OST-Hans_Zimmer_-_K2-1991-55L_INT
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█▀ ■ [ 5 a f e 5 e x L o v 3 r 5 ] ■ █
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█ Hans Zimmer - K2 (OST) █
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█ ARTiST....[ Hans Zimmer █
▄█▄ TiTLE.....[ K2 ▄█▄
█ LABEL.....[ Varese Sarabande Records █
▄▀ ▀▄ GENRE.....[ Soundtrack ▄▀ ▀▄
█ RLS.DATE..[ 24-10-2005 █
█ SOURCE....[ CDDA █
▄█▄ ENCODER...[ LAME ▄█▄
█ QUALiTY...[ VBRkbps / Joint-Stereo █
▄▀ ▀▄ TRACKS....[ 02 ▄▀ ▀▄
█ SUPPLiER..[ 3D3Q █
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█ K2 was initially scored by Chaz Jenkel, whose █
█ music can be heard in the US versions of the film. █
█ Zimmer was asked to rescore it. However, the █
█ picture underwent so many changes that Zimmer's █
█ score ended up in the European versions only. To █
█ their credit, VarΦse Sarabande released the score █
█ that Zimmer wrote for K2, even though the music █
█ did not become associated with the picture for █
█ most of its audience. █
█ █
█ K2 was one of the earliest scores in which Zimmer █
█ explored the heavy action sythesizer sound that █
█ came to be dubbed "Zimmerian." This sound, more █
█ widely heard in Broken Arrow and Drop Zone, is █
█ usually accented with strident electric guitar █
█ played by Pete Haycock, which film music fans find █
█ either very passionate or very annoying. K2 █
█ falls into this stylistic category, except the █
█ guitar has more dramatic expressions, and the █
█ score moves with the smoldering, brooding twist █
█ that is later developed in Crimson Tide and The █
█ Fan. █
█ █
█ The movie is about an unforgiving climb to the top █
█ of the second highest mountain in the world, K2, █
█ and the music takes the listener through the █
█ imagined highs and lows of the journey, building █
█ on prior experience but never returning to the █
█ same place. If anyone ever wanted to tell a vivid █
█ story about a mountain climb with music, this █
█ would be it. Every emotion anticipated on a █
█ rigorous feat as this, from apprehension to awe to █
█ sorrow, is perfectly captured. Flowing from mood █
█ to mood, and melody to melody, without any █
█ specific thematic structure, this album is in many █
█ ways more artistic and unrestrained than other █
█ scores, sounding somewhat like Zimmerian jazz if █
█ you will. There are so many melodic highlights █
█ that it is tempting to put up numerous audio clips █
█ to share the experience. █
█ █
█ The album has only two tracks, "The Ascent" and █
█ "The Descent." "The Ascent," almost 30 minutes █
█ long, travels from base camp with Asian ethnic █
█ flourishes to rigorous suspensions from █
█ precipitous edges , to awakening wonder at the █
█ apex. Just when you thought this was a muscular, █
█ heroic score, "The Ascent" closes with a lustrous, █
█ melting movement performed with cello and viola █
█ that caresses the listener with tears. Following █
█ the same elegaic mood, "The Descent" begins with a █
█ weighty, tragic cue that sounds like an avalanche █
█ of grief. This track has some of the most █
█ passionately mournful expressions I have ever █
█ heard Zimmer write. The music here is truly █
█ beautiful in a panoramic way. The sadness takes █
█ time to reflect and mature, in a way that a 30 █
█ second audio clip could never capture. The score █
█ ends with poignant, romantic guitar themes. █
█ █
█ Many people complain about the length of the two █
█ tracks, but after a few discerning listens, it █
█ becomes understandable why the music was not █
█ chopped up. This is a story told in two chapters, █
█ and the listening experience is best when the █
█ story is followed and savored from beginning to █
█ end. █
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█ TRACK LiST █
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█ NR. TRACKNAME TiME █
█ ................................................................ █
█ 01 │ the ascent │27:39 █
█ 02 │ the descent │13:41 █
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█ TOTAL TiME: 41:20 min █
█ TOTAL SiZE: 70,3 MB █
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Files
| Path | Size |
|---|---|
| 01-hans_zimmer_-_the_ascent-55l.mp3 | 47,01 MB |
| 02-hans_zimmer_-_the_descent-55l.mp3 | 23,28 MB |