Alec_Empire--Yobot_(FIM_015)-EP-1992-CMC

Section
MP3/FLAC
Group
CMC
Size
35,09 MB
Files
5
Date
2009-02-24

NFO

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         ▄▄█████▀▀▀▀      - Chemical Music Crew -       ▀▀▀▀█████▄▄   ▓▀ ▀▓
      ▄██▀▀▀                                                    ▀▀▀█░▀     ▀
     ███                   . .. Release info .. .                  ███
      ▀██▄▄                                                     ▄▄██▀
         ▀▀▀▄     ARTIST.......: Alec Empire                  ▄▀▀▀
              ▀▄▄  TITLE.......: Yobot                     ▄▄▀
                ▀█▄ SOURCE.....: Vinyl                   ▄█▀
                ▄█▀ STYLE......: Techno                  ▀█▄
            ▄▄█▀▀  LABEL.......: Force Inc. Music Works    ▀▀█▄▄
         ▄█▀▀    CAT.NR........: FIM 015                       ▀▀█▄
        ▀      QUALITY.........: VBRkbps/44,1Hz/Joint-Stereo       ▀
     ▄▀      URL...............: n/a                                 ▀▄
    ▄       RIP.DATE...........: Jun-12-2004                           ▄
    █        LENGTH............: 26:00 min                             █
     ▄ ■▄     SIZE.............: 35,1 MB                           ▄■ ▄
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       ▀▀▄▄▄▄        ▀▀▀      . .. Notes .. .       ▀▀▀        ▄▄▄▄▀▀
            ▀▀▀██▄▄▄                                    ▄▄▄██▀▀▀
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         ▄▄█▓████▀▀▀                                    ▀▀▀▀████▓▄▄
       ██▓▓▀▀                                                  ▀▀██▓▓
     ██▓▓                                                          ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        This is the second release ever that Alec           ██▓▓
    ██▓▓        Empire created. And also very rare.                 ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        Some little things about what Alec Empire           ██▓▓
    ██▓▓        says about his style :                              ██▓▓
    ██▓▓        "My music takes people to places where              ██▓▓
    ██▓▓        they've never been before. Some never               ██▓▓
    ██▓▓        return, and those who did are scared to go          ██▓▓
    ██▓▓        back." - Alec Empire, September 2001                ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        Empire is many things to many people. A man         ██▓▓
    ██▓▓        with an extraordinary recording history. The        ██▓▓
    ██▓▓        musical revolutionary behind avant garde            ██▓▓
    ██▓▓        noise-punk outfit Atari Teenage Riot. The           ██▓▓
    ██▓▓        electronic music experimentalist who has            ██▓▓
    ██▓▓        made records on a Gameboy.. A consummate            ██▓▓
    ██▓▓        musician who has worked with an                     ██▓▓
    ██▓▓        extraordinarily broad range of peers; for           ██▓▓
    ██▓▓        example he is the only producer who has             ██▓▓
    ██▓▓        remixed artists as diverse as Blues legend          ██▓▓
    ██▓▓        R.L. Burnside, Sonic Youth's Thurston Moore,        ██▓▓
    ██▓▓        Bjork, Rob Zombie, The Jon Spencer Blues            ██▓▓
    ██▓▓        Explosion, Slayer,                                  ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        Einsturzende Neubauten, and members of the          ██▓▓
    ██▓▓        new Hip Hop generation like Company Flow or         ██▓▓
    ██▓▓        Prince Paul's Handsome Boy Modeling School          ██▓▓
    ██▓▓        amongst a host of others. He has toured with        ██▓▓
    ██▓▓        Rage Against The Machine, Wu-Tang Clan,             ██▓▓
    ██▓▓        Beck, Ministry, Nine Inch Nails to name just        ██▓▓
    ██▓▓        a few. He has played in over fifty countries        ██▓▓
    ██▓▓        - as a DJ in small clubs mixing a remarkable        ██▓▓
    ██▓▓        set comprised solely of Sun Ra Records,             ██▓▓
    ██▓▓        leading Atari Teenage Riot on world tours           ██▓▓
    ██▓▓        and most recently the triumphal appearance          ██▓▓
    ██▓▓        at Fuji Rock in front of 20,000 people.             ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        The head of a series of labels that have            ██▓▓
    ██▓▓        produced music of an abrasive and                   ██▓▓
    ██▓▓        forward-looking quality unmatched anywhere          ██▓▓
    ██▓▓        in the record industry. But 29-year-old             ██▓▓
    ██▓▓        Berliner Alec Empire is more even than all          ██▓▓
    ██▓▓        this, as his expansive new double-album,            ██▓▓
    ██▓▓        Intelligence And Sacrifice, clearly                 ██▓▓
    ██▓▓        demonstrates.                                       ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        "Intelligence And Sacrifice really reflects         ██▓▓
    ██▓▓        what I am about right now. To keep it simple        ██▓▓
    ██▓▓        I recorded and produced CD1 with a new band.        ██▓▓
    ██▓▓        I took the hard metal element of ATR, added         ██▓▓
    ██▓▓        electronic rock beats and a lot of guitars          ██▓▓
    ██▓▓        and noise, and then, of course, my vocals.          ██▓▓
    ██▓▓        Yes, you're right: It's Digital Hardcore's          ██▓▓
    ██▓▓        Rock album, our ticket to headlining                ██▓▓
    ██▓▓        festivals and the stadium tours.                    ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        We played the first big shows at Japan's            ██▓▓
    ██▓▓        Fuji Rock Festival. Some of the guys I used         ██▓▓
    ██▓▓        on the record will not be able to tour              ██▓▓
    ██▓▓        constantly, so I called up some friends. I          ██▓▓
    ██▓▓        had Charlie Clouser from Nine Inch Nails on         ██▓▓
    ██▓▓        synths, famous Japanese noise legend MERZBOW        ██▓▓
    ██▓▓        on drums, Gabe Serbian from The Locust on a         ██▓▓
    ██▓▓        second kit, and ATR's NIC ENDO on                   ██▓▓
    ██▓▓        synths/keyboards. Nic is in fact a permanent        ██▓▓
    ██▓▓        member in the band and is responsible for           ██▓▓
    ██▓▓        all the special effects, sounds, noises, and        ██▓▓
    ██▓▓        the "Third World War" 14 minute apocalyptic         ██▓▓
    ██▓▓        finale of the last song "New World Order."          ██▓▓
    ██▓▓        We left the place in ashes. Kids went               ██▓▓
    ██▓▓        totally insane and they didn't even know one        ██▓▓
    ██▓▓        of the new songs! So CD1 is like driving an         ██▓▓
    ██▓▓        expensive car very fast and crashing against        ██▓▓
    ██▓▓        a wall.                                             ██▓▓
    ██▓▓        CD2 is the opposite. It's not songs, it's           ██▓▓
    ██▓▓        very "far out" electronic music without any         ██▓▓
    ██▓▓        vocals. The concept is, "A cycle that never         ██▓▓
    ██▓▓        ends," you find the beginning of track one          ██▓▓
    ██▓▓        at the end of the CD, so you can loop the           ██▓▓
    ██▓▓        whole thing, and it goes around and around.         ██▓▓
    ██▓▓        It's a downward spiral. It's very personal.         ██▓▓
    ██▓▓        The making of this album was very complex           ██▓▓
    ██▓▓        and each CD took over a year to record. With        ██▓▓
    ██▓▓        ATR we used to have 8 tracks or less, here I        ██▓▓
    ██▓▓        had up to 120."                                     ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        "I was born in West-Berlin in 1972. I grew          ██▓▓
    ██▓▓        up in a city with a wall around it,                 ██▓▓
    ██▓▓        occupied, a warzone that inspired David             ██▓▓
    ██▓▓        Bowie and Iggy Pop and many others. I was           ██▓▓
    ██▓▓        born into this intense atmosphere. And it is        ██▓▓
    ██▓▓        a part of me, no matter where I go in the           ██▓▓
    ██▓▓        world. Of course I started in punk bands,           ██▓▓
    ██▓▓        then for a while in the early nineties I            ██▓▓
    ██▓▓        made underground techno records, up to 100          ██▓▓
    ██▓▓        Eps for DJs. This is where I learn how to           ██▓▓
    ██▓▓        produce. I had to have the right ideas very         ██▓▓
    ██▓▓        quickly to survive. We used to make a record        ██▓▓
    ██▓▓        a month, they didn't sell enough to chart,          ██▓▓
    ██▓▓        but we did so many, that we made quite a lot        ██▓▓
    ██▓▓        of cash. Then I started ATR in 1992 and left        ██▓▓
    ██▓▓        the dance scene behind. It was a political          ██▓▓
    ██▓▓        move to fight Germany's upcoming nationalism        ██▓▓
    ██▓▓        that led to the racist attacks in parts of          ██▓▓
    ██▓▓        the country. We soon realised that this was         ██▓▓
    ██▓▓        a European problem.                                 ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        ATR is 100% about politics, in my own work I        ██▓▓
    ██▓▓        also deal with more personal issues, things         ██▓▓
    ██▓▓        that happened in my life, and so on. Even if        ██▓▓
    ██▓▓        I don't separate that approach from                 ██▓▓
    ██▓▓        politics, I had to make that step because I         ██▓▓
    ██▓▓        felt that people might understand my views          ██▓▓
    ██▓▓        better if they know what goes on in my life.        ██▓▓
    ██▓▓        It's exciting, there is a real fresh new            ██▓▓
    ██▓▓        wave of enthusiasm at DHR about this                ██▓▓
    ██▓▓        record."                                            ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        Digital Hardcore's first releases arrived in        ██▓▓
    ██▓▓        1994, and within four years the imprint had         ██▓▓
    ██▓▓        secured worldwide distribution, opened              ██▓▓
    ██▓▓        offices in London and New York and set up           ██▓▓
    ██▓▓        subsidiaries for experimental offerings (DHR        ██▓▓
    ██▓▓        Limited), music by people under 20 years old        ██▓▓
    ██▓▓        (LESS THAN 20), Hanin Elias' Digital Riot           ██▓▓
    ██▓▓        Grrrl Label (DHR FATAL) and the revered             ██▓▓
    ██▓▓        progressive electronic music imprint Geist.         ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        Alongside this feverish level of band and           ██▓▓
    ██▓▓        label activity, Empire continued his own            ██▓▓
    ██▓▓        journey through sound. During the early '90s        ██▓▓
    ██▓▓        he released a clutch of EPs and five                ██▓▓
    ██▓▓        full-length albums on the Mille Plateaux            ██▓▓
    ██▓▓        label that showcased his own evolving               ██▓▓
    ██▓▓        sample-based compositions. While ATR were           ██▓▓
    ██▓▓        embraced by fans of progressive and avant           ██▓▓
    ██▓▓        garde rock - from the renowned BBC DJ John          ██▓▓
    ██▓▓        Peel, who was an early champion, to the             ██▓▓
    ██▓▓        Beastie Boys, whose Grand Royal label               ██▓▓
    ██▓▓        released the first ATR records in America -         ██▓▓
    ██▓▓        Empire's solo and remix work built him an           ██▓▓
    ██▓▓        enviable reputation among European                  ██▓▓
    ██▓▓        electronic music aficionados and the                ██▓▓
    ██▓▓        American industrial/rock audience. And it's         ██▓▓
    ██▓▓        this duality; this ability to be at ease in         ██▓▓
    ██▓▓        both camps that has led to the creation of          ██▓▓
    ██▓▓        Intelligence and Sacrifice.                         ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        "Some people don't know in which "category"         ██▓▓
    ██▓▓        to market my album. It is indeed two albums         ██▓▓
    ██▓▓        combined into one, for the price of one. I          ██▓▓
    ██▓▓        see this as an advantage these days. Times          ██▓▓
    ██▓▓        are changing, the barriers between genres           ██▓▓
    ██▓▓        are fading. This album will reach many              ██▓▓
    ██▓▓        people and I know that one of the two CDs           ██▓▓
    ██▓▓        will introduce something new to them."              ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        "Some people won't know to which audience my        ██▓▓
    ██▓▓        album will appeal, it is indeed two albums          ██▓▓
    ██▓▓        combined into one, for the price of one. I          ██▓▓
    ██▓▓        see this as an advantage these days. Times          ██▓▓
    ██▓▓        are changing, the barriers between genres           ██▓▓
    ██▓▓        are fading. It's quite possible to enjoy            ██▓▓
    ██▓▓        both Nu Metal and experimental electronica.         ██▓▓
    ██▓▓        This album will reach many people and I know        ██▓▓
    ██▓▓        that each of the two CDs will introduce             ██▓▓
    ██▓▓        something new to them.                              ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        In many ways, it feels like this is my first        ██▓▓
    ██▓▓        real album." He has a point. This is the            ██▓▓
    ██▓▓        first time the two facets of Empire's               ██▓▓
    ██▓▓        musical output have been put together in the        ██▓▓
    ██▓▓        same place, and, in a world where music as          ██▓▓
    ██▓▓        abrasive as that of Slipknot or Staind can          ██▓▓
    ██▓▓        find itself topping sales charts world wide,        ██▓▓
    ██▓▓        this may not simply be Empire's finest hour,        ██▓▓
    ██▓▓        it will also surely become his most widely          ██▓▓
    ██▓▓        accepted recording to date. Constantly ahead        ██▓▓
    ██▓▓        of his time, Empire may at last have found          ██▓▓
    ██▓▓        that the rest of the world has caught up            ██▓▓
    ██▓▓        with his expansive and extreme form of              ██▓▓
    ██▓▓        creativity. Don't get left behind.                  ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
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        ▀▄▄▄▄        ▀▀▀      . .. Tracks .. .      ▀▀▀        ▄▄▄▄▀
            ▀▀▀██▄▄▄                                    ▄▄▄██▀▀▀
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         ▄▄█▓████▀▀▀                                    ▀▀▀▀████▓▄▄
       ██▓▓▀▀                                                  ▀▀██▓▓
     ██▓▓                                                          ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓  .No.:..Artist./.Titel...........................:..Time.  ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓   A1 -  Alec Empire - The Music Turns Me On      : 04:33   ██▓▓
    ██▓▓   A2 -  Alec Empire - You Are 2nd Best           : 04:32   ██▓▓
    ██▓▓   B1 -  Alec Empire - King Snake 2rm             : 06:26   ██▓▓
    ██▓▓   B2 -  Alec Empire - Open A Door                : 03:57   ██▓▓
    ██▓▓   B3 -  Alec Empire - Terror Worldwide           : 06:29   ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                            Total : 26:00   ██▓▓
    ██▓▓  ........................................................  ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
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        ▀▄▄▄▄        ▀▀▀    . .. Group News .. .    ▀▀▀        ▄▄▄▄▀
            ▀▀▀██▄▄▄                                    ▄▄▄██▀▀▀
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         ▄▄█▓████▀▀▀                                    ▀▀▀▀████▓▄▄
       ██▓▓▀▀                                                  ▀▀██▓▓
     ██▓▓                                                          ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓         From now on we encode in V B R !!!                 ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓         Please don't spread our releases on                ██▓▓
    ██▓▓         public sources and P2P networks !!                 ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓         Support the artists :                              ██▓▓
    ██▓▓         - buy the vinyls !!                                ██▓▓
    ██▓▓         - buy the CDs !!                                   ██▓▓
    ██▓▓         - visit the concerts !!                            ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓         .. and always keep in mind :                       ██▓▓
    ██▓▓         The beat just goes STRAIGHT on and on ..           ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
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    ██▓▓        TO ALL OUR FRIENDS n MUSICLOVERZ out there !!       ██▓▓
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                                 ▀▄ ███ NfoMadeByTrossOfCro
                                   ■█▓  update 01Jan2004]R[
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Files

PathSize
a1-alec_empire--the_music_turns_me_on-cmc.mp35,87 MB
a2-alec_empire--you_are_2nd_best-cmc.mp35,63 MB
b1-alec_empire--king_snake_2rm-cmc.mp38,64 MB
b2-alec_empire--open_a_door-cmc.mp35,32 MB
b3-alec_empire--terror_worldwide-cmc.mp39,63 MB