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| Artist : Chick Corea And John McLaughlin |
| Album : Five Peace Band Live |
| Bitrate : VBR kbps |
| Label : Concord |
| Year : 2009 |
| Genre : Jazz |
| Rip date : Apr-12-2009 |
| Store date : Apr-28-2009 |
| Size : 183,2 MB |
| |
+--------------------------------[Track List]--------------------------------+
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|Track Listing: |
| |
| cd1 |
| |
| 01 - Raju 12:32 |
| 02 - The Disguise 13:34 |
| 03 - New Blues, Old Bruise 14:08 |
| 04 - Hymn To Andromeda 27:45 |
| |
| CD2 |
| |
| 01 - Dr. Jackle 22:56 |
| 02 - Senior C.S. 20:17 |
| 03 - In A Silent Way It's About That Time 20:09 |
| 04 - Someday My Prince Will Come 07:43 |
| |
| |
| cd1: 67:59 cd2: 71:05 |
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+----------------------------------[Notes]-----------------------------------+
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| Chick Corea has been one of the most significant jazzmen since the '60s. |
| Not content at any time to rest on his laurels, Corea has been involved |
| in quite a few important musical projects, and his musical curiosity has |
| never dimmed. A masterful pianist who, along with Herbie Hancock and |
| Keith Jarrett, was one of the top stylists to emerge after Bill Evans |
| and McCoy Tyner, Corea is also one of the few electric keyboardists to |
| be quite individual and recognizable on synthesizers. In addition, he |
| has composed several jazz standards, including "Spain," "La Fiesta," and |
| "Windows." |
| |
| Corea began playing piano when he was four and, early on, Horace Silver |
| and Bud Powell were influences. He picked up important experience |
| playing with the bands of Mongo Santamaria and Willie Bobo (1962-1963), |
| Blue Mitchell (1964-1966), Herbie Mann, and Stan Getz. He made his |
| recording debut as a leader with 1966's Tones for Joan's Bones, and his |
| 1968 trio set (with Miroslav Vitous and Roy Haynes) Now He Sings, Now He |
| Sobs is considered a classic. After a short stint with Sarah Vaughan, |
| Corea joined Miles Davis as Herbie Hancock's gradual replacement, |
| staying with Davis during a very important transitional period (1968- |
| 1970). He was persuaded by the trumpeter to start playing electric |
| piano, and was on such significant albums as Filles de Kilimanjaro, In a |
| Silent Way, Bitches Brew, and Miles Davis at the Fillmore. When he left |
| Davis, Corea at first chose to play avant-garde acoustic jazz in Circle, |
| a quartet with Anthony Braxton, Dave Holland, and Barry Altschul. But at |
| the end of 1971, he changed directions again. |
| |
| Leaving Circle, Corea played briefly with Stan Getz and then formed |
| Return to Forever, which started out as a melodic Brazilian group with |
| Stanley Clarke, Joe Farrell, Airto, and Flora Purim. Within a year, |
| Corea (with Clarke, Bill Connors, and Lenny White) had changed Return to |
| Forever into a pacesetting and high-powered fusion band; Al DiMeola took |
| Connors' place in 1974. While the music was rock-oriented, it still |
| retained the improvisations of jazz, and Corea remained quite |
| recognizable, even under the barrage of electronics. When RTF broke up |
| in the late '70s, Corea retained the name for some big band dates with |
| Clarke. During the next few years, he generally emphasized his acoustic |
| playing and appeared in a wide variety of contexts; including separate |
| duet tours with Gary Burton and Herbie Hancock, a quartet with Michael |
| Brecker, trios with Miroslav Vitous and Roy Haynes, tributes to |
| Thelonious Monk, and even some classical music. |
| |
| In 1985, Chick Corea formed a new fusion group, the Elektric Band, which |
| eventually featured bassist John Patitucci, guitarist Frank Gambale, |
| saxophonist Eric Marienthal, and drummer Dave Weckl. To balance out his |
| music, a few years later he formed his Akoustic Trio with Patitucci and |
| Weckl. When Patitucci went out on his own in the early '90s, the |
| personnel changed, but Corea continued leading stimulating groups |
| (including a quartet with Patitucci and Bob Berg). During 1996-1997, |
| Corea toured with an all-star quintet (including Kenny Garrett and |
| Wallace Roney) that played modern versions of Bud Powell and Thelonious |
| Monk compositions. He remains an important force in modern jazz, and |
| every phase of his development has been well-documented on records. |
| |
| Corea started out the 21st century by releasing a pair of solo piano |
| records, Solo Piano: Originals and Solo Piano: Standards, in 2000, |
| followed by Past, Present & Futures in 2001. Rendezvous in New York |
| appeared in 2003, followed by To the Stars in 2004. The Ultimate |
| Adventure was released in 2006. |
| |
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