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a s u b d i v i s i o n o f s o u r
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│ » Release No: 0307 » Rating » │ 0 │
├──── ── ─ ─ ── ────────────┤ 9 ██ │
│ » Artist: Joker & Ginz │ 8 ██ │
│ » Title: Purple City / Re-Up │ 7 ██ │
│ » Record label: Kapsize (KAP004) │ 6 ██ │
│ » Genre: Bass │ 5 ██ │
│ » Release date: 2009/06/12 │ 4 ██ │
│ » Street date: 2009/07/01 │ 3 ██ │
│ │ 2 ██ │
│ » Media type: vinyl [x] tape [ ] cd [ ] radio [ ] │ 1 ██ │
│ cover [ ] sfv [x] m3u [x] cue [ ] └──────┤
│ │
│ [02 tracks] [08:48 min] [ 14,8 mb] │
│ │
└─────────────────────────────────────────────────────────────────────────┘
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│ ## │ Time │ Artist - Title │
├────┴───────┴────────────────────────────────────────────────────────────┤
│ A 4:25 Joker & Ginz - Purple City │
│ B 4:23 Ginz & Joker - Re-Up │
└─────────────────────────────────────────────────────────────────────────┘
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│ │
│ Joker's Kapsize imprint is pushing things │
│ forward in 2009. The last plate "Do It" and │
│ "Psychedelic Runway" crossed from the │
│ underground right onto Radio 1 shows │
│ including Zane Lowe, Pete Tong and many more. │
│ This next installment promises to be even │
│ bigger as both sides of the plate send shock │
│ waves that reach beyond dubstep once again as │
│ all the big names draw for their favourite │
│ side. Both Joker and Ginz (previously working │
│ under the names 30Hz, P. Dutty, Emptyset and │
│ one half of The Body Snatchers) pool their │
│ talents for this huge release. Quite simply │
│ put û "Purple City" is one of the biggest │
│ tunes you will hear in 2009, no fronting! │
│ Being repped across the board by the biggest, │
│ pickiest names in the scene, hear is a rhythm │
│ that crosses boundaries effortlessly. Think │
│ turbo charged G-Funk flavours, chunky │
│ square-wave bendy bass and rolling carnival │
│ drums û perfectly executed. Rave funk û │
│ served extra greeeezy! Support from: Benga, │
│ Chase & Status, Pinch, Jamie Vex'd, Mary Anne │
│ Hobbs, Tes La Rock, Jakes, Mac 10 and many │
│ more. Flip then for an off-the-wall crunked │
│ out adventure in 8-bit bleep space. "Re-Up" │
│ has all the energy and intensity of a 100 │
│ eight year olds with A.D.D. on a school trip │
│ to sherbet factory. Somehow that energy is │
│ held together with an effortless cool as if │
│ Jack Nicholson was head teacher for the │
│ excursion! Quality aqua-crunk that is shaping │
│ the sound of now. Get it while its hot! │
│ Support from: Kode 9, Skream, Plastician, │
│ Mary Anne Hobbs, Pinch, RSD, Mac 10 and many │
│ more. │
│ │
└─────────────────────────────────────────────────────────────────────────┘
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│ │
│ This release may contain copyrighted material, however SWEET guarantees │
│ that this material was at least available to one person "on the street" │
│ and that the possession of this material is in no way privileged. │
│ │
│ SOUR has been releasing good quality drum'n'bass, jungle & oldskool │
│ rips to the internet drum'n'bass public since summer 1999. Originally a │
│ small operation, we have now reached levels of international acclaim. │
│ │
│ SWEET is our most recent offspring dedicated to bring you quality │
│ electronic music that is not included in SOURs regular genre list. │
│ │
│ SWEET is dedicated to both the availability and promotion of music to │
│ the public, and our rips are intended to reflect these ideals. │
│ │
│ Specifically: │
│ │
│ . SWEET is dedicated to the promotion of new music that is currently │
│ available to buy. If you like something you hear, you are obliged to │
│ attempt to purchase an original copy. │
│ │
│ . SWEET is dedicated to the promotion of old music that may no longer │
│ be available to buy. │
│ │
│ . SWEET is dedicated to the expansion and infiltration of electronic │
│ music worldwide! We provide a service where none is available, │
│ specifically in many remote countries where traditional distributors │
│ can not afford to target. Also, the availability of electronic music │
│ in an easily accessible form expands the potential for real world │
│ sales to people who may not otherwise have considered buying this │
│ kind of music. │
│ │
│ . SWEET is dedicated to the expansion of the online and offline real │
│ world scenes. With more listeners enjoying what they hear, clubs and │
│ venues can only expect MORE people to attend events; DJ's can only │
│ expect MORE people to pay to see THEM. │
│ │
│ By accident of today's current real world distribution arrangements, │
│ many artists will find that SWEET releases IMPROVE their real world │
│ sales; especially for items only on vinyl. This is the basis upon │
│ which SWEET operates. │
├─────────────────────────────────────────────────────────────────────────┤
│ Logo 2002 by ave/bm, Nfo-Design 2002 by seQ & acryl │
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