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▓ █ ▀▓▀[ snakkelfatz ]▀▓▀ ▐████▌▀▓▀ ▐█████▓ ▄ ▄▄█
▒ █ ░ [ Entertainment ] ░ ▓████ ░ ▄█████▓▀ ▀▓▀ █ █
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░ ▒ █ Riz Ortolani-Cannibal Holocaust OST █ █ ░
▒ ░ █ █ ▓ ░
▓ ▒ █ Supplier : sfE Date : may-11-2003 █ ▒ ▓
█ ░ █ Ripper : spaun Style : soundtrack █ ░ █
█ ▓ w/ help of : cdex 1.40b/lame Trax : 10 ▓ █
█▄▄ ▒ Bitrate : 192kbps / 44,1kHz / full stereo ▒ ▄▄█
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▒ █ █ [ informations ] █ █ ▒
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█ █ label : none █ █
█ █ code : none █ █
█ █ █ █
█ █ comments : About the movie: █ █
█ █ █ █
█ █ Year Released: 1979 █ █
█ █ Director: Ruggero Deodato █ █
█ █ Writer: Gianfranco Clerici █ █
█ █ Cast: Robert Kerman, Francesca Ciardi, █ █
█ █ Luca Barbareschi, Perry Pirkanen, █ █
█ █ Salvatore Basile, Ricardo Fuentes. █ █
█ █ █ █
█ █ Powerful. Visceral. Disturbing. In a █ █
█ █ perfect world, all horror movies would █ █
█ █ be accurately described by these three █ █
█ █ important adjectives. But it's not a █ █
█ █ perfect world, and as genre fans, we █ █
█ █ often find ourselves settling for movies █ █
█ █ that are maybe only one of the above -- █ █
█ █ if we're lucky. And that, my friends, is █ █
█ █ why Cannibal Holocaust is one of the █ █
█ █ greatest horror/exploitation movies ever █ █
█ █ filmed. █ █
█ █ █ █
█ █ Released in 1979, Cannibal Holocaust was █ █
█ █ one of the last titles released in the █ █
█ █ popular Italian cannibal cycle, yet it's █ █
█ █ regarded by many critics as the finest █ █
█ █ film in the entire subgenre. Director █ █
█ █ Ruggero Deodato (Jungle Holocaust, House █ █
█ █ on the Edge of the Park) manages to █ █
█ █ create a classic "chunkblower" in terms █ █
█ █ of onscreen gore, yet he also infuses █ █
█ █ the work with a sense of morality that █ █
█ █ seems strangely out of place in an █ █
█ █ Italian exploitation flick. █ █
█ █ █ █
█ █ The film utilizes the mock documentary █ █
█ █ setup nearly twenty years prior to The █ █
█ █ Last Broadcast and The Blair Witch █ █
█ █ Project, focusing on several young █ █
█ █ mondo-style filmmakers who enter the █ █
█ █ South American jungle (referred to as █ █
█ █ the "green hell") to find a lost tribe █ █
█ █ of cannibals. The filmmakers never █ █
█ █ return, leading a professor (Robert █ █
█ █ Kerman: Cannibal Ferox, Eaten Alive, and █ █
█ █ a whole ton of pornos under the name R. █ █
█ █ Bolla) to go in search of them roughly a █ █
█ █ year later. Kerman finds the tribe, █ █
█ █ barters for the footage, and returns to █ █
█ █ NYC -- where we see what happened to the █ █
█ █ film crew. █ █
█ █ █ █
█ █ As is to be expected in an exploitation █ █
█ █ flick, the acting is pretty bad █ █
█ █ (although not as bad as the NYC scenes █ █
█ █ in Cannibal Ferox). Each thespian plays █ █
█ █ their character with a completely █ █
█ █ over-the-top sense of glee, especially █ █
█ █ the members of the film crew, who are █ █
█ █ the antagonists for the first half of █ █
█ █ the film. Kerman turns in a decent █ █
█ █ performance as the professor, but █ █
█ █ everyone else around him who isn't a █ █
█ █ cannibal is overacting... badly. █ █
█ █ █ █
█ █ But no one watches a film like Cannibal █ █
█ █ Holocaust for the performances, right? █ █
█ █ No, we watch a movie like this mainly █ █
█ █ for the gore. So, does it deliver the █ █
█ █ goods? You bet. This is one of those █ █
█ █ films that separates the men from the █ █
█ █ boys. The FX work of Aldo Gasparri █ █
█ █ (White Slave, Django 2) is impressive, █ █
█ █ especially when you stop to consider █ █
█ █ that this movie was made in the '70s █ █
█ █ with a very limited budget and little of █ █
█ █ today's FX technology. Scenes like the █ █
█ █ woman impaled on a pole -- through her █ █
█ █ vagina and out her mouth -- are █ █
█ █ incredibly realistic and much more █ █
█ █ powerful than any of today's big-budget █ █
█ █ CGI horror FX. Other atrocities caught █ █
█ █ on camera include: a castration, some █ █
█ █ beatings with large hammers, gut █ █
█ █ munching, some real-life cruelty to █ █
█ █ animals (sadly, several real animals are █ █
█ █ killed on tape), and a few rapes... █ █
█ █ you're not gonna want to have a █ █
█ █ screening of this one for grandma and █ █
█ █ the kids. █ █
█ █ █ █
█ █ Needless to say, Cannibal Holocaust has █ █
█ █ been banned just about everywhere. It █ █
█ █ was one the first of the "video nasties" █ █
█ █ to receive an outright banning in █ █
█ █ Britain, and it was even banned in █ █
█ █ Deodato's homeland, Italy. In fact, in █ █
█ █ an unprecedented move, Deodato had to █ █
█ █ endure an obscenity trial after being █ █
█ █ unable to convince Italian authorities █ █
█ █ that the footage was indeed staged. █ █
█ █ Deodato lost the original trial, and all █ █
█ █ prints were to be destroyed. He managed █ █
█ █ to have the ruling overturned in the █ █
█ █ early '80s. █ █
█ █ █ █
█ █ The film is well shot, with the second █ █
█ █ half documentary footage looking █ █
█ █ extremely real. Unlike The Blair Witch █ █
█ █ Project, the footage is relatively █ █
█ █ steady and shouldn't cause anyone to █ █
█ █ clutch for the Dramamine. Also worth █ █
█ █ noting is Riz Ortolani's (Revenge of the █ █
█ █ Dead, House on the Edge of the Park) █ █
█ █ score, which is strangely mellow, yet █ █
█ █ contrasts the onscreen carnage quite █ █
█ █ nicely. █ █
█ █ █ █
█ █ Gianfranco Clerici's (Jungle Holocaust, █ █
█ █ New York Ripper) script is better than █ █
█ █ would be required in a film of this █ █
█ █ kind, managing to balance the █ █
█ █ exploitation and depravity with some █ █
█ █ moral themes. One character wonders who █ █
█ █ the real savages are in the film, and █ █
█ █ the story certainly points out that it █ █
█ █ is us. Whether it be the █ █
█ █ mondo-journalists willing to go to any █ █
█ █ extreme to get what they want on tape or █ █
█ █ the audiences who watch their efforts, █ █
█ █ it's clear that in Cannibal Holocaust's █ █
█ █ universe we are indeed the monsters. █ █
█ █ Sure, it's all dealt with in a █ █
█ █ heavy-handed way, but let's face it, █ █
█ █ nothing in this film was geared toward █ █
█ █ subtlety. █ █
█ █ █ █
█ █ Finding a copy of this film is █ █
█ █ relatively difficult... you're not gonna █ █
█ █ see it at your local Blockbuster. █ █
█ █ Bootleg copies abound, as well as a few █ █
█ █ foreign versions and a laserdisc █ █
█ █ release. If you want to see this one, █ █
█ █ you're gonna have to work for it... █ █
█ █ which is sort of the way it should be. █ █
█ █ Seeing a film like Cannibal Holocaust is █ █
█ █ sort of like joining a select club -- █ █
█ █ only certain fans with the diligence █ █
█ █ necessary to go to the ends of the earth █ █
█ █ to find a copy need apply. And when you █ █
█ █ do find it and see it, you can secretly █ █
█ █ gloat in the knowledge that you've seen █ █
█ █ a film that would make the average █ █
█ █ Scream fan puke. █ █
█ █ █ █
█ █ Ultimately, Cannibal Holocaust is a █ █
█ █ study in contrasts. Both praised and █ █
█ █ vilified, it's a powerful film that █ █
█ █ demands more than a casual viewing. It's █ █
█ █ a film so filled with images of █ █
█ █ depravity that after seeing it, you'll █ █
█ █ never be able to forget it. Fans looking █ █
█ █ for gore and nothing else would be █ █
█ █ advised to go elsewhere. Viewers looking █ █
█ █ for a film that's powerful, visceral, █ █
█ █ and disturbing have a new title to add █ █
█ █ to their must-see list. There's █ █
█ █ something here guaranteed to affect even █ █
█ █ the most jaded viewer, and for that, I █ █
█ █ give it an A rating. █ █
█ █ --------------------------------------- █ █
█ █ [Italian] █ █
█ █ Il nome di Ritz Ortolani passera' █ █
█ █ probabilmente alla storia per la colonna █ █
█ █ sonora di Mondo cane scritta assieme a █ █
█ █ Nino Oliviero; nel '63, infatti, "Ti █ █
█ █ guarder≥ nel cuore", brano █ █
█ █ d'accompagnamento per il primo █ █
█ █ documentario shock di Jacopetti e █ █
█ █ Prosperi, venne candidato all'Oscar e █ █
█ █ portato al successo da Sinatra con il █ █
█ █ titolo "More" ed e' salito agli onori █ █
█ █ delle cronache fino ai nostri giorni per █ █
█ █ la lunga controversia legale che ha █ █
█ █ coinvolto i due compositori sulla █ █
█ █ detenzione dei diritti. Ma il vero █ █
█ █ gioiello di Ortolani si nasconde dietro █ █
█ █ dell'altra celluloide: nel 1978 il █ █
█ █ maestro accompagna le immagini di █ █
█ █ Cannibal Holocaust, cult cannibale di █ █
█ █ Ruggero Deodato dove un giovane Luca █ █
█ █ Barbareschi sevizia indios e massacra █ █
█ █ animali. L'equivalente musicale pi∙ █ █
█ █ ovvio sarebbe rintracciabile in certo █ █
█ █ grindcore-metal; in realta' e' una █ █
█ █ melodia celestiale quella che accompagna █ █
█ █ le immagini piu' feroci, una geniale █ █
█ █ miscela dell'inverso che lascia █ █
█ █ spiazzati e indifesi. Il resto e' █ █
█ █ trascurabile jazz-exotico che va tanto █ █
█ █ di moda ai nostri giorni. Ricercatissimo █ █
█ █ dai collezionisti. █ █
░ ▓ █ █ ▓ ░
▓ ▒ █ greets : sb - amrc - kw - ftd - ube - hbz █ ▒ ▓
█ ░ ▓ iMPG - HiT - dps - rac ▓ ░ █
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▒ █ █ [ tracklist ] █ █ ▒
░ █ █ █ █ ░
█ █ 01.cannibal holocaust main theme [02:59] █ █
█ █ 02.adulteress' punishement [03:24] █ █
█ █ 03.cameramen's recreation [03:19] █ █
█ █ 04.crucified woman [02:23] █ █
█ █ 05.drinking coco [03:26] █ █
█ █ 06.love with fun [02:57] █ █
█ █ 07.massacre of the troupe [03:56] █ █
█ █ 08.relaxing in the savana [03:09] █ █
█ █ 09.savage rite [03:44] █ █
█ █ 10.cannibal holocaust end titles [03:54] █ █
█ █ ------- █ █
█ █ 33:11 min █ █
█ █ 45,70 MB █ █
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▒ █ █ [ group notes ] █ █ ▒
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█ █ █ █
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█▄▒▄▄▄▄▒▄▐▓░ nfo+layout: z0oy0rk | Mar-15-2oo1 ░▓▌▄▒▄▄▄▄▒▄█