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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 05-19-2009
Release date : 05-29-2009
Album name : Relapse
Artist : Eminem
Ripped by : Fisteh`
Genre : Rap
Label : Aftermath/Interscope
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 20
Size of Files : 99,2 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 01:30 Dr. West (Skit)
02 05:20 3 A.M.
03 05:20 My Mom
04 03:01 Insane
05 04:43 Bagpipes From Baghdad
06 04:08 Hello
07 00:42 Tonya (Skit)
08 04:07 Same Song & Dance
09 04:30 We Made You
10 03:57 Medicine Ball
11 00:19 Paul (Skit)
12 05:20 Stay Wide Awake
13 04:38 Old Time's Sake (Feat. Dr. Dre)
14 04:03 Must Be The Ganja
15 00:42 Mr. Mathers (Skit)
16 04:44 Deja Vu
17 06:33 Beautiful
18 04:58 Crack A Bottle (Feat. Dr. Dre & 50 Cent)
19 01:29 Steve Berman (Skit)
20 06:12 Underground
Total time: 76:16 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Eminem placed himself in exile shortly after Encore
wound down, a seclusion initially designed as creative
down-time but which soon descended into darkness fueled
by another failed marriage to his wife Kim and the
death of his best friend Proof, culminating in years of
drug addiction. Em none too subtly refers to that
addiction with the title of Relapse, his first album in
five years, but that relapse also refers to Marshall
Mathers reviving Slim Shady and returning to rap.
Relapse is designed to grab attention, to stand as
evidence that Eminem remains a musical force and, of
course, a provocateur spinning out violent fantasies
and baiting celebrities, occasionally merging the two
as when he needles one-time girlfriend Mariah Carey and
her new husband Nick Cannon. Strive as he might to make
an impact in the world at large - and succeeding in
many respects ù Relapse is the sound of severe
isolation, the product of too many years of Eminem
playing king in his castle in a dilapidated Detroit,
subsisting on pills, nachos, torture porn, and E! Daily
News. As he sifted through junk culture, he also
tweaked his rhyming, crafting an elongated elastic flow
that contrasts startlingly with Dr. Dre's intensified
beats, ominous magnifications of his thud-and-stutter
signature. Musically, this is white-hot, dense, and
dramatic not just in the production but in Eminem's
delivery; he stammers and slides, slipping into an
accent that resembles Paul Rudd's Rastafarian
leprechaun from I Love You Man and then back again. His
flow is so good, his wordplay so sharp, it seems
churlish to wish that he addressed something other than
his long-standing obsessions and demons. True, he
spends a fair amount of the album exorcising his
addiction ù smartly tying it to his never-abating
mother issues on "My Mom" - but most of Relapse finds
Eminem rhyming twitchily about his old standbys:
homosexuals, starlets, and violent fantasies, weaving
all of them together on "Same Song and Dance" where he
abducts and murders Lindsay Lohan, suggesting more than
a passing familiarity with I Know Who Killed Me. The
many, many references to Kim Kardashian's big ass and
minutely detailed sadism can get a wee bit tiring,
Relapse isn't really about what Eminem says, it's about
how he says it. He's emerged from his exile musically
re-energized and the best way to illustrate that is to
go through the same old song and dance again, the
familiarity of the words drawing focus on his insane,
inspired flow and Dre's production. That might not
quite make Relapse culturally relevant - recycled
Christopher Reeve jokes aren't exactly fresh - but it
is musically vital, which is all Eminem really needs to
be at this point.
allmusic.com
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (EFNet)
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