▀▀  ██
 ██ ███   you can help us out: 1)An automatic pre-bot 2)BNC's (eu/us)    ▀█▀▀▀█
  █ █ █  3)Non-Commercial Shells (10mb+/1gig+) 4)New vinyl suppliers     ██   █
██ █ █            previous group news. Greetz, The BOSS Crew.            ██ ███
████                                                                     ██ ███
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Files

PathSize
01-aux_88-passcode-boss.mp3461,81 KB
02-aux_88-a_childrens_story-boss.mp3729,36 KB
03-aux_88-welcome_to_avalon-boss.mp36,02 MB
04-aux_88-x-ile-boss.mp37,17 MB
05-aux_88-i_need_to_freak-boss.mp37,50 MB
06-aux_88-massive_effect-boss.mp35,11 MB
07-aux_88-electro_techno-boss.mp36,99 MB
08-aux_88-the_black_planet-boss.mp33,04 MB
09-aux_88-space_jammer-boss.mp32,09 MB
10-aux_88-break_it_down-boss.mp35,72 MB
11-aux_88-sequence-boss.mp3291,60 KB
12-aux_88-man_or_machine-boss.mp37,97 MB
13-aux_88-the_journey-boss.mp31,84 MB
14-aux_88-algorithm-boss.mp37,82 MB
15-aux_88-control-boss.mp36,49 MB
16-aux_88-my_mind_goes_into_programming-boss.mp37,71 MB
17-aux_88-cybercity_radio-boss.mp31,77 MB
18-aux_88-the_countdown-boss.mp37,00 MB