Los_Guachos-Filtros-2008-SnS

Section
MP3/FLAC
Group
SnS
Size
97,76 MB
Files
10
Date
2009-04-01

NFO

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 ▀█▄▓▌ ▄▓█▀▀                                                         ░░
    ▀▀▓▓█▌                   Los Guachos - Filtros                    ░
   ▄▀   ▀▀ ▄                                                        ░ ░
  █▌     ░                                                           ░░
   ▀▄▄   ░▒▒                                                        ░▒░
      ▀▀▄▓▒▓   Artist .....: Los Guachos                            ▓▒▓
        ▐█▓▓   Title ......: Filtros                                ▓▓█
        ▀██▓   Year .......: 2008                                   ▓██
         ██▓   Genre ......: Jazz                                   ▓██
         ███   Label ......: Sunny Side Records                     ▓██
         ███   Source .....: CD                                     ▓█▓
         ███   Bitrate ....: 200 kbps avg                           ██▓
         ███   khz ........: 44.1                                   █▓▓
         ███   Mode .......: Joint Stereo                           ██▓
         ██▓   Encoder ....: LAME v3.97 -V2 --vbr-new               ██▓
         ██▓   Reldate ....: 2009-04-02                             ▓██
         ██▓   Storedate ..: 2008-00-00                             ▓██
  ▄▄▄    █▓▓                                                 ▄▄▄    ▓▓█
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  █▓▓   ▓▀▀▀  ▄▓▄   ▀█▀  ▀                                   ▓▓█    ▀▀▀
  ██▓▄▀        ▀ ▄▓▄                                         ▓██
  ███▌  Tracklist ▀                                          ███
  ██▓▀                                                       ███
  ███   1.  Va Roman                                    7:31 ███
  ███   2.  Miula                                      10:03 ███
  ███   3.  Manuel                                      3:22 ███
  ███   4.  Yeso                                        6:09 ███
  ███   5.  Amor Profundo                               3:00 ███
  ███   6.  Memes                                       6:45 ███
  ███   7.  Volante                                     5:52 ███
  ███   8.  Luz De Liz (Filtros)                       11:04 ███
  ███   9.  Vaca                                        6:32 ███
  ███   10. Louange a L'eternite de Jesus               7:35 ███
  ██▓                                                  ----- ▓██
  ██▓                                                  67:53 ▓██
  █▓▓           ▄▄▄                                          ▓▓█           ▄▄▄
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  ▀▀▀           █▓▓   ▓▀▀▀  ▄▓▄   ▀█▀  ▀                     ▀▀▀           ▓▓█
                ██▓▄▀        ▀ ▄▓▄                                         ▓██
                ███▌  Release   ▀                                          ███
                ██▓▀                                                       ███
                ██▓   When an artist states his CD is, "...the best group  ▓██
                ██▓   effort ever achieved by Guachos," there's the        ▓██
                ██▓   temptation to toss the comment aside as mere         ▓██
                ██▓   hyperbole designed to generate some hype over a new  ▓██
                ██▓   release. But pianist/vocalist Guillermo Klein isn't  ▓██
                ██▓   exaggerating when he speaks of Filtros, his first    ▓██
                ██▓   Los Guachos studio album since III (Sunnyside,       ▓██
                ██▓   2002). When it comes to composition and              ▓██
                ██▓   orchestration, Filtros makes it abundantly clear     ▓██
                ██▓   that Klein is every bit as significant as the more   ▓██
                ██▓   highly visible Maria Schneider and Vince Mendoza.    ▓██
                ██▓                                                        ▓██
                ██▓   Since III, the Argentinean-born composer/bandleader  ▓██
                ██▓   released the remarkable Una Nave (Sunnyside, 2005).  ▓██
                ██▓   Recorded with an all-Argentinean ensemble, it        ▓██
                ██▓   represented fusion in the truest sense of the        ▓██
                ██▓   wordùnot the jazz/rock electric variety, but a       ▓██
                ██▓   seamless stylistic cross-pollination, where          ▓██
                ██▓   classicism and funk, freedom and form found          ▓██
                ██▓   distinct common ground.                              ▓██
                ██▓                                                        ▓██
                ██▓   With a slightly reduced configuration than           ▓██
                ██▓   IIIùeleven pieces instead of thirteen, and           ▓██
                ██▓   replacing a second drummer, singer and               ▓██
                ██▓   double-bassist with a trombonistùthe similarly       ▓██
                ██▓   amalgamating Filtros doesn't break any specific new  ▓██
                ██▓   ground. Instead, Klein evolves his distinct mix of   ▓██
                ██▓   jazz, Argentinean folk music and European            ▓██
                ██▓   classicism with more expansive harmonies. Filtros'   ▓██
                ██▓   suite-like set of ten compositions are overall       ▓██
                ██▓   lengthier; both more compositionally detailed and    ▓██
                ██▓   improv-ready than the many miniatures of III,        ▓██
                ██▓   creating a unified work that better capitalizes on   ▓██
                ██▓   the strengths of Los Guachos' multifaceted line-up   ▓██
                ██▓   of musicians from North, Central and South America.  ▓██
                ██▓                                                        ▓██
                ██▓   What Filtros has over Una Nave is its more urban     ▓██
                ██▓   edge, creating a vivid contrast with Klein's         ▓██
                ██▓   sometimes breezy writing, the complexity of which    ▓██
                ██▓   is deceptively hidden in its easy-going              ▓██
                ██▓   accessibility. The album begins sparely, with only   ▓██
                ██▓   Klein's piano and voice; but the ensemble soon       ▓██
                ██▓   enters gently, drummer Jeff Ballard, percussionist   ▓██
                ██▓   Richard Nant and bassist Fernando Huergo gradually   ▓██
                ██▓   stoking the fire beneath Chris Cheek's rugged        ▓██
                ██▓   baritone solo, leading into an equally evocative     ▓██
                ██▓   solo from altoist Miguel Zenon, with guitarist Ben   ▓██
                ██▓   Monder's chime-like accompaniment occasionally       ▓██
                ██▓   emerging above Klein's lush horn arrangement.        ▓██
                ██▓                                                        ▓██
                ██▓   Surprisingly, the shifting bar lines of "Miula" do   ▓██
                ██▓   nothing to defeat its approachable veneer, Diego     ▓██
                ██▓   Urcola's muted trumpet and Zenon's flute an          ▓██
                ██▓   unorthodox but lovely combination for its buoyant    ▓██
                ██▓   melody. Underneath it's still a strong solo          ▓██
                ██▓   vehicle, trombonist Sandro Tomasi combining          ▓██
                ██▓   lyricism and a strong rhythmic complexion before     ▓██
                ██▓   Klein's arrangement reasserts itself for an          ▓██
                ██▓   unsettling passage of shifting tempo, an intro and   ▓██
                ██▓   outro to bass and percussion solos. "Manuel," on     ▓██
                ██▓   the other hand, is a simmering ballad, opening with  ▓██
                ██▓   contrapuntal horns alone, the ensemble entering to   ▓██
                ██▓   reveal that, underneath it all, it's really a blues  ▓██
                ██▓   of a different kind.                                 ▓██
                ██▓                                                        ▓██
                ██▓   With ample solo space for Klein's outstanding        ▓██
                ██▓   ensemble, it's his unique ability to see confluence  ▓██
                ██▓   where others wouldn't that makes Filtros so          ▓██
                ██▓   compelling. "Vaca" combines an Argentinean           ▓██
                ██▓   traditional song with microtonal 20th Century        ▓██
                ██▓   composer Gyorgy Ligeti's "Hungarian Rock," while     ▓██
                ██▓   the closing "Louange a L'eternite de Jesus" is an    ▓██
                ██▓   unusual look at Messiaen, a tone poem filled with    ▓██
                ██▓   dissonant harmonies yet strangely appealing. It's    ▓██
                ██▓   this out-of-the-box thinking that makes Klein so     ▓██
                ██▓   important yet underrated, and Filtros a high         ▓██
                ██▓   watermark of a small but consistently fine           ▓██
                ██▓   discography.                                         ▓██
         ▄▄▄    █▓▓                                                 ▄▄▄    ▓▓█
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        ▀██▓▄▀        ▀ ▄▓▄                                         ▓██
         ▓██▌ Group      ▀                                          ▓██
       ▄▓▓█▓▀                                                       ▓██
        ▀▓██                                                        ███
   ▄ ▀▄▓▄▓██       if you have something to offer contact us.       ███
▄▀     ▀ ▓██                                                        ██▓
▌▄    ▄ ▀▓██▄ ▀                                                    ▄██▓
▓ ▄▀ ▓▌  ▓██▌  ▄▓▄                                                 ▐██▓
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Files

PathSize
01-los_guachos-va_roman.mp311,29 MB
02-los_guachos-miula.mp314,90 MB
03-los_guachos-manuel.mp34,69 MB
04-los_guachos-yeso.mp38,33 MB
05-los_guachos-amor_profundo.mp34,52 MB
06-los_guachos-memes.mp39,95 MB
07-los_guachos-volante.mp38,23 MB
08-los_guachos-luz_de_liz_(filtros).mp316,18 MB
09-los_guachos-vaca.mp39,33 MB
10-los_guachos-louange_a_leternite_de_jesus.mp310,33 MB