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█ - d e e p h o u s e -
01.05.2009
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artist : lloyd kenny
title . javan gliding frog
type : ep
year . 2009
genre : electronic
subgenre . house
label : DiskoZoo
cat . ZOO004
URL : http://www.myspace.com/lloydkennymusic
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encoder . lame 3.98
quality : VBRkbps / 44.1Khz / joint-stereo
source . http://www.emusic.com
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01.this is gettin serious (original mix) 06:22
02.pothead (original mix) 07:03
03.pacino (original mix) 06:52
04.pothead (manjane remix) 06:08
26:25 min 31,9 MB
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The deep house crew brings you once again a high quality release of
soulful dance music.. music with emotion that deserves the promotion..
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David Mancuso was born in 1944 in upstate New York and lived in an
orphanage in Utica until age 5. One of his most vivid memories of
that period of time in life was the parties that Sister Alicia, the
nun in charge, would throw for the resident children. A record player
and balloon decorations were fundamental elements of these fond
memories resurrected years later in Mancuso's creation of the Loft.
David Mancuso travelled to New York City for the first time in 1962
and shortly thereafter rented his first Manhattan apartment.
He first began hosting public parties after moving into an apartment
on Broadway in 1965. By the end of 1966 he was hosting his first
dance party. Mancuso began hosting bimonthly parties but these came
to an abrupt end in early 1969 as he went on what he refers to as his
'monk' trip living the life of an ascetic and eventually ending up in
the psychiatric ward of Bellevue Hospital. After escaping from the
hospital, David Mancuso moved back into his Broadway apartment with
the help of friends, rebuilt his sound system and began hosting
weekly rent parties. He adopted a by-invitation-only door policy and
by the end of 1970 the parties were packed.
The building in which Mancuso was living was a loft building and the
parties soon became known simply as the Loft. David Mancuso rebelled
against being referred to as a DJ and preferred the title musical
host instead. Although he did adopt mixing and editing techniques in
playing music by the late 1970's, in the early 1980's he got rid of
his mixing equipment and went back to his earlier style of playing
songs from end to end. The key to Mancuso's style of hosting with
music was the programming of the songs to create moods or convey
messages to his audiences. He might program multiple songs in a row
with a similar message on love or create a particular ambience with
sound effects and rhythm tracks.
It is this guidance of an audience through programming of the music
that was powerfully influential .. DJs in the Manhattan Dance scene
including Frankie Knuckles, Larry Levan, Francois Kevorkian, Nicky
Siano and many others. By 1972 and 1973 the Loft had become one of
the key venues for the emergence of various sounds that would
eventually coalesce into Disco. Along with Nicky Siano at the
Gallery, David Mancuso spearheaded development of an underground
Manhattan music scene. In 1974 the city of New York began cracking
down on emerging Dance venues and the Loft was forced to close that
fall. For the next year David Mancuso searched for new locations for
the Loft and finally found a location at 99 Prince Street in the SoHo
neighborhood. The Loft reopened in October 1975 and was more popular
than ever. The Loft would remain on Prince Street for the next 10
years. By 1975 record companies had begun to take notice of the
Manhattan Dance scene and began a haphazard system of distributing to
noted DJs new records and even test pressings of records yet to be
released. This worked well for some but completely locked out others.
David Mancuso helped lead a movement among DJs to create the New York
Record Pool, the first of its type, to serve as an organization to
provide orderly distribution of new music from record labels. He was
elected the first president of the organization in June 1975.
Although the New York Record Pool fell apart in 1977, it was the
model for DJs interfacing with record labels that soon spread across
the country. It remains the primary method through which DJs are
provided new product to use in their clubs.
/"It was more about the sonic quality of the records, the selection
and the progression of the music, than it was to do with mixing, and
i was really interested to see that the crowd had developed this
routine where they were cheering and clapping at the end of every
record that they liked" FRANCOIS KEVORKIAN/ "For me, the Loft will
always be the greatest dance experience of all times" NICKY SIANO /
"It (The Loft) was strikingly audiophile, it was a much superior
sound to any club and i knew that if i liked a record i wanted to
hear it at the Loft, forget about anywhere else" - DANNY KRIVITT/
""The Loft just opened my brain" - DAVID MORALES/ "Modern dance music
owes more to this man and his club, the Loft, than any other single
DJ. His obsession for the perfect hi-fi - along with talented sound
engineer and SchindlerΓÇÖs List Holocaust survivor, Alex Rosner -
created the template for the modern sound system that has yet to be
bettered thirty years on. MancusoΓÇÖs ability to unearth the weird,
the wonderful and downright unlikely dancefloor classics is
unrivalled, making unlikely disco stars out of Ian Dury and Demis
Roussos" -BILL BREWSTER/
remember to support artists.
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shoutouts to the groups that love the music they promote..
·∙∙··[news]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙
no news is good news :)~
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If you're down with the deep house music, music with feeling..
music that makes you groove no matter where you are.. and you
think you can add to this feeling.. then drop us a line d_h@inbox.lv
keep the feeling real. .∙· d e e p h o u s e 2 0 0 9 ·∙.
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