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█ █▓███████▄ ▄▄█████▀▀▀▀▀ .;.C M G.;. ▀▀▀▀▀▓▓███▄▄ ▄█████████ █
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▀▓▀ ▓ ▀██▄ ▀▀▀▀▀ ▓█▄.Council Music Group.▄█▓ ▀▀▀▀▀ ▄██▀ ▓ ▀▓▀
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█▀ astor piazzolla (artemis quartet/jacques ammon) - ▀█
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▄▄▄▄▄▄▄█████▓░ ▄▄██▓▀▀ ;.. General infos ..; ▀▀▓██▄▄ ░▓█████▄▄▄▄▄▄▄
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▀▀███ ▓ Type ........: album ▓ ███▀▀
▀ ██ ░ Music Style .: classical ░ ██ ▀
▄ ▐█ Release.Date : 2009-07-20 █▌ ▄
▀▓▀ ▐█ Release.Size : 79,4 MB █▌ ▀▓▀
█ Playtime ....: 60:02 min █
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█████ ▀ █ Label..:.....: EMI Rec. █ ▀ █████
███▓░ █ Source ......: cdda █ ░▓███
██▓░ █ Tracks ......: 10 █ ░▓██
██▓░ █ Bitrate......: vbr. 184kbps █ ░▓██
███▓░ █ Frequency....: 44,1kHz █ ░▓███
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▀ ..;.TracKList.;.. ▀
01 ::: concierto para quinteto - ::: 09:49
introduction, allegro/lento, improvis
02 ::: estaciones portenas - otono porteno ::: 06:04
- tempo di tango
03 ::: estaciones portenas - invierno ::: 07:05
porteno - andante
04 ::: estaciones portenas - primavera ::: 05:58
portena - fuga
05 ::: estaciones portenas - verano ::: 06:41
porteno - tempo di tango
06 ::: fuga y misterio - movido - lento ::: 04:26
07 ::: suite del angel - introduccion al ::: 04:56
angel - tango, moderato
08 ::: suite del angel - tango del angel - ::: 04:37
tempo di tango
09 ::: suite del angel - milonga del angel ::: 06:46
- melancolico
10 ::: suite del angel - la muerte del ::: 03:40
angel - fuga, movido
Total ::: 60:02
░ ..;Release Notes;.. ░
░ It is perhaps no surprise that Crescendo ░
░ magazine, reviewing the Artemis QuartetÆs ░
░ recent Virgin Classics CD of SchubertÆs C ░
░ major Quintet with Truls M°rk, said that ░
░ the performance ôcould not be highly ░
░ enough praisedô. Perhaps more unexpected ░
░ is that the Berlin-based string quartet ░
░ has now joined forces with the Chilean ░
░ pianist Jacques Ammon for a programme of ░
░ music by Astor Piazzolla (1921û1992), the ░
░ Argentinian master of the tango. Eckart ░
░ Runge, the Artemisæ cellist, has in fact ░
░ been collaborating with Ammon over the ░
░ past decade to create celloproject, a duo ░
░ playing the music of Piazzolla, his ░
░ predecessor Carlos Gardel, and composers ░
░ from the worlds of jazz (such as Chick ░
░ Corea) and film (such as Charlie Chaplin ░
░ and Nino Rota). As Runge says: "In the ░
░ mid-1980s, when I first heard the music ░
░ of Astor Piazzolla, little known in ░
░ Europe at the time ... it was like being ░
░ struck by lightning. With its almost ░
░ cruelly shattering immediacy -- ░
░ reminiscent of Schubert, somewhere ░
░ between dream-like beauty and deathly ░
░ sadness û and a refined subtlety between ░
░ joy and tears, reminiscent of Chaplin, it ░
░ moved me deeply. Only some years later ░
░ did I dare to play this music for myself ░
░ for the first time. Immediately I began ░
░ to do my best to bring together ░
░ everything I could find out about this ░
░ music and its history, and consequently ░
░ visited Buenos Aires.ô Although tango is ░
░ understood as a Æpopularæ rather than ░
░ classical genre, Piazzolla studied with ░
░ the famed composition teacher Nadia ░
░ Boulanger and his musical collaborators ░
░ over the years included figures from jazz ░
░ and popular music û for instance the ░
░ saxophonist Gerry Mulligan, the ░
░ vibraphone player Gary Burton and the ░
░ Italian chanteuse Milva û and classical ░
░ musicians such as Salvatore Accardo, ░
░ Mstislav Rostropovitsch and the Kronos ░
░ Quartet. His output includes orchestral ░
░ works, an opera and an oratorio. Perhaps ░
░ his best-known work features on this ░
░ disc, the Estaciones Porte±as (Seasons in ░
░ Buenos Aires), inspired by VivaldiÆs ░
░ Quattro stagioni and here performed by a ░
░ piano trio. Runge explains: ôThe idea of ░
░ the Piazzolla Project was to bring the ░
░ authentic sonic and expressive palette of ░
░ the tango to life with the inexhaustible ░
░ possibilities of the string quartet, the ░
░ piano trio and the piano quintet. ░
░ Sometimes melting into the melancholy ░
░ tones of the bandoneon, sometimes ░
░ breaking out into the raw heterogeneity ░
░ of the tango quintet, it represented a ░
░ completely new encounter with sound, ░
░ rhythm, style and gesture. It was a ░
░ pleasure for me to share with my quartet ░
░ colleagues the experience I had gathered ░
░ over the years in my engagement with this ░
░ culture. They were enthused by the depth ░
░ and variety of the tango. For all of us, ░
░ this music was a great inspiration and it ░
░ exercised an enriching influence on our ░
░ involvement with the classical chamber ░
░ repertoire. ░
░ ░
░ http://www.arkivmusic.com/classical/album ░
░ .jsp?album_id=223079 ░
░ ░
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v0.2 ▀ ▄ ▀ ..;. Council Music Group .;.. ▀ ▄ ▀