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p r e s e n t s
La Tirana - La Tirana
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█▓ ██▓ ▀▀ ▀ ▀ ▀▀ ██▓ █▓
█▓ ██▓ ...artist : La Tirana ██▓ █▓
█▓ ██▓ ....title : La Tirana ██▓ █▓
█▓ ██▓ ....label : Peacelounge ██▓ █▓
█▓ ██▓ ..cat.num : peal 038 ██▓ █▓
█▓ ██▓ ....genre : House ██▓ █▓
█▓ ██▓ .....year : 2009 ██▓ █▓
█▓ ██▓ .playtime : 60:00 min ██▓ █▓
█▓ ██▓ ......url : ██▓ █▓
█▓ ██▓ ██▓ █▓
█▓ ██▓ .rls.date : 07/07/2009 ██▓ █▓
█▓ ██▓ ...source : CDDA ██▓ █▓
█▓ ██▓ ..quality : VBRkbps / Joint-Stereo ██▓ █▓
█▓ ██▓ ...tracks : 13 ██▓ █▓
█▓ ██▓ .....size : 72,1 MBb ██▓ █▓
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█▓ █ 01 Vete De Mi 05:14 █ █▓
█▓ █ 02 La Tirana 05:01 █ █▓
█▓ █ 03 Retrato Em Branco E Preto 04:52 █ █▓
█▓ █ 04 Que Te Pedi 05:54 █ █▓
█▓ █ 05 Noria 04:57 █ █▓
█▓ █ 06 Ultimo Desejo 04:09 █ █▓
█▓ █ 07 Baby 04:32 █ █▓
█▓ █ 08 Calimero 04:46 █ █▓
█▓ █ 09 Sorri 03:35 █ █▓
█▓ █ 10 Mia 04:45 █ █▓
█▓ █ 11 Eu Sei Que Vou Te Amar 05:08 █ █▓
█▓ █ 12 Sen Dicir Adeus 02:33 █ █▓
█▓ █ 13 Anulacion 04:34 █ █▓
█▓ █ 60:00 min █ █▓
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▐█▓▌ █▓ http://www.misterbond.net/index.php?id=235 █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ The musical components and personnel of La █▓ ▐█▓▌
▐█▓▌ █▓ Tirana are easily explained: A █▓ ▐█▓▌
▐█▓▌ █▓ bittersweet, modern (though at the same █▓ ▐█▓▌
▐█▓▌ █▓ time ancient) female voice, a sensitive █▓ ▐█▓▌
▐█▓▌ █▓ sounding guitar, oscillating between █▓ ▐█▓▌
▐█▓▌ █▓ Bolero, Tango, Son, Jazz and Lounge, and a █▓ ▐█▓▌
▐█▓▌ █▓ warm, deeply human double bass foundation █▓ ▐█▓▌
▐█▓▌ █▓ û all enriched with "tragic" samples and █▓ ▐█▓▌
▐█▓▌ █▓ minimalistic keyboard sounds. The set-up █▓ ▐█▓▌
▐█▓▌ █▓ may be reminiscent of early Portishead, █▓ ▐█▓▌
▐█▓▌ █▓ however, musically Patricia de Lorenzo and █▓ ▐█▓▌
▐█▓▌ █▓ Beth Gibbons are distant cousins, at best. █▓ ▐█▓▌
▐█▓▌ █▓ To explain LA TIRANA we will have to go █▓ ▐█▓▌
▐█▓▌ █▓ way beyond mere comparison... █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Despite the distance of several thousand █▓ ▐█▓▌
▐█▓▌ █▓ nautical miles, you can practically smell █▓ ▐█▓▌
▐█▓▌ █▓ the scent of Buenos Aires tango in the █▓ ▐█▓▌
▐█▓▌ █▓ Galician port of A Coru±a, on the █▓ ▐█▓▌
▐█▓▌ █▓ north-westernmost corner of Spain. At █▓ ▐█▓▌
▐█▓▌ █▓ least when the wind blows from the west █▓ ▐█▓▌
▐█▓▌ █▓ which is often the case. This impression █▓ ▐█▓▌
▐█▓▌ █▓ at least is conveyed by this unusual trio, █▓ ▐█▓▌
▐█▓▌ █▓ consisting of Patricia de Lorenzo █▓ ▐█▓▌
▐█▓▌ █▓ (vocals), Marcelino Galαn (guitar and █▓ ▐█▓▌
▐█▓▌ █▓ sampler) and Xacobe M. Antelo (double █▓ ▐█▓▌
▐█▓▌ █▓ bass).s █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Right at the beginning they pay reverence █▓ ▐█▓▌
▐█▓▌ █▓ to tango poets Homero and Virgillio █▓ ▐█▓▌
▐█▓▌ █▓ Exposito with "Vete de mi", by taking █▓ ▐█▓▌
▐█▓▌ █▓ their time-honored song smoothly into █▓ ▐█▓▌
▐█▓▌ █▓ modern times. Dancing in a Galician █▓ ▐█▓▌
▐█▓▌ █▓ sailors pub you don┤t pack up your █▓ ▐█▓▌
▐█▓▌ █▓ instruments until the early morning, to █▓ ▐█▓▌
▐█▓▌ █▓ drive down south for a couple of hundreds █▓ ▐█▓▌
▐█▓▌ █▓ of kilometers, to Portugal, home of the █▓ ▐█▓▌
▐█▓▌ █▓ Fado which also has left its traces in La █▓ ▐█▓▌
▐█▓▌ █▓ Tirana┤s work. Or we go straight to Cuba, █▓ ▐█▓▌
▐█▓▌ █▓ trailing Guadalupe Victoria Yoli Raymond █▓ ▐█▓▌
▐█▓▌ █▓ a.k.a. "La Lupe", who became immortal with █▓ ▐█▓▌
▐█▓▌ █▓ numbers like the bolero style "Que Te █▓ ▐█▓▌
▐█▓▌ █▓ Pedi" and the title inspiring "La (Gran) █▓ ▐█▓▌
▐█▓▌ █▓ Tirana". Legend has it that Fidel Castro █▓ ▐█▓▌
▐█▓▌ █▓ himself banned La Lupe from performing █▓ ▐█▓▌
▐█▓▌ █▓ after some sort of pre-historic █▓ ▐█▓▌
▐█▓▌ █▓ "Nipplegate". What had happened? During a █▓ ▐█▓▌
▐█▓▌ █▓ concert fans had literally torn the █▓ ▐█▓▌
▐█▓▌ █▓ clothes off her body, preserved for the █▓ ▐█▓▌
▐█▓▌ █▓ after world by officious socialist █▓ ▐█▓▌
▐█▓▌ █▓ paparazzi performing their informational █▓ ▐█▓▌
▐█▓▌ █▓ duty. After her subsequent immigration to █▓ ▐█▓▌
▐█▓▌ █▓ the U.S., La Lupe was endorsed and █▓ ▐█▓▌
▐█▓▌ █▓ supported by Mongo Santamaria und soon █▓ ▐█▓▌
▐█▓▌ █▓ became known in the USA as "The Queen of █▓ ▐█▓▌
▐█▓▌ █▓ Latin Soul" throughout the 1960s and 70s. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ In Rio De Janeiro life in general seems █▓ ▐█▓▌
▐█▓▌ █▓ easier and more relaxed than elsewhere - █▓ ▐█▓▌
▐█▓▌ █▓ at least musically, and from there Tom █▓ ▐█▓▌
▐█▓▌ █▓ Jobim┤s beautiful "Retrato Em Branco e █▓ ▐█▓▌
▐█▓▌ █▓ Preto" is seemingly wafting over to us as █▓ ▐█▓▌
▐█▓▌ █▓ if through an open window. We┤ll encounter █▓ ▐█▓▌
▐█▓▌ █▓ Jobim again half an hour later - this time █▓ ▐█▓▌
▐█▓▌ █▓ together with Vinicius de Moraes for "Eu █▓ ▐█▓▌
▐█▓▌ █▓ Sei Que Vou te Amar". █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Patricia de Lorenzo is singing her idolsÆ █▓ ▐█▓▌
▐█▓▌ █▓ songs with all due respect while at the █▓ ▐█▓▌
▐█▓▌ █▓ same time giving them her very own twist. █▓ ▐█▓▌
▐█▓▌ █▓ Her slightly nasal interpretation of █▓ ▐█▓▌
▐█▓▌ █▓ Djavan┤s "Sorri" (which in itself is based █▓ ▐█▓▌
▐█▓▌ █▓ on Charles ChaplinÆs composition "Smile") █▓ ▐█▓▌
▐█▓▌ █▓ is especially lovely. There may be mean █▓ ▐█▓▌
▐█▓▌ █▓ spirited lusophonic critics slamming her █▓ ▐█▓▌
▐█▓▌ █▓ Spanish accent in Portuguese, but the █▓ ▐█▓▌
▐█▓▌ █▓ slender singer, also a popular film and TV █▓ ▐█▓▌
▐█▓▌ █▓ actress in Spain, is definetely not █▓ ▐█▓▌
▐█▓▌ █▓ lacking in expression, graciousness and █▓ ▐█▓▌
▐█▓▌ █▓ unaffected elegance. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Considering their respectful reworks of █▓ ▐█▓▌
▐█▓▌ █▓ these magnificent classics from Cuba, █▓ ▐█▓▌
▐█▓▌ █▓ Mexico, Argentinia and Brasil, it █▓ ▐█▓▌
▐█▓▌ █▓ shouldn┤t go unmentioned that La Tirana █▓ ▐█▓▌
▐█▓▌ █▓ also recorded some fantastic compositions █▓ ▐█▓▌
▐█▓▌ █▓ of their own guitarist and producer █▓ ▐█▓▌
▐█▓▌ █▓ Marcelino Galßn on their debut album. And █▓ ▐█▓▌
▐█▓▌ █▓ these four songs blend in smoothly between █▓ ▐█▓▌
▐█▓▌ █▓ the nine gems of Latin American music █▓ ▐█▓▌
▐█▓▌ █▓ history. Consider "Calimero" which stands █▓ ▐█▓▌
▐█▓▌ █▓ out as a charming midtempo earcatcher █▓ ▐█▓▌
▐█▓▌ █▓ which has more than a little dose of █▓ ▐█▓▌
▐█▓▌ █▓ flamenco in its blood while also sporting █▓ ▐█▓▌
▐█▓▌ █▓ some easy bossa, house and nu jazz █▓ ▐█▓▌
▐█▓▌ █▓ elements. The single release actually █▓ ▐█▓▌
▐█▓▌ █▓ contains a very deep and groovy "naked █▓ ▐█▓▌
▐█▓▌ █▓ house remix" by peacelounge label mate █▓ ▐█▓▌
▐█▓▌ █▓ m.age project). █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ The melancholic "Noria" masks itself much █▓ ▐█▓▌
▐█▓▌ █▓ better, a moody trip hop number with a █▓ ▐█▓▌
▐█▓▌ █▓ smooth jazz guitar which, like the █▓ ▐█▓▌
▐█▓▌ █▓ concluding songs "Sen Dicir Adeus" and █▓ ▐█▓▌
▐█▓▌ █▓ "Anulacion" rest comfortably amongst the █▓ ▐█▓▌
▐█▓▌ █▓ time-honored compositions by Jobim and █▓ ▐█▓▌
▐█▓▌ █▓ Veloso. It almost seems as if PatriciaÆs █▓ ▐█▓▌
▐█▓▌ █▓ strong, yet fragile vocals and Xacobe┤s █▓ ▐█▓▌
▐█▓▌ █▓ unique bass-playing stand out even more in █▓ ▐█▓▌
▐█▓▌ █▓ LA TIRANAÆs original songs. This may or █▓ ▐█▓▌
▐█▓▌ █▓ may not be the case, but these three La █▓ ▐█▓▌
▐█▓▌ █▓ Tirana originals û with their minimalistic █▓ ▐█▓▌
▐█▓▌ █▓ guitar and sample arrangements û seem to █▓ ▐█▓▌
▐█▓▌ █▓ be even more like Latin ächamber musicô, █▓ ▐█▓▌
▐█▓▌ █▓ when compared to the careful updates of █▓ ▐█▓▌
▐█▓▌ █▓ classics like äBabyô äQue te pedφô or █▓ ▐█▓▌
▐█▓▌ █▓ äVete de miô. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ La Tirana is no spectacular experimental █▓ ▐█▓▌
▐█▓▌ █▓ ämega-projectô. LA TIRANA is "merely" █▓ ▐█▓▌
▐█▓▌ █▓ three individualistsÆ desirous glance █▓ ▐█▓▌
▐█▓▌ █▓ across the Atlantic. It is a look into a █▓ ▐█▓▌
▐█▓▌ █▓ painful past of colonists and immigrants █▓ ▐█▓▌
▐█▓▌ █▓ and at the same time a look into the █▓ ▐█▓▌
▐█▓▌ █▓ future of Europe and Latin America. In the █▓ ▐█▓▌
▐█▓▌ █▓ mild morning light on the western tip of █▓ ▐█▓▌
▐█▓▌ █▓ our continent, even the sharpest █▓ ▐█▓▌
▐█▓▌ █▓ contradictions seem to be reconcilable û █▓ ▐█▓▌
▐█▓▌ █▓ at least musically, after an exhaustive █▓ ▐█▓▌
▐█▓▌ █▓ night of passionate singing and dancing. █▓ ▐█▓▌
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▄▓▀ ▄█▀█▄▄▀▀▀ ▐ ▒ g r o u p n o t e s ▒ ▌ ▀▀▀▄▄█▀█▄ ▀▓▄
▐▓▌ ▐█▓▓▀ ▄▓▓▄ ▐ ░ ░ ▌ ▄▓▓▄ ▀▓▓█▌ ▐▓▌
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▄▓▀ ▐▓▌ ▐█▓ ▀▓▄
█▓ █▓ We are a small group of rather friendly █▓ █▓
█▓ █▓ people (with few exceptions!) who'd prefer █▓ █▓
█▓ █▓ wasting their time releasing scatporn █▓ █▓
█▓ █▓ instead of ripping those crappy (mostly) █▓ █▓
█▓ █▓ electronic releases nobody even cares about. █▓ █▓
█▓ █▓ █▓ █▓
█▓ █▓ Of course we release all what we hate █▓ █▓
█▓ █▓ because hate is a much stronger feeling than █▓ █▓
█▓ █▓ love and when you think about it, there is █▓ █▓
█▓ █▓ no point wasting money on loved ones. █▓ █▓
█▓ █▓ █▓ █▓
█▓ █▓ Finally if you ever like one of our releases █▓ █▓
█▓ █▓ (and not only ours...), go fuck a goat, sell █▓ █▓
█▓ █▓ the video and buy the damn vinyl/cd/dvd ... █▓ █▓
█▓ █▓ ... that's double pleasure ! █▓ █▓
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█▓ █▓ We would like to share a goat with the █▓ █▓
█▓ █▓ followings for their work and/or friendship, █▓ █▓
█▓ █▓ of course in -almost- no particular order: █▓ █▓
█▓ █▓ █▓ █▓
█▓ █▓ TrT - DPS - MAEM - mbs - bASS - kiNky - soup █▓ █▓
█▓ █▓ sour - XTC - FWYH - D2H - BCC - BOSS - FMR █▓ █▓
█▓ █▓ ETHNiC - CT - i8 - 1way - hM - SQ - HQEM █▓ █▓
█▓ █▓ hUSHhUSH - SiCKO - AEROHOLICS - BERC █▓ █▓
█▓ █▓ SexSh0p - JustDifferent █▓ █▓
█▓▄ ▐▓▌ ▐▓▌ ▄█▓
▀█▓▄▄▀▀▄ ▄▀▀▄▄█▓▀
▌▀▀█▓▄█▀▄▄ defacing music since ▄▄▀█▄█▓▀▀▐
▄ ▄▓▄ ▀▀█▓▄█▀▀▄▄▄ 2004 ▄▄▄▀▀█▄█▓▀▀ ▄▓▄ ▄
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▀▀ ▀▓█████▌ ▀█▓ fU^rPC ▓█▀ ▐█████▓▀ ▀▀
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