OST-Thomas_Newman_-_Road_to_Perdition-.Decca.-2002-55L_INT
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█ Thomas Newman - Road to Perdition (OST) █
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█ ARTiST....[ Thomas Newman █
▄█▄ TiTLE.....[ Road to Perdition ▄█▄
█ LABEL.....[ Decca █
▄▀ ▀▄ GENRE.....[ Soundtrack ▄▀ ▀▄
█ RLS.DATE..[ 20-05-2006 █
█ SOURCE....[ CDDA █
▄█▄ ENCODER...[ LAME ▄█▄
█ QUALiTY...[ VBRkbps / Joint-Stereo █
▄▀ ▀▄ TRACKS....[ 27 ▄▀ ▀▄
█ SUPPLiER..[ 3D3Q █
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█ "Road to Perdition, the highly anticipated █
█ sophomore effort from director Sam Mendes is a █
█ boldly dark drama that puts Tom Hanks in the █
█ unfamiliar role of hit man for the Irish mob. The █
█ film is atmospheric and moving for the most part, █
█ but the soundtrack is ultimately too uneven to █
█ achieve the same level of success as the film █
█ overall.This Depression-era drama shows Hanks' █
█ character's son slowly discovering the true nature █
█ of his father's grisly work. When the son █
█ witnesses a murder by his father and another man, █
█ Hanks' cozy relationship with the local mob boss, █
█ played well by Paul Newman, is put on the rocks, █
█ because the other murderer was the boss' █
█ imbalanced son. The boss' son proceeds to murder █
█ Hanks' wife and second son, and Hanks and oldest █
█ son must run for their lives. The film █
█ effectively shows the almost warm appearance of █
█ the mob family life, then turns it on its head █
█ when the ""family"" comes after an innocent boy █
█ and his father. The characters are clear cut and █
█ well-developed, including the menacing hit man who █
█ trails the two, played by Jude Law. The film's █
█ main problem comes in that the pacing and tone is █
█ uneven. Mendes starts it as a tense, moody piece, █
█ making it stand out from its other Hollywood █
█ brethren, but then the tone shifts to more █
█ straight Hollywood when Hanks and son try to bond █
█ and get warm and fuzzy. Also, despite the fact █
█ the film starts off at a slow, measured pace, the █
█ film suddenly takes on a more rapid, functional █
█ pacing later on that seems rushed. Though for █
█ different reasons, the soundtrack is similarly █
█ uneven. There are some good choices by composer █
█ Thomas Newman. Rich, ambient pieces set the mood █
█ of the film. Then, he switches moody, more █
█ traditional Hollywood score, which still works, █
█ because it helps create a rich and intimidating █
█ world. The score is at its best in one of the █
█ final scenes in which Hanks seeks revenge; the █
█ music is ethereal yet still emotional and █
█ effective. (It is also reminiscent of some █
█ moments in American Beauty.)Where the soundtrack █
█ is flawed is that it has too many different other █
█ genres as well. It goes very Hollywood with █
█ light, perky score for scenes between the father █
█ and son. Newman throws in hints of Irish music as █
█ well as some period overtones, which work okay, █
█ but never seem truly integrated into the overall █
█ work. Also, the composer brings in exotic █
█ instruments to add a sense of unease, which could █
█ work, but given how rooted in one culture, █
█ Irish-American, the film is, it seems incongruous █
█ and off-putting. One should not fault Newman for █
█ mixing things up and having some variety, but the █
█ lack of coherence in the score does lessen its █
█ impact. There are individually affecting █
█ pieces, but the overall work is too much of a █
█ smorgasbord.In conclusion, though Newman gives us █
█ a broad range of music in this film, he does not █
█ tie it together, and the soundtrack seems uneven █
█ and directionless. If you are a big fan of the █
█ film, this soundtrack is worth it. Otherwise, it █
█ is probably a pass." █
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█ TRACK LiST █
█ █
█ NR. TRACKNAME TiME █
█ ................................................................ █
█ 01 │ rock island, 1931 │03:22 █
█ 02 │ wake │01:56 █
█ 03 │ just the feller │02:45 █
█ 04 │ mr. rance │01:39 █
█ 05 │ bit borrowers │02:25 █
█ 06 │ murder (in four parts) │07:55 █
█ 07 │ road to chicago │03:06 █
█ 08 │ reading room │01:26 █
█ 09 │ someday sweetheart │03:07 █
█ 10 │ meet maguire │01:44 █
█ 11 │ blood dog │01:06 █
█ 12 │ finn mcgovern │02:12 █
█ 13 │ the farm │02:10 █
█ 14 │ dirty money │03:11 █
█ 15 │ rain hammers │02:42 █
█ 16 │ a blind eye │02:27 █
█ 17 │ nothing to trade │02:25 █
█ 18 │ queer notions │02:47 █
█ 19 │ virgin mary │01:34 █
█ 20 │ shoot the dead │02:26 █
█ 21 │ grave drive │01:21 █
█ 22 │ cathedral │02:40 █
█ 23 │ there'll be some changes made │02:59 █
█ 24 │ ghosts │03:40 █
█ 25 │ lexington hotel, room 1432 │01:46 █
█ 26 │ road to perdition │03:56 █
█ 27 │ perdition - piano duet │01:39 █
█ │ │ █
█ │ │ █
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█ TOTAL TiME: 70:26 min █
█ TOTAL SiZE: 117,5 MB █
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Files
| Path | Size |
|---|---|
| 01-thomas_newman_-_rock_island_1931-55l.mp3 | 5,48 MB |
| 02-thomas_newman_-_wake-55l.mp3 | 3,18 MB |
| 03-thomas_newman_-_just_the_feller-55l.mp3 | 4,28 MB |
| 04-thomas_newman_-_mr._rance-55l.mp3 | 2,55 MB |
| 05-thomas_newman_-_bit_borrowers-55l.mp3 | 3,84 MB |
| 06-thomas_newman_-_murder_(in_four_parts)-55l.mp3 | 13,36 MB |
| 07-thomas_newman_-_road_to_chicago-55l.mp3 | 5,18 MB |
| 08-thomas_newman_-_reading_room-55l.mp3 | 2,13 MB |
| 09-thomas_newman_-_someday_sweetheart-55l.mp3 | 6,05 MB |
| 10-thomas_newman_-_meet_maguire-55l.mp3 | 2,95 MB |
| 11-thomas_newman_-_blood_dog-55l.mp3 | 1,69 MB |
| 12-thomas_newman_-_finn_mcgovern-55l.mp3 | 3,85 MB |
| 13-thomas_newman_-_the_farm-55l.mp3 | 3,51 MB |
| 14-thomas_newman_-_dirty_money-55l.mp3 | 5,77 MB |
| 15-thomas_newman_-_rain_hammers-55l.mp3 | 4,39 MB |
| 16-thomas_newman_-_a_blind_eye-55l.mp3 | 4,17 MB |
| 17-thomas_newman_-_nothing_to_trade-55l.mp3 | 4,04 MB |
| 18-thomas_newman_-_queer_notions-55l.mp3 | 5,23 MB |
| 19-thomas_newman_-_virgin_mary-55l.mp3 | 2,63 MB |
| 20-thomas_newman_-_shoot_the_dead-55l.mp3 | 4,13 MB |
| 21-thomas_newman_-_grave_drive-55l.mp3 | 2,31 MB |
| 22-thomas_newman_-_cathedral-55l.mp3 | 4,31 MB |
| 23-thomas_newman_-_therell_be_some_changes_made-55l.mp3 | 4,51 MB |
| 24-thomas_newman_-_ghosts-55l.mp3 | 5,85 MB |
| 25-thomas_newman_-_lexington_hotel_room_1432-55l.mp3 | 3,12 MB |
| 26-thomas_newman_-_road_to_perdition-55l.mp3 | 6,38 MB |
| 27-thomas_newman_-_perdition_-_piano_duet-55l.mp3 | 2,57 MB |