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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 06-03-2008
Release date : 06-20-2009
Album name : Wanderlust
Artist : Gavin Rossdale
Ripped by : Team EOS
Genre : Rock
Label : Interscope
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 13
Size of Files : 74,7 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 04:10 Can't Stop The World
02 03:44 Frontline
03 04:59 Forever May You Run
04 03:54 The Skin I'm In
05 03:46 Drive
06 04:56 Future World
07 04:09 Love Remains The Same
08 04:48 If You're Not With Us You Are Against Us
09 04:34 This Is Happiness
10 03:04 Another Night In The Hills
11 04:55 The Trouble I'm In
12 05:39 Beauty In The Beast
13 01:03 This Place Is On Fire
Total time: 53:41 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Scared that his celebrity couldn't sell Institute, his
post-Bush post-grunge back to basics band, Gavin
Rossdale retreated to his own name for his 2008 solo
debut, WANDERlust its very important capitalization
unwittingly bringing to mind the spelling of DAUGHTRY,
the band ù or perhaps it wasn't so unwitting, as on his
own Rossdale pursues a buffed and bland soft grunge
designed to appeal to the broadest possible audience.
It's the first time that Rossdale has so blatantly run
for the traditional definition of the middle of the
road (never mind that his Langer/Winstanley productions
were the textbook definitions of crossover grunge), so
the collective shrug that greeted Institute must have
terrified him, as he's happily embracing his role as
Gwen Stefani's husband, writing songs about his
contentedness as a family man as part of a campaign to
make this an aural "Celebrities: They're Just Like Us!"
Rossdale does dredge up a bit of the old angst on
occasion but there is no hunger here, no desire to
ramble, which is slightly ironic for an album called
WANDERlust. Really, this record has no business bearing
this title as this is a remarkably settled music,
desperate to be embraced as a soundtrack to the lives
of US Weekly readers who recognize Rossdale as the hunk
married to Gwen Stefani. Now, whether he can get this
audience is debatable: Bush had only two songs in the
American Top 30 ("Comedown" and "Glycerine," both a
good 12, 13 years prior to this record) and the
thirtysomething audience he's gunning for either has
contempt for Bush and rather would hear Feist, or has
moved onto country (or has stopped listening to music
altogether). Plus, there's the unavoidable fact that
this is the first desperate run at the middle by a
musician who has spent his career as a star attempting
to prove how hard he is, working with underground guru
Steve Albini on Bush's second record and turning to
Helmet guitarist Page Hamilton for Institute. All that
sturm und drang and clatter and clang is forgotten
here, as Rossdale restyles himself as a post-grunge
Peter Cetera, crooning slick, smooth ballads, only
dipping into his angry side toward the close of the
album as he rants against L.A. and government in equal
measure, duetting with Shirley Manson. It is no small
irony that Gavin Rossdale sounds better in this setting
than he does in his harder rock ù he's a better
vocalist and more charismatic than most of the dullards
who followed in his wake ù but this is still
deliberately tepid music, more concerned about
appearances than hooks or drama.
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (EFNet)
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