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█▓█▓▒┌─────────────────────────────────────────────────────────────────────────────────────┐▒▓█▓█
░ █▒╔┤ ├╗▒█ ░
█ █░║│ ARTiST........: arne weinberg │║░█ █
░ █░║│ TiTLE.........: beauty in decay │║░█ ░
█▓█░║│ GENRE.........: Techno │║░█▓█
░ █░║│ │║░█ ░
█ █░║│ PRE DATE......: Jul-16-2003 │║░█ █
░ █░║│ STREET DATE...: 000-00-2002 │║░█ ░
█▓█░║│ YEAR..........: 2002 │║░█▓█
░ █░║│ │║░█ ░
█ █░║│ COMPANY.......: downlow │║░█ █
░ █░║│ CATALOGUE NO..: dl-008 │║░█ ░
█▓█░║│ │║░█▓█
░ █░║│ GRABBER.......: cooleditpro2 │║░█ ░
█ █░║│ ENCODER.......: LAME 3.93.1 │║░█ █
░ █░║│ QUALiTY.......: 192kbps/44.1Khz/Full Stereo │║░█ ░
█▓█░║│ NO. OF FiLES..: 04 │║░█▓█
░ █░║│ SiZE..........: 30,4 MB │║░█ ░
█ █░║│ │║░█ █
░ █░║│ RiPPER........: pulse │║░█ ░
█▓█░║│ SUPPLiER......: pulse │║░█▓█
█ █░╚┤ ├╝░█ █
█▓█░ └─────────────────────────────────────────────────────────────────────────────────────┘ █▓█
┌███▓▒░░────────────────────────────────[TRACK LiSTiNG]────────────────────────────────░░▒▓███┐
▒██▓▒┌───┬──────────────────────────────────────────────────────────────────────┬──────────┐▒▓██▒
░└█▒╔┤NO.│TRACKNAME │TiME: ├╗▒█┘░
░ █░║│∙∙∙│∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙│∙∙∙∙∙∙∙∙∙∙│║░█ ░
░ █░║│a1 │way back to the north │05:33 │║░█ ░
░ █░║│a2 │beauty in decay │05:47 │║░█ ░
░ █░║│b1 │day of repentance │05:42 │║░█ ░
░ █░║│b2 │beautiful process of living │05:07 │║░█ ░
░ █░║│ │ │ │║░█ ░
░ █░║│ │ │∙∙∙∙∙∙∙∙∙∙│║░█ ░
░ █░║│ │ │ │║░█ ░
░ █░╚┤ │ TOTAL TiME:│22:09 min ├╝░█ ░
█▓█░ └───┴──────────────────────────────────────────────────────────────────────┴──────────┘ █▓█
┌███▓▒░░─────────────────────────────────[RELEASE iNFO]────────────────────────────────░░▒▓███┐
▒██▓▒┌─────────────────────────────────────────────────────────────────────────────────────┐▒▓██▒
░└█▒╔┤ ├╗▒█┘░
░ █░║│∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙│║░█ ░
░ █░║│ http://www.capsite.net/audio/weinberg/weinberg.htm │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ ARNE WEINBERG INTERVIEW BY STEWART, AUGUST 2002 │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ - For those that dont know, please tell us a bit about yourself and where you are │║░█ ░
░ █░║│ from... │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: Okay, I am nearly 29 years old and I am living near Frankfurt, Germany with my │║░█ ░
░ █░║│ wife in a very nice and idyllic little city since the beginning of 2002. We moved │║░█ ░
░ █░║│ over here due to my new job at Neuton, a well known German distributor of │║░█ ░
░ █░║│ electronic music. Before our move we lived near Stuttgart and I am very happy that │║░█ ░
░ █░║│ we made the decision to move because Stuttgart is not very open minded in my honest │║░█ ░
░ █░║│ opinion. I was running a party event for 5 years in Tⁿbingen near Stuttgart in a │║░█ ░
░ █░║│ club called "Depot" and it was the only possibility to go out and hear more deeper │║░█ ░
░ █░║│ and soulful music in our area and to spin such music as a DJ. We had guests like │║░█ ░
░ █░║│ Shake, Fabrice Lig, Oliver Kapp, Pacou, DJ Tim from Rotterdam and I am very │║░█ ░
░ █░║│ thankful for that time. The only thing that I am really missing from this past, │║░█ ░
░ █░║│ hehehehe... │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ - From a musical point of view, what has been your journey that ultimatly led you │║░█ ░
░ █░║│ to fall in love with electronic music? │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: Well, I always loved music that has a very dark and melancholic feel. My first │║░█ ░
░ █░║│ musical love was (and still is) Depeche Mode and I slowly discovered all kinds of │║░█ ░
░ █░║│ music because my mother always tried to raise me open minded and she played very │║░█ ░
░ █░║│ much different kinds of music to me like Jazz, Blues and also such important bands │║░█ ░
░ █░║│ like the Beatles or the Rolling Stones. At the age of 16 I was a big Death Metal │║░█ ░
░ █░║│ freak. Don't laugh, I still love the power and the darkness in some Death Metal │║░█ ░
░ █░║│ records, especially from Sweden. Hehehehe.... After a short period of hearing Hip │║░█ ░
░ █░║│ Hop I made my first experiences with techno. Around 1994 I first listened to a Jeff │║░█ ░
░ █░║│ Mills record in a record shop and it was like an explosion and I knew that this │║░█ ░
░ █░║│ kind of music would be my big love. Since that time I got more and more into the │║░█ ░
░ █░║│ deeper and more soulful kind of techno music... I think it is very important to │║░█ ░
░ █░║│ stay open minded and not to focus too much on one kind of music. There is so much │║░█ ░
░ █░║│ good music out there that has to be discovered... │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ - What have been the main musical influences in your own productions? │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: Definitely very much producers from Detroit. The big names of course like Carl │║░█ ░
░ █░║│ Craig, Derrick May, Kevin Saunderson, Juan Atkins and especially Underground │║░█ ░
░ █░║│ Resistance are a very big influence for me. Not to forget all that wonderful acts │║░█ ░
░ █░║│ from the UK like B 12, Black Dog, Stasis and Kirk De Giorgio... too many to list │║░█ ░
░ █░║│ them all. Everything that has that special kind of feeling is a great influence for │║░█ ░
░ █░║│ my music. Deep, soulful and beautiful music... │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ - Coming from Germany do you feel, from Kraftwerk onwards, there is as strong a │║░█ ░
░ █░║│ tradition in electronic music as there is for a young producer living in Detroit? │║░█ ░
░ █░║│ Do you find this helps or do you like to isolate yourself from such musical │║░█ ░
░ █░║│ heritages? │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: Hmm, difficult question... Kraftwerk were very important pioneers but, I don't │║░█ ░
░ █░║│ have the feeling that their influence is still very big here in germany. The older │║░█ ░
░ █░║│ generation still loves Kraftwerk, but I don't think that a young producer cares for │║░█ ░
░ █░║│ such traditions. Nowadays the existing Techno scene in germany is splitted in two │║░█ ░
░ █░║│ groups: The young kids that think Chris Liebing or DJ Rush invented Techno and that │║░█ ░
░ █░║│ don't know acts from the old days and the older generation that experienced the │║░█ ░
░ █░║│ scene in the beginning of the nineties and that have now families and don't care │║░█ ░
░ █░║│ too much for electronic music anymore. I think that there is a generation change at │║░█ ░
░ █░║│ the moment. Personally I don't care about traditions. │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ - So how and when did you start producing yourself? │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: I started making music 2 1/2 years ago with my computer and some tracker │║░█░ █░║│ - Your earlier productions have a distinctive dark sound and a vibe that seems to │║░█ ░
░ █░║│ hark back to the days of large warehouse raves, when techno was perhaps more │║░█ ░
░ █░║│ prominantly played by many different DJ's. It reminds of the days when DJ's like │║░█ ░
░ █░║│ Grooverider, Fabio and Eddie Richards would always drop records from the likes of │║░█ ░
░ █░║│ Plus 8 and U.R. into sets. What are your thoughs on this? Were you much a 'Rave' │║░█ ░
░ █░║│ kid in your time? And do you feel that there is too much segregation between │║░█ ░
░ █░║│ musical styles these days, with DJs tending to stick to certain styles too rigidly? │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: No, I wasn't a rave kid. I wasn't that kind of guy that went out every weekend │║░█ ░
░ █░║│ and that travelled around to visit raves. I think that the dark vibe in my music │║░█ ░
░ █░║│ has it's origin in my love for melancholic feelings. I love to escape into my own │║░█ ░
░ █░║│ dream world and I am a very introverted person. My Groundzero record has also a │║░█ ░
░ █░║│ very dark vibe, because I was very unhappy about my life at that time. Many people │║░█ ░
░ █░║│ told me that this record has a feeling of yearning and a deep sad mood. That's │║░█ ░
░ █░║│ exactly how I felt at that time. The track "Snowflake (in the sun)" is dedicated to │║░█ ░
░ █░║│ my wife by the way. She is not only my love but also my best friend ever and she │║░█ ░
░ █░║│ really helped me to get my life going. I changed my life totally with our move to │║░█ ░
░ █░║│ Frankfurt, but I can promise that there will be always a certain kind of melancholy │║░█ ░
░ █░║│ and darkness in my tracks.... │║░█ ░
░ █░║│ A simple example is that I still prefer black as a color than white. Like I │║░█ ░
░ █░║│ mentioned before, I really wish that more DJ's like Laurent Garnier would deejay │║░█ ░
░ █░║│ more with some kind of "mission" and not only for the money. I know that a DJ has │║░█ ░
░ █░║│ to entertain a crowd but he also has the possibility to give the people the chance │║░█ ░
░ █░║│ to hear music that they never heard before. I will never forget Herbert spinning in │║░█ ░
░ █░║│ South Germany some years ago. He played everything from deep House, Techno, Acid, │║░█ ░
░ █░║│ Breakbeats to jazzy stuff. That was a great experience and it worked! The crowd │║░█ ░
░ █░║│ went nuts! That's what I am missing today. │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ - You have quite a few things coming out on several labels right now. How have some │║░█ ░
░ █░║│ of these relationships come about and have you been surprised at the attention your │║░█ ░
░ █░║│ music is starting to recieve? │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: First of all I have to say that it might sound like a cliche but I am really │║░█ ░
░ █░║│ surprised about the attention that I get at the moment. I don't think that I am │║░█ ░
░ █░║│ doing something outstanding. I just try to do honest music to give people a good │║░█ ░
░ █░║│ time when they listen to it. I have an upcoming record on Downlow, a track on the │║░█ ░
░ █░║│ next 12 inch sampler on Native Volume 7 and there will be another 12 inch on │║░█ ░
░ █░║│ Keynote that will be a pre-taster for the album that hopefully will be released in │║░█ ░
░ █░║│ the beginning of next year on Keynote. Other projects are a remix that I made for │║░█ ░
░ █░║│ Monolith that will be out on his next 12 inch on Digital Soul and maybe a 12 inch │║░█ ░
░ █░║│ on Raygun. A very important media for all those releationships is definitely the │║░█ ░
░ █░║│ 313 mailing list. Otto from Keynote told me about this list 1 1/2 years ago and I │║░█ ░
░ █░║│ am very happy that I joined it. I got to know Minto and J.T. from Downlow through │║░█ ░
░ █░║│ the list! You know, I think that the world became a small place and due to all our │║░█ ░
░ █░║│ communication technology it is no problem to get friends all over the world. │║░█ ░
░ █░║│ Another example is my relationship to Oliver Kapp and Fabrice Lig. I booked Oliver │║░█ ░
░ █░║│ 4 years ago for a party and we became very good friends. It was just a matter of │║░█ ░
░ █░║│ time until I booked Fabrice because of the contact through Oliver. │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ - I notice that your forthcoming EP on Downlow is titled 'Beauty in decay'. I │║░█ ░
░ █░║│ remember visiting some of the ghostly derelict areas in Detroit and thinking of the │║░█ ░
░ █░║│ similarly titled U.R. track. What does the 'Beauty in decay' mean to you? │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: Who defines beauty? Everybody for himself I think, right? Humans can create │║░█ ░
░ █░║│ beauty, experience beauty and they can destroy it. That's an incredible power and I │║░█ ░
░ █░║│ have the feeling that humanity is not thinking about this fact anymore. How is it │║░█ ░
░ █░║│ possible that we destroy things that we describe as beautiful? Everyday something │║░█ ░
░ █░║│ beautiful dies and fades away..... On the other hand "Beauty in decay" can be a │║░█ ░
░ █░║│ fascinating and inspiring thing. You mentioned Detroit and I think that the decay │║░█ ░
░ █░║│ in this city was very inspiring for the producers to create something beautiful. │║░█ ░
░ █░║│ Think of tracks like "Ocean to ocean" from Model 500 or "The Illuminator" from U.R. │║░█ ░
░ █░║│ If decay can create such timeless beauty than it was not senseless. This fits only │║░█ ░
░ █░║│ for decay that doesn't affect nature itself of course! │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ - Could you tell us more about your studio. What gear are you primarily using at │║░█ ░
░ █░║│ the moment and how would you like to build it up further? │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: I mainly use a lot of analog gear. I own some synths like the JD-800, the │║░█ ░
░ █░║│ SH-101, Alpha Juno, Juno 106, Matrix 1000, Prophecy, Microwave, Mackie 24/8 mixing │║░█ ░
░ █░║│ console, MPC 2000XL, Novation Drumstation, 909 and some effects. I only use a │║░█ ░
░ █░║│ computer for some sequencing work and I don't use any software synths or plug ins. │║░█ ░
░ █░║│ I am very happy with my setup at the moment but I always check out new synths that │║░█ ░
░ █░║│ I buy second hand. If I don't like it I sell it again... │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ - Have you done or are you planning to take your sound live? │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: Honestly, I have made my thoughts about it, but I am not ready yet for live │║░█ ░
░ █░║│ acts. I want to do it in the future but it all has to be well prepared and I │║░█ ░
░ █░║│ haven't got the time at the moment to work on a live act. I don't want to play live │║░█ ░
░ █░║│ with a D.A.T. or something and just act in front of a synth that is not plugged in. │║░█ ░
░ █░║│ If I would do a live act it really has to be "live" like Random Noise Genration or │║░█ ░
░ █░║│ Shawn Rudiman for example. Maybe later... we'll see. │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ - What are you working on at the moment? │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: I am working not to be angry in the morning anymore... Hehehe. No, seriously I │║░█ ░
░ █░║│ am just trying to make some music and to raise the sound quality of my tracks. I │║░█ ░
░ █░║│ want to change some things for the planned album on Keynote again and I really hope │║░█ ░
░ █░║│ that there will be more releases from me coming up. │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ - What direction do you see your music taking in the future? │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: I'm sure that it will always stay deep and melancholic. I realised that my music │║░█ ░
░ █░║│ is getting more melodic and more song-orientated in the last time. I listened much │║░█ ░
░ █░║│ to jazz and electronica stuff like Plaid for example in the last time. I really │║░█ ░
░ █░║│ would love to do something with vocals in the future. I know that I am not a │║░█ ░
░ █░║│ pioneer in sound creating and that I didn't invented the wheel but I want to focus │║░█ ░
░ █░║│ on the aspect of making music that might get timeless. That is my goal! Maybe I │║░█ ░
░ █░║│ will make my personal dream come true and produce an ambient album some day... │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ - How has your music gone down in Germany? What is the scene like there at the │║░█ ░
░ █░║│ moment? │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ A: Germany is not paying much attention to my music. There are some people in │║░█ ░
░ █░║│ Eastern Germany that are very much into deep and soulful Techno and I get much │║░█ ░
░ █░║│ support from them but I get much more attention from the Netherlands, U.S.A., │║░█ ░
░ █░║│ France and the rest of Europe. I think that most of the Germans never had a musical │║░█ ░
░ █░║│ background that allows them to understand and feel soulful music. Soul music from │║░█ ░
░ █░║│ Mo'town in the sixties/seventies for example never got successful in Germany. │║░█ ░
░ █░║│ Germans were and still are very rhythm-orientated. It has to bounce and pump.... │║░█ ░
░ █░║│ hehehehe... │║░█ ░
░ █░║│ │║░█ ░
░░ █░║│ │║░█ ░
░ █░║│ │║░█ ░
░ █░║│ Stewart for capsite.net August 2002. │║░█ ░
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░ █░║│∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙│║░█ ░
░ █░║│ No news. │║░█ ░
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┌███▓▒░░──────────────────────────────────[GREETiNGS]──────────────────────────────────░░▒▓███┐
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█░║│∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙│║░█
░█░║│ Greetings to all our friends in groups such as... │║░█░
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░█░║│ TCLUB - gEm - XSE - SnS - TR - kW - mCZ - LSi - iPZ - m00tv │║░█░
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░█░║│ And to anyone we forgot! │║░█░
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░█░║│ <faz-> i would like to greet the oldtimers of the scene! :) │║░█░
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ASCii Painting by AyLieN of CHEMiCAL REACTiON 2oo2
∙ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ∙