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ªª ªªªªªª LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE !!!
ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª▓X▓ P R E S E N T S ▓X▓ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª
ªªªªªªª▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓ªªªªªªª
ªª▓D2H▓ªª▓ Anne Clark - Changing Places ▓ªª▓D2H▓ªª
ªªªªªª▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓ªªªªªª
ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª
ªª▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓ªª
ªª▓ ▓ªª
ªª▓ Ripper : D2H Army Genre : Electronic/New Wave/Synthpop ▓ªª
ªª▓ Supplier : D2H Army Release Date : 24-01-2009 ▓ªª
ªª▓ Source : CDDA Year : 1991 ▓ªª
ªª▓ Type : Album Tracks : 11 ▓ªª
ªª▓ Encoder : Lame 3.97 Quality : VBRkbps/44,1kHz/Joint-Stereo ▓ªª
ªª▓ Label : Beehive Trading Ltd Catalog # : BEECD 2 ▓ªª
ªª▓ Url : www.anneclarkofficial.com ▓ªª
ªª▓ ▓ªª
ªª▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓ªª
ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª
ªªªªªªªªªªªªªªªªªªªª▓X▓ T R A C K L I S T ▓X▓ªªªªªªªªªªªªªªªªªªªª
ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª
ªª▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓ªª
ªª▓ ▓ªª
ªª▓ Track Title Track Time ▓ªª
ªª▓ ▓ªª
ªª▓ 01 Contact (02:01) ▓ªª
ªª▓ 02 Sleeper In Metropolis (04:04) ▓ªª
ªª▓ 03 Poem For A Nuclear Romance (02:48) ▓ªª
ªª▓ 04 Wallies (04:10) ▓ªª
ªª▓ 05 Lover Audition (02:16) ▓ªª
ªª▓ 06 Poets Turmoil No. 364 (02:54) ▓ªª
ªª▓ 07 Echoes Remain Forever (03:31) ▓ªª
ªª▓ 08 All Night Party (04:15) ▓ªª
ªª▓ 09 Pandoras Box (02:39) ▓ªª
ªª▓ 10 Feel (03:57) ▓ªª
ªª▓ 11 The Last Emotion (03:12) ▓ªª
ªª▓ ------------- ▓ªª
ªª▓ TOTALS : 45,0 MB / 35:47 min ▓ªª
ªª▓ ▓ªª
ªª▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓ªª
ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª
ªªªªªªªªªªªªªªªªª▓X▓ R E L E A S E I N F O ▓X▓ªªªªªªªªªªªªªªªªª
ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª
ªª▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓ªª
ªª▓ ▓ªª
ªª▓ Anne Clark was born in Croydon, South London on May 14th 1960 to an Irish mother and a ▓ªª
ªª▓ Scottish father. She left school at sixteen. The constraints of her school education however ▓ªª
ªª▓ couldn't quash her voracious appetite for music, books,an inquisitiveness and practical need ▓ªª
ªª▓ to be involved with the world around her. ▓ªª
ªª▓ ▓ªª
ªª▓ She took a number of jobs including working as a care assistant in a psychiatric hospital ▓ªª
ªª▓ and then taking a job at Bonaparte Records, a local independent record store and label.This ▓ªª
ªª▓ indeed was good timing! The punk rock scene was just about to explode into life in London. ▓ªª
ªª▓ With her need for communication and disregard of formal institutions, along with so many ▓ªª
ªª▓ people at the time, punk led the way to a whole new approach for dealing with music, arts, ▓ªª
ªª▓ society itself.At that time anything and everything seemed possible. ▓ªª
ªª▓ ▓ªª
ªª▓ Next door to Bonapartes was the Warehouse Theatre, another independent venture that was ▓ªª
ªª▓ constantly under threat of closure due to lack of finances. For 18 months Anne went to them ▓ªª
ªª▓ with the idea of putting on shows/acts that were emerging from the punk and new wave scene. ▓ªª
ªª▓ Not only bands like The Damned, Siouxsie and The Banshees and Generation X were part of the ▓ªª
ªª▓ local scene but there were numerous theatre, comedy,poetry and dance projects filtering ▓ªª
ªª▓ through. At first the theatre bosses were terrified of having leather clad, pierced punk ▓ªª
ªª▓ rockers swarming over the Warehouse but eventually they conceded and Anne worked as an ▓ªª
ªª▓ unpaid administrator there for almost 2 years - selling out nights at the theatre featuring ▓ªª
ªª▓ acts such as Paul Weller, Linton Kwesi-Johnson, French & Saunders, The Durutti Column, Ben ▓ªª
ªª▓ Watt etc etc... ▓ªª
ªª▓ ▓ªª
ªª▓ All the while Anne was experimenting with music and text and made her own debut performance ▓ªª
ªª▓ at Richard Strange's Cabaret Futura in London along with Depeche Mode. She was also ▓ªª
ªª▓ co-editing Paul Weller's Riot Stories publishing company which the Jam front man had set up ▓ªª
ªª▓ to promote the work of young writers who were otherwise going ignored by the mainstream ▓ªª
ªª▓ publishing houses. As a result of this the publishers Faber collected an anthology of young ▓ªª
ªª▓ writers work and issued it under the title Hard Lines which went on to be re-pressed 3 ▓ªª
ªª▓ times. ▓ªª
ªª▓ ▓ªª
ªª▓ Anne was also involved in a number of television projects including programmes for the BBC ▓ªª
ªª▓ and a film for Channel 4, Sketch For Someone, which she wrote the script for and which ▓ªª
ªª▓ contained contributions from Patrik Fitzgerald and The Durutti Column. ▓ªª
ªª▓ ▓ªª
ªª▓ Anne's songwriting experiments came to fruition with the release of her first album The ▓ªª
ªª▓ Sitting Room in 1982. This featured collaborations with Dominic Appleton, latterly of This ▓ªª
ªª▓ Mortal Coil and Breathless. ▓ªª
ªª▓ ▓ªª
ªª▓ During her time at the Warehouse Anne met David Harrow, co-writer on her second album ▓ªª
ªª▓ Changing Places in 1983, Joined Up Writing in 1984 and Hopeless Cases in 1987. Anne and ▓ªª
ªª▓ David's curiosity with keyboards, synths and samplers led them to create songs and sounds ▓ªª
ªª▓ that would provide blueprints for the electronic music of the 80s and 90s - Sleeper In ▓ªª
ªª▓ Metropolis........Our Darkness... ▓ªª
ªª▓ ▓ªª
ªª▓ Never putting limits on her means of expression Anne also experimented with very different ▓ªª
ªª▓ sounds, exploring many musical styles, from jazz to folk to classical. These elements play ▓ªª
ªª▓ an even greater role in Anne's work today. The popularity of Anne's work grew and grew in ▓ªª
ªª▓ Europe and North America whilst the ideals that had seemed so strong in England either just ▓ªª
ªª▓ faded away or were bought out by the multi-national globalisation of the music scene. Europe ▓ªª
ªª▓ still (just about!!) manages to maintain a music audience that is not dictated to by the ▓ªª
ªª▓ media and where there is room and consideration given to EVERY kind of music. ▓ªª
ªª▓ ▓ªª
ªª▓ 1985 saw the release of Pressure Points and a collaboration with John Foxx, the founder of ▓ªª
ªª▓ Ultravox. In 1986 she began working and writing with classically trained pianist Charlie ▓ªª
ªª▓ Morgan and as well as joining her on her first US tour he also co-wrote material for the ▓ªª
ªª▓ Hopeless Cases album (1987). ▓ªª
ªª▓ ▓ªª
ªª▓ 1988 saw the release of Anne 's first live album RSVP. ▓ªª
ªª▓ ▓ªª
ªª▓ At the end of 1987 Anne moved to Norway which was to be her home for 3 years. The move to ▓ªª
ªª▓ Scandinavia opened up further experiments with sound and music and she began working with ▓ªª
ªª▓ Norwegian musicians Tov Ramstad and Ida Baalsrud. Along with Charlie Morgan the album ▓ªª
ªª▓ Unstill Life was released in 1991. ▓ªª
ªª▓ ▓ªª
ªª▓ Projects begun in 1982 with Charlie had to be suspended in the Spring when he became unwell. ▓ªª
ªª▓ By the Summer it was discovered Charlie was suffering from Cancer and in the Autumn it ▓ªª
ªª▓ became clear that his illness was terminal and Charlie died in December 1992 aged just 36. ▓ªª
ªª▓ ▓ªª
ªª▓ Months of re-assessment and change saw the recording and release of The Law Is An Anagram Of ▓ªª
ªª▓ Wealth in 1993. As well as furthering her collaboration with Tov Ramstad, Anne began working ▓ªª
ªª▓ with Paul Downing, Martyn Bates and Andy Bell. ▓ªª
ªª▓ With all the many co-writers, the various styles and experiments that have occured during ▓ªª
ªª▓ her career, something immediately recognisable and consistent lies at the centre of Anne's ▓ªª
ªª▓ work - a uniqueness present in every project which, whilst making Anne never completely ▓ªª
ªª▓ acceptable to the mainstream music industry, offers a wholly original artist to the most ▓ªª
ªª▓ important element of her work - her audience. An audience from all over the world, from all ▓ªª
ªª▓ ages and all backgrounds. This is surely the most important task of an artist - to bring ▓ªª
ªª▓ people closer together. ▓ªª
ªª▓ ▓ªª
ªª▓ With the collapse of communisim Anne's worked reached an even wider audience. People had ▓ªª
ªª▓ followed her career for years via smuggled tapes and distant radio broadcasts in East ▓ªª
ªª▓ Germany, Poland, Russia, Czechoslovakia, Hungary, Romania. Now her texts are used by ▓ªª
ªª▓ students in these countries studying English. ▓ªª
ªª▓ ▓ªª
ªª▓ In 1994 Anne decided to take the risk of touring with a purely acoustic band and the ▓ªª
ªª▓ successful result of this can be heard on the live recording Psychometry made at the ▓ªª
ªª▓ Passionskirche in Berlin in that year. ▓ªª
ªª▓ ▓ªª
ªª▓ In 1995 she released To Love And Be Loved, another magical blending of electronics and ▓ªª
ªª▓ acoustics featuring collaborations with Martyn Bates, Paul Downing, Andy Bell and Chris ▓ªª
ªª▓ Elliot. ▓ªª
ªª▓ ▓ªª
ªª▓ At the end of 1996 a number of bands, producers and djs made a document of Anne's material ▓ªª
ªª▓ as a tribute to the influence her work has had on so many musicians fro the mid 80s to the ▓ªª
ªª▓ present day. Re-mixes of cult tracks such as Our Darkness, Sleeper In Metropolis, Wallies ▓ªª
ªª▓ and Virtuality were compiled and released as Word-processing. ▓ªª
ªª▓ ▓ªª
ªª▓ In 1998 Anne returned once again to the acoustic and folk/classical influences that have ▓ªª
ªª▓ become increasingly important to her expression and, much to the disdain of the major record ▓ªª
ªª▓ labels, but the acclaim of her audience and critics alike, she released Just After Sunset - ▓ªª
ªª▓ a collaboration with Martyn Bates featuring translations of the poetry of Rainer Maria ▓ªª
ªª▓ Rilke. ▓ªª
ªª▓ ▓ªª
ªª▓ 98 also sees Anne collaborating with Polish band Fading Colours for which she performs the ▓ªª
ªª▓ track "Eveline" out of the album "I'm scared of". ▓ªª
ªª▓ ▓ªª
ªª▓ In the mean time Anne went back to school where she studied about Environment and Ecology, ▓ªª
ªª▓ something which lies very close to Anne's heart. ▓ªª
ªª▓ ▓ªª
ªª▓ Around November 2001 Anne first contacts were made with guitarist Jeff Aug who introduced ▓ªª
ªª▓ her to Niko, Murat and Jan-Michael and slowly the pieces were coming together to launch the ▓ªª
ªª▓ new acoustic project. Though still performing the Wordprocessing the acoustic project ▓ªª
ªª▓ eventually saw the light of day around Novemb