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█ p r e s e n t s f o r y o u r e a r s █
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Minamo - .kgs
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r i p p i n g n o t e s . . . . . . . ▀
date Jun-18-2003
style Electronic
label 360░ records
cat.no. 360R17
source CDDA
type Album
quality 192kbps 44,1hz Joint-Stereo
size 85,6 MB
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r e l e a s e n o t e s . . . . . . . ▀
In 1999, the electro-acoustic group minamo was formed by Keiichi
Sugimoto and Tetsuro Yasunaga.
In 2000, minamo's self-released CD-R "wakka" was reissued by the New
York label Quakebasket. this was selected Matmos' one of best sounds
in 2001 on Wire magazine.
In 2001, made first appearance in New York. tYuiichiro Iwashita
(guitar) and Namiko Sasamoto (sax, organ) has joined.
In 2002, first CD album ".kgs" has released by the Tokyo label 360
records. made first appearance in Chicago. "Superb Japanese
experimental group"(Chicago Readers)
Having performed as the opening act for several groups, including;
Microstoria, Simon Fisher Turner, Vert, Oren Ambarchi, Yoshihide
Otomo, On Filmore, Tim Barnes, I-Sound, Ikue Mori, Josh Abrams,
Michael Schumacher, Incapacitants, Aki Onda, Masakatsu Takagi,
Ogurusu Norihide, Michael Prime, Jonathan Coleclough, oblaat, HIM,
BusRatch, Def Harmonics, Aero and more.
(http://www.cubicmusic.com)
Minamo's promising Wakka impressed me; the limited Live and a
memorable appearance on Apestaartje's Colour & Pattern collection,
even more so. It was apparent from early on that the
guitar-and-computer duo of Keiichi Sugimoto and Tetsuro Yasunaga had
tapped into a fertile seam of electro-acoustic invention. A handful
of stateside concerts confirmed that Minamo was something special,
particularly when Namiko Sasamoto (saxophone, keyboards) sat in and
coaxed a dusky sort of Kind of Blue impressionism from the rupture of
chords and spidery digitalia. kgs. never revisits this territory, but
an assortment of techniques and shifting personnel keep this
excellent album varied and fascinating. Guitarist Yuichiro Iwashita
(whose broken, dissonant style recalls David Grubbs), bassist Masashi
Kamada (of the Chicago aligned-and-minded Sangatsu), and restless
synth-noise explorer Utah Kawasaki all contribute to the density of
accumulative detail in the two-part "La Botanica Parallela." An epic,
fractal-form interweaving of electronic, drone, and instrumental
components on the order of Dean Roberts' remarkable ...and the Black
Moths Play the Grand Cinema (Ritornell, 2000), the first part careens
towards bedlam only to resolve in structured, spiraling chaos that
soundsùI kid you notùlike a Landing/Jackie-O Motherfucker jam. Part
II seems like an attempt to un-create its sibling by liquidizing the
insolvable bass and guitar motifs in a slow, pulsing rush of digital
effluent. Mixed by percussionist Tim Barnes, the challenging,
chimeric "a-Qu a-Qume" integrates recordings of Minamo performances
in Japan and New York into a techno-gamelan rhythm that unifies
Yasunaga's burbling electronics, the guitars of Iwashita and
Sugimoto, and Sasamoto's saxùheard both straight and processed into
indeterminate squabble. And, even without guest musicians to aid them
in crystallizing fantastic structures from their interplay. Sugimoto
and Yasunaga are still capable of such wonders as "Biographics,"
where sprinting arpeggios nail the exact mood and mΘtier of Yellow6
or Bark Psychosis before they're overwhelmed by an upsurge of
digitized noise.
(http://www.fakejazz.com/reviews/2003/tape.shtml)
label's site (mostly japanese)
(http://www.360records.net)
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p l a y l i s t . . . . . . . . . . . ▀
01 elements of the plants 02:34
02 la botanica parallela 1 20:55
03 biographics 09:27
04 a-Qu a-Qume 09:25
05 la botanica parallela 2 19:58
. .
62:19 min
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t h e p u r p o s e o f i t a l l . . ▀
digaphobia public sound specializes in releasing so-called
'intelligent dance music', experimental electronic music, dark
ambient, drone/noise, beat-laden indie, and a spot of techno.
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t h e h e a d s . . . . . . . . . . . ▀
peace to music lovers everywhere
1real agw amok chr cmg cms diss fuffens hit2k its just kw mgc
ms nuhs om pulsar pyt rac radial sb sfe sour tr tronik ube wos
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j o i n t h e a r m y . . . . . . . . ▀
looking for MD/DAT recordings of electronic music shows
track us down on IRC if you'd like to help
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a l w a y s r e m e m b e r . . . . . ▀
go to the show. buy the t-shirt. order the vinyl.
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