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▐███▓██▀▀▓▀░ [ J U S T F U N . P R E S E N T S ] ██▓▓█▀▀
░ ▓████▓▌ ░ ▐▓▀▀
▓ ▐█████▓█ ▀ ░
▀█▄▓████▓▓▄█▀ Artist.......: Derek Bailey Pat Thomas Steve Noble ░▓ ▌
▄▀██▓██▓▓▀ Album.Title..: And ░▓░▐▓
▓▓▄▀█▓▓▓▀ Label........: Rectangle ░▓░ █▓▌
▐█▓▓ ▀▓ Genre........: Jazz ░▓▓▓ ▐█▓▓
▓█▓▌ ▓░ ███▓▓[z0o]░
▐██░ ░ ░ ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
▀▓█░▄ ▌ ░▓░ [ R E L E A S E . I N F O ] ▓░ ▓▀▓█████████████▓▓▓▀
░ ▀▀▓█▄▐▓ ░▓▓▓░ ░▓▓▓░ ░ ▀▓██████▓██▓▓▀ ░
░ ░ █▓▌▄▄▄ ▄▓ ░▓▓▓░ ░▓▓▓▓▓▓░ ▀▓█████▓▓▓
░▓▓░ ▐█▓▓ ░ ░▓▓░ rip.date....: Jun-26-2003 ░▓▓ ▐███████▓▓▌ ░
░░ ███▓▓ ▓▓░▓░ str.date....: 000-00-2000 ░▓▓░ ▓███▀ ▀▓█▓▓ ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄ ripper......: Just ▓ ▐█▓▀ ░ ░▀█▓▌
▀▓█████████████▓▓▓▀ quality.....: 192 kbps ░▓░ █▀ ░░▓▓▓ ▀▓
░ ▀▓██████▓██▓▓▀ ▓░ size........: 59,5 MB ▓▓ ▀░ ░ ░ ░▓░ ░▀
▀▓█████▓▓▓ ░░▓ playtime....: 43:14 min ░▓▓░▓▓▓▓ ▓▓▓░
░ ▐███████▓▓▌░▓▓▓░ Catnr.......: n/a ░▓▓▓▓▓ ▓░▓▓░░ ░
▓███▀ ▀▓█▓▓ ▓░░ URL.........: n/a ░▒░ ░▓░ ░
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░ ▄█▒████████▓▓▀ ▀▓██▓███▓▄
▄▓██░██████▓▓█▀ [ T R A C K . L I S T I N G ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
▓████▓▌ ░ track title time ▐▓▀▀
▓████▓▌ ▀ ░▌
▓████▓▌ 01. dedicated to anybody who might do us a favour 05:30 ▓▌
▓████▓▌ 02. and this 07:13 ▓▌
▓████▓▌ 03. black but only round the edges 02:50 ▓▌
▓████▓▌ 04. titular bullshit of the topographical kind 04:04 ▓▌
▓████▓▌ 05. titles titles titles 04:36 ▓▌
▓████▓▌ 06. titles titles titles (part 2) 08:48 ▓▌
▓████▓▌ 07. q here 03:05 ▓▌
▓████▓▌ 08. q other side 07:08 ▓▌
▓████▓▌ ▓▌
▓████▓▌ [ A B O U T . T H i S . R E L E A S E ] ▓▌
▓████▓▌ ▓▌
▓████▓▌ At the age where most men are shuffling around in ▓▌
▓████▓▌ carpet slippers like the Shakespearean pantaloon, ▓▌
▓████▓▌ Derek Bailey is phenomenally active: here he is ▓▌
▓████▓▌ again with his third album for Rectangle. After ▓▌
▓████▓▌ Close to the Kitchen with Noδl AkchotΘ and Tout for ▓▌
▓████▓▌ Tea with Eugene Chadbourne, Bailey teams up here ▓▌
▓████▓▌ with keyboard whiz Pat Thomas, fresh from a stint ▓▌
▓████▓▌ with Butch Morris on the London Skyscraper tour, ▓▌
▓████▓▌ and turntablist (and erstwhile Rip Rig and Panic ▓▌
▓████▓▌ drummer) Steve Noble-though if you were expecting ▓▌
▓████▓▌ 'Bailey plus hiphop' as a follow up to 'Bailey plus ▓▌
▓████▓▌ jungle' (on the Guitar Drums'n'Bass album), you may ▓▌
▓████▓▌ be in for a surprise. ▓▌
▓████▓▌ Noble's Djing incorporates snatches of world music, ▓▌
▓████▓▌ West Coast-style jazz piano, in fact just about ▓▌
▓████▓▌ anything except breaks'n'beats. Listening to ▓▌
▓████▓▌ Thomas' fascinating keyboard work (who else in ▓▌
▓████▓▌ improv has worked with John Zorn and Chuck Berry?), ▓▌
▓████▓▌ you can hear why Morris handpicked him for his ▓▌
▓████▓▌ conductions. Bailey is as lively and creative as ▓▌
▓████▓▌ ever, though his trademark finesse with harmonics ▓▌
▓████▓▌ and volume pedals is a little less in evidence, ▓▌
▓████▓▌ caught up as he is in the whirlwind of fast-moving ▓▌
▓████▓▌ sound thrown at him by Thomas and Noble. ▓▌
▓████▓▌ As ever with Rectangle, the hallmark white ▓▌
▓████▓▌ "home-made" look with grey stenciled lettering and ▓▌
▓████▓▌ black and white photos (of a Japanese restaurant ▓▌
▓████▓▌ kitchen??) is as wacky as the music on the album. ▓▌
▓████▓▌ Class stuff. Follow producer Quentin Rollet's ▓▌
▓████▓▌ advice: "Play it LOUD". ▓▌
▓████▓▌ ▓▌
▓████▓▌ ▓▌
▓████▓▌ ▓▌
▓████▓▌ ****************** Derek Bailey ****************** ▓▌
▓████▓▌ ▓▌
▓████▓▌ At first glance, Derek Bailey possesses almost none ▓▌
▓████▓▌ of the qualities one expects from a jazz musician ù ▓▌
▓████▓▌ his music does not swing in any appreciable way, it ▓▌
▓████▓▌ lacks a discernible sense of blues feeling ù yet ▓▌
▓████▓▌ there's a strong connection between his amelodic, ▓▌
▓████▓▌ arhythmic, atonal, uncategorizable ▓▌
▓████▓▌ free-improvisatory style, and much free jazz of the ▓▌
▓████▓▌ post-Coltrane era. His music draws upon a vast ▓▌
▓████▓▌ array of resources, including indeterminacy, rock & ▓▌
▓████▓▌ roll, and various world musics. Indeed, this ▓▌
▓████▓▌ catholic acceptance of any and all musical ▓▌
▓████▓▌ influences is arguably what sets Bailey's art ▓▌
▓████▓▌ outside the strict bounds of "jazz." The essential ▓▌
▓████▓▌ element of his work, however, is the type of ▓▌
▓████▓▌ spontaneous musical interrelation that evolved from ▓▌
▓████▓▌ the '60s jazz avant-garde. Sound, not ideology, is ▓▌
▓████▓▌ Bailey's medium. He differs in approach to almost ▓▌
▓████▓▌ any other guitarist who preceded him. Bailey uses ▓▌
▓████▓▌ the guitar as a sound-making, rather than a ▓▌
▓████▓▌ "music"-making, device. Meaning, he rarely plays ▓▌
▓████▓▌ melodies or harmonies in a conventional sense, but ▓▌
▓████▓▌ instead pulls out of his instrument every ▓▌
▓████▓▌ conceivable type of sound using every imaginable ▓▌
▓████▓▌ technique. His timbral range is quite broad. On ▓▌
▓████▓▌ electric guitar, Bailey is capable of the most ▓▌
▓████▓▌ gratingly harsh, distortion-laden heavy-metalisms; ▓▌
▓████▓▌ unamplified, he's as likely to mimic a set of ▓▌
▓████▓▌ windchimes. Bailey's guitar is much like John ▓▌
▓████▓▌ Cage's prepared piano; both innovations enhanced ▓▌
▓████▓▌ the respective instrument's percussive ▓▌
▓████▓▌ possibilities. As a group player, Bailey is an ▓▌
▓████▓▌ exquisitely sensitive respondent to what goes on ▓▌
▓████▓▌ around him. He has the sort of quick reflexes and ▓▌
▓████▓▌ complementary character that can meld random ▓▌
▓████▓▌ musical events into a unified whole. ▓▌
▓████▓▌ Bailey came from a musical family; his grandfather ▓▌
▓████▓▌ and uncle were musicians. As a youngster living in ▓▌
▓████▓▌ Sheffield in the '40s, Bailey studied music with ▓▌
▓████▓▌ C.H.C. Biltcliffe and guitar with George Wing and ▓▌
▓████▓▌ John Duarte. Bailey began playing conventional jazz ▓▌
▓████▓▌ and commercial music professionally in the '50s. In ▓▌
▓████▓▌ the early '60s, Bailey played in a trio called ▓▌
▓████▓▌ Joseph Holbrooke, with drummer Tony Oxley and ▓▌
▓████▓▌ bassist (and later renowned classical composer) ▓▌
▓████▓▌ Gavin Bryars. In the course of its existence, from ▓▌
▓████▓▌ 1963-66, the group evolved from playing relatively ▓▌
▓████▓▌ traditional jazz with tempo and chord changes, to ▓▌
▓████▓▌ playing totally free. In 1966 Bailey moved to ▓▌
▓████▓▌ London; there, he formed a number of important ▓▌
▓████▓▌ musical associations with, among others, drummer ▓▌
▓████▓▌ John Stevens, saxophonist Evan Parker, trumpeter ▓▌
▓████▓▌ Kenny Wheeler, and bassist Dave Holland. This ▓▌
▓████▓▌ specific collection of players recorded as the ▓▌
▓████▓▌ Spontaneous Music Ensemble, which served as a ▓▌
▓████▓▌ crucible for the sort of egalitarian, collective ▓▌
▓████▓▌ improvisation that Bailey was to pursue from then ▓▌
▓████▓▌ on. In 1968, Bailey joined Oxley ù another musician ▓▌
▓████▓▌ interested in new possibilities of sound generation ▓▌
▓████▓▌ ù in whose sextet he remained until 1973. In 1970, ▓▌
▓████▓▌ Bailey formed the trio Iskra with bassist Barry Guy ▓▌
▓████▓▌ and trombonist Paul Rutherford. Also that year, ▓▌
▓████▓▌ Bailey started (with Parker and Oxley) the Incus ▓▌
▓████▓▌ record label, for which he would continue to record ▓▌
▓████▓▌ into the '90s. In 1976, Bailey founded Company, a ▓▌
▓████▓▌ long-lived free improv ensemble with ever-shifting ▓▌
▓████▓▌ personnel, which has included, at various times, ▓▌
▓████▓▌ Anthony Braxton, Han Bennink, Steve Lacy, and ▓▌
▓████▓▌ George Lewis, among others. ▓▌
▓████▓▌ ▓▌
▓████▓▌ The 1980s saw Bailey collaborating with many of the ▓▌
▓████▓▌ aforementioned, along with newer figures on the ▓▌
▓████▓▌ scene such as John Zorn and Joelle Leandre. Solo ▓▌
▓████▓▌ playing has always been a particular specialty, as ▓▌
▓████▓▌ have (especially in recent years, it seems) ad hoc ▓▌
▓████▓▌ duos with a variety of associates. Bailey later ▓▌
▓████▓▌ recorded an uncompromising three-disc set with a ▓▌
▓████▓▌ group that included the usually more pop-oriented ▓▌
▓████▓▌ guitarist Pat Metheny. Bailey's extreme radicalism ▓▌
▓████▓▌ makes for a difficult music, yet there's no ▓▌
▓████▓▌ doubting his influence; his methods and aesthetic ▓▌
▓████▓▌ have significantly impacted the downtown New York ▓▌
▓████▓▌ free scene, though many (if not most) of his ▓▌
▓████▓▌ disciples are little known to the general public. ▓▌
▓████▓▌ In 1980, Bailey wrote Improvisation: Its Nature and ▓▌
▓████▓▌ Practice, an informative and undervalued volume on ▓▌
▓████▓▌ various traditions of improvised music. ▓▌
▓████▓▌ ▓▌
▓████▓▌ ▓▌
▓████▓▌ ******************* Pat Thomas ******************* ▓▌
▓████▓▌ ▓▌
▓████▓▌ Pat Thomas began playing music at the age of eight. ▓▌
▓████▓▌ He studied classical music and reggae was an early ▓▌
▓████▓▌ interest. Thomas was inspired to take up jazz after ▓▌
▓████▓▌ seeing legendary pianist Oscar Peterson on ▓▌
▓████▓▌ television. By 1979, Thomas was performing ▓▌
▓████▓▌ seriously as an improviser. His experimental ▓▌
▓████▓▌ leanings manifested themselves in the form of ▓▌
▓████▓▌ electronics ù he plays and programs electronic ▓▌
▓████▓▌ keyboards and uses pre-recorded tapes in his music. ▓▌
▓████▓▌ In 1986, he became a member of Ghosts, a band that ▓▌
▓████▓▌ also included flutist/saxophonist Pete McPhail and ▓▌
▓████▓▌ percussionist Matt Lewis. In 1988, Thomas' interest ▓▌
▓████▓▌ in electronic music was rewarded with a commission ▓▌
▓████▓▌ to write two new compositions for his own ten-piece ▓▌
▓████▓▌ electro-acoustic ensemble, Monads; the group ▓▌
▓████▓▌ included vocalist Phil Minton, violinist Phil ▓▌
▓████▓▌ Durrant, bassist Marcio Matttos, and trumpeter Jon ▓▌
▓████▓▌ Corbett. Thomas was invited to participate in ▓▌
▓████▓▌ guitarist Derek Bailey's Company Week (an annual ▓▌
▓████▓▌ series of concerts featuring different combinations ▓▌
▓████▓▌ of improvisers) in 1990 and 1991. He's played in ▓▌
▓████▓▌ drummer Tony Oxley's quartet and Celebration ▓▌
▓████▓▌ Orchestra, and with soprano saxophonist Lol Coxhill ▓▌
▓████▓▌ in a variety of combinations. Other ad hoc ▓▌
▓████▓▌ collaborators have included Steve Beresford, ▓▌
▓████▓▌ Thurston Moore, and Eugene Chadbourne. In 1992, ▓▌
▓████▓▌ Thomas formed the quartet Scatter with Minton, ▓▌
▓████▓▌ Roger Turner, and Dave Tucker; the band toured the ▓▌
▓████▓▌ U.K. in 1993 and 1997. Thomas is also a member ù ▓▌
▓████▓▌ with drummer Joe Gallivan and electric guitarist ▓▌
▓████▓▌ Gary Smith ù of Powerfield, a power trio that's ▓▌
▓████▓▌ recorded for Gallivan's newjazz.com label. Thomas ▓▌
▓████▓▌ has recorded for several independent jazz labels in ▓▌
▓████▓▌ Europe, including Incus, Leo, Intakt, and Acta. In ▓▌
▓████▓▌ 2001, Emanem released 3 Pianos, by Thomas and ▓▌
▓████▓▌ fellow pianists Beresford and Veryan Weston ▓▌
▓████▓▌ ▓▌
▓████▓▌ ▓▌
▓████▓▌ ******************* Steve Noble ******************* ▓▌
▓████▓▌ ▓▌
▓████▓▌ Currently leads the following groups : ▓▌
▓████▓▌ trios - Noble / Williams / Marshall (with Davey and ▓▌
▓████▓▌ Oren Marshall) ▓▌
▓████▓▌ Noble / Marshall / Buckley (with Oren Marshall and ▓▌
▓████▓▌ steve Buckley) ▓▌
▓████▓▌ The Shakedown Club (with Billy Jenkins and Roberto ▓▌
▓████▓▌ Bellatalla) ▓▌
▓████▓▌ duos - with pianist Alex Maguire ▓▌
▓████▓▌ electronic / turntable collaboration with Pat ▓▌
▓████▓▌ Thomas 4tet with Pat Thomas, John Edwards and John ▓▌
▓████▓▌ Telfer ▓▌
▓████▓▌ Noble also leads the pocket-sized big band ▓▌
▓████▓▌ Ellingtoons ▓▌
▓████▓▌ ▓▌
▓████▓▌ He is also a regular performer with Tim Hill's ▓▌
▓████▓▌ Pandemonium Brass Band and Trio; Lol Coxhill's ▓▌
▓████▓▌ Standard Conversions; Alan Wilkinson Trio; Frank ▓▌
▓████▓▌ Hautzinger's Bent (aus); and has performed ▓▌
▓████▓▌ frequently throughout Europe with amongst others : ▓▌
▓████▓▌ Derek Bailey, Peter Br÷tzman, Johannes Bauer, ▓▌
▓████▓▌ Werner Lⁿdi, Paul Dunmall, Toshinori Kondo, Butch ▓▌
▓████▓▌ Morris, Martin Schⁿtz, Ko Streiff, Tobias Delius, ▓▌
▓████▓▌ Phil Minton, Otomo Yoshihide, Antonello Salis, ▓▌
▓████▓▌ Ernst Reijseger, Evan Parker, Billy Jenkins, ▓▌
▓████▓▌ Tristan Honsinger. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Since performing in the early eighties with Rip, ▓▌
▓████▓▌ Rig and Panic, Noble has gone on work in many ▓▌
▓████▓▌ varied musical contexts, including : Derek Bailey's ▓▌
▓████▓▌ Company (London Company Wekks : 1987 - with Lee ▓▌
▓████▓▌ Konitz, 1989 and 1990, and Company events in ▓▌
▓████▓▌ Geneva, Pisa, genova, Hull and Glasgow). Alex ▓▌
▓████▓▌ Maguire's Cat O'Nine Tails; Tristan Honsinger's ▓▌
▓████▓▌ This, That and the Other; Hans Koch / Jacques ▓▌
▓████▓▌ Demierre Project; Hans Burgener's Ki-Project. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Noble has regularly collaborated with : The Bow ▓▌
▓████▓▌ Gamelan Ensemble (performance artist / musician ▓▌
▓████▓▌ Paul Burwell); David Leister's Kino Club ▓▌
▓████▓▌ (improvised music for film); and with the following ▓▌
▓████▓▌ dancers / dance groups : Katie Duck and group O; ▓▌
▓████▓▌ Steve Paxton; Alessandro Certini; Julian Hamilton; ▓▌
▓████▓▌ Kirsty Simpson; Mal Pelo, and has composed original ▓▌
▓████▓▌ music for : Alessandro Certini's Verso Madre del ▓▌
▓████▓▌ Turco (1988); Monserrat Llabres' L'hombre del' ▓▌
▓████▓▌ ocelot (1991); Mal Pelo's Cancion por las Pajaros ▓▌
▓████▓▌ (1993), Cancion per BernabΘ (1997) and Orache ▓▌
▓████▓▌ (1998). ▓▌
▓████▓▌ ▓▌
▓████▓▌ Noble was featured in the TV serialisation of Derek ▓▌
▓████▓▌ Bailey's book Improvisation - Its Nature and ▓▌
▓████▓▌ Practice. ▓▌
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░ ▓████▓▌ ▓▌
▓ ▐█████▓█ [ A B O U T . U S ] ▓▌
▀█▄▓████▓▓▄█▀ ▓▌
▀██▓██▓▓▀ Our group consists of many rippers who are music enthu- ▓▌
▀█▓▓▓▀ siasts. Justfun is releasing different kind of music ▓▌
▀▓ like indie rock, trip-hop, ethnic, jazz, french, ▓▌
░ electro and many more ... We will bring you the music ▓▌
░ we like and share it with the rest of the under- ▓▌
░ ground scene. If you have, like us, a passion for ▄ ▓▌
░ music, don't hesitate to contact us ! ▄▄█▌ ▓▌
░ ▄████▓▌ ▓▌
░ GREETinGs : Nuhs . Hit2000 . DGN . Ksi . RAC . CHR █████▀▀▀▀ ▓▌
░ Om . rH . Fuffens . Remix . CMG . SB . Amok ░███ ▓▌
░ Kw . LOGOS . iTS . i . WLM . Aaf . Diss . ESC ██▌ ▓▌
SEVcD ... ▓██ ▓▌
░ and all ppl who share music with us ! ▄▄▄██▌ ▓▌
▐▓ ▐░▓▓▓▓▌ ░ ░▌
▀■░▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▐▓░░░▓▌▄▄█▓█▄▄■▀
▄█▒████████▓▓▀ ▀▀▀▀▀ ▀▓██▓███▓▄
▄▓██▓██████▓▓█▀ [ C O N T A C T ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ We're currently looking for : ██▓▓█▀▀
▓████▓▌ ░ - music enthusiast ppl buying cds on a regular basis. ▐▓▀▀
▓████▓▌ - ppl who can get promos or advanced rls. ▀ ░▌
░ ▓████▓▌ - Siteop who can provide at least 10mbits and ▓▌
▓ ▐█████▓█ 50gb++ for our archive. ▄ ▓▌
▀█▄▓████▓▓▄█▀ - People with skill and experience ▄▄█▌ ▓▌
▀██▓██▓▓▀ ... and everyone who wants to help in a ▄████▓▌ ▓▌
▀█▓▓▓▀ pleasant atmosphere our Just family. █████▀▀▀▀ ▓▌
▀▓ ░███ ▓▌
░ Share your forces with us ! ██▌ ▓▌
▌ IRC : You know ▓██ ▌ ▓▌
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░ ▀▓██████▓██▓▓▀ NFO and Layout proudly made in Quebec ░ ▀▓██████▓██▓▓▀
▀▓█████▓▓▓ by z0oy0rk ▀▓█████▓▓▓
▐███████▓▓▌ ▐███████▓▓▌
▓███▀ ▀▓█▓▓ [ J U S T F U N born in Apr. 2 0 0 0 ] ▓███▀ ▀▓█▓▓
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▀░ ░ ░▀ ▀░ z!░▀