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▄██▀ a d d i c t e d to m u s i c ░▀██▄
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▀ ▄▄▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█ p r e s e n t s to y o u ▓▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▄▄ ▀
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▄ ▀▄ Artist - Charlie Parker ▄▀ ▄
██ ▐▌ Album - Masterworks 1946-1947 ▐▌ ██
██ ▄▀ ▀▄ ██
██ Label - Joker Genre - Jazz ██
▐█▌ Retail - 1988 Rip - 05/11/2003 ▐█▌
▀█▄ Playtime - 69:56 min Source - CDDA ▄█▀
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▌ █ █
▌ █ 01 03:10 bird of paradise █ █
▌ █ 02 03:21 embraceable you █ █
▌ █ 03 02:58 crazeology █ █
▌ █ 04 03:26 dewey flame █ █
▌ █ 05 03:12 my old flame █ █
▌ █ 06 03:01 relaxin at camarillo █ █
▌ █ 07 02:27 the hymn █ █
▌ █ 08 03:06 klact oveeseds tene █ █
▌ █ 09 02:47 dont blame me █ █
▌ █ 10 02:57 scrapple from the apple █ █
▌ █ 11 02:54 quasimado █ █
▌ █ 12 03:01 dexterity █ █
▌ █ 13 03:05 night in tunisia █ █
▌ █ 14 02:59 ornithology █ █
▌ █ 15 03:17 lover man █ █
▌ █ 16 02:39 yardbird suite █ █
▌ █ 17 03:02 moose the mooche █ █
▌ █ 18 03:02 the gypsy █ █
▌ █ 19 02:52 be pop █ █
▌ █ 20 02:41 birds nest █ █
▌ █ 21 04:04 out of nowhere █ █
▌ █ 22 03:03 cheers █ █
▌ █ 23 02:52 stupendous █ █
▌ █ █ ▐
▌ █████████▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ RELEASE-NOTES ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█████████ ▐
▌ █ █ ▐
▌ █▌ Trazan Loves You! ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ When Parker was still a child, his family moved to Kansas ▐█ ▐
▌ █▌ City, Missouri, where jazz, blues and gospel music were ▐█ ▐
▌ █▌ flourishing. His first contact with music came from ▐█ ▐
▌ █▌ school, where he played baritone horn with the schoolÆs ▐█ ▐
▌ █▌ band. When he was 15, he showed a great interest in music ▐█ ▐
▌ █▌ and a love for the alto saxophone. Soon, Parker was ▐█ ▐
▌ █▌ playing with local bands until 1935, when he left school ▐█ ▐
▌ █▌ to pursue a music career. ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ From 1935 to 1939, Parker worked in Kansas City with ▐█ ▐
▌ █▌ several local jazz and blues bands from which he developed ▐█ ▐
▌ █▌ his art. In 1939, Parker visited New York for the first ▐█ ▐
▌ █▌ time, and he stayed for nearly a year working as a ▐█ ▐
▌ █▌ professional musician and often participating in jam ▐█ ▐
▌ █▌ sessions. The New York atmosphere greatly influenced ▐█ ▐
▌ █▌ Parker's musical style. ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ In 1938, Parker joined the band of pianist Jay McShann, ▐█ ▐
▌ █▌ with whom he toured around Southwest Chicago and New York. ▐█ ▐
▌ █▌ A year later, Parker traveled to Chicago and was a regular ▐█ ▐
▌ █▌ performer at a club on 55th street. Parker soon moved to ▐█ ▐
▌ █▌ New York. He washed dishes at a local food place where he ▐█ ▐
▌ █▌ met guitarist Biddy Fleet, the man who taught him about ▐█ ▐
▌ █▌ instrumental harmony. Shortly afterwards, Parker returned ▐█ ▐
▌ █▌ to Kansas City to attend his fatherÆs funeral. Once there, ▐█ ▐
▌ █▌ he joined Harlan LeonardÆs Rockets and stayed for five ▐█ ▐
▌ █▌ months. In 1939, Yardbird rejoined McShann and was placed ▐█ ▐
▌ █▌ in charge of the reed section. ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ During the four years that Parker stayed with McShann's ▐█ ▐
▌ █▌ band, he got the opportunity to perform solo in several of ▐█ ▐
▌ █▌ their recordings, such as Hootie Blues, Sepian Bounce, and ▐█ ▐
▌ █▌ the 1941 hit Confessing the Blues. In 1942, while on tour ▐█ ▐
▌ █▌ with McShann, Parker performed in jam sessions at Monroes ▐█ ▐
▌ █▌ and MintonÆs Playhouse in Harlem. There he caught the ▐█ ▐
▌ █▌ attention of up-and-coming jazz artists like Dizzy ▐█ ▐
▌ █▌ Gillespie and Thelonious Monk. Later that year, Parker ▐█ ▐
▌ █▌ broke with McShann and joined Earl Hines for eight months. ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ The year 1945 was extremely important for Parker. During ▐█ ▐
▌ █▌ that time he led his own group in New York and also worked ▐█ ▐
▌ █▌ with Gillespie in several ensembles. In December, Parker ▐█ ▐
▌ █▌ and Gillespie took their music to Hollywood on a six-week ▐█ ▐
▌ █▌ nightclub tour. Parker continued to perform in Los Angeles ▐█ ▐
▌ █▌ until June 1946, when he suffered a nervous breakdown and ▐█ ▐
▌ █▌ was confined at a state hospital. After his release in ▐█ ▐
▌ █▌ January 1947, Parker returned to New York and formed a ▐█ ▐
▌ █▌ quintet that performed some of his most famous tunes. ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ From 1947 to 1951, Parker worked in a number of ▐█ ▐
▌ █▌ nightclubs, radio studios, and other venues performing ▐█ ▐
▌ █▌ solo or with the accompaniment of other musicians. During ▐█ ▐
▌ █▌ this time, he visited Europe where he was cheered by ▐█ ▐
▌ █▌ devoted fans and did numerous recordings. March 5, 1955, ▐█ ▐
▌ █▌ was ParkerÆs last public engagement at Birdland, a ▐█ ▐
▌ █▌ nightclub in New York that was named in his honor. He died ▐█ ▐
▌ █▌ a week later in a friendÆs apartment. ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ Charles "Yardbird" Parker was an amazing saxophonist who ▐█ ▐
▌ █▌ gained wide recognition for his brilliant solos and ▐█ ▐
▌ █▌ innovative improvisations. He was, without a doubt, one of ▐█ ▐
▌ █▌ the most influential and talented musicians in jazz ▐█ ▐
▌ █▌ history. ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ ATH+++ ▐█ ▐
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█ █▌ Addicted to Music - Established in 1997 ▐█ █
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