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▓▒▒▒▒▓▓▓▓▓▓▓▓▓░:░ Release notes ░▒▓▓▓▓▓▒▒░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░▓▒░
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▒▒ ▀ ▄ ■ ▀ ▒▒
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▒░ ░░
░░ Rel. date .: Jun-14-2009 ░░
░░ ░░
░░ Artist ....: The B-52's ░░
░░ Album .....: Mesopotamia ░░
░░ Genre .....: New Wave ░░
░░ ░░
░░ Label .....: Island ░░
░░ Catalog # .: 254217 ░░
░░ Language ..: English ░░
░░ ░░
░░ Source ....: CDDA ░░
░░ Size ......: 33,2 MB ░░
░░ ░░
░░ http://theb52s.com/ | http://en.wikipedia.org/wiki/The_B-52%27s ░░
░░ ░░
░░ ----------------------------------------------------------------------- ░░
░░ ░░
░░ To avoid any confusion: This is the original Album > CD version of ░░
░░ Mesopotamia released by Island Records. The tracks on the remix album ░░
░░ are not the same. ░░
░░ ░░
░░ To clarify check: ░░
░░ http://en.wikipedia.org/wiki/Mesopotamia_(The_B-52%27s) ░░
░░ ░░
░░ "In 1991, Mesopotamia was remixed and, combined with the Party Mix! ░░
░░ album, was released on CD. Confusingly, the original Warner Bros. ░░
░░ Records version of the album is the version available on Island Records ░░
░░ CD re-release." ░░
░░ ░░
░░ As can be seen by the scans this is the Island version. ░░
░░ ░░
░░ Also on wiki: ░░
░░ "Some copies of the album made available from Island Records have an ░░
░░ incorrect track list in the back cover. On these incorrect copies, the ░░
░░ first four tracks are listed correctly (as above), then track 5 is ░░
░░ listed as "Lava" (the name of a track on the band's debut album). This ░░
░░ track is not on the actual CD enclosed. Actual tracks 5 and 6 are ░░
░░ listed as 6 and 7 respectively." ░░
░░ ░░
░░ This release is one of those faulty "collectors item" copies! ░░
░░ Thus the missing (non-existent) track 5 titled Lava. ░░
░░ ░░
░░ *** ░░
░░ ░░
░░ A Crazed Fan @ Amazon.com said: ░░
░░ ░░
░░ I guess I must be the only person in the world who thinks Mesopotamia ░░
░░ was the B-52's finest achievement. Don't get me wrong, I love their ░░
░░ other stuff, and to this day listen to them often. They are their own ░░
░░ selves. Completely original. But with Mesopotamia, they stretched ░░
░░ beyond even their own ziggy boundaries, and reached, for lack of a ░░
░░ better word, some kind of "zone." ░░
░░ ░░
░░ This is not an easy album. I think I must have listened to it about ten ░░
░░ times before I "got" it. But it's worth the patience. Maybe the best ░░
░░ thing to do is to start with the beat. Don't be distracted by anything ░░
░░ else. Just the beat. The rest will come later. ░░
░░ ░░
░░ "Loveland." Throbbing, pounding bass, the minor note, and you are ░░
░░ there. How can you stay off your feet? And listen to Kate Pierson. She ░░
░░ has never sounded better. Passionate. Savage. Beautiful. Angry. ░░
░░ "Loveland?" I suppose. This is where I fell in love with Kate Pierson. ░░
░░ ░░
░░ Then "Deep Sleep," which is mostly a hypnotic kind of psychadelic ░░
░░ thing, but again with the great back beat, and dreamy sultry vocals. ░░
░░ These women, you think, they are like sirens. ░░
░░ ░░
░░ The next two songs are the B-52's at the apex of their career. ░░
░░ Mesopotamia is again a great rock song, with the trademark brilliant ░░
░░ female harmonies, and here comes Fred Schneider, with his hilarious, ░░
░░ absurdist lyrics. You'll note he is a great stylist as well, ░░
░░ contributing greatly to the beat with his vocals, in the tradition of ░░
░░ the greatest rock'n'roll singers. The song would still be wonderful, ░░
░░ but this sense of timing puts it on another plane. ░░
░░ ░░
░░ And then we come to "Cake." There has never been a song in the history ░░
░░ of rock'n'roll like "Cake." What is it about? It is about baking a ░░
░░ cake. What's so special about that? Well, these girls sing more ░░
░░ passionately about baking a cake than anybody ever sang about anything. ░░
░░ Peace, injustice, war, hunger. You want passion? Listen to "Cake." Oh, ░░
░░ and then maybe think about irony. ░░
░░ ░░
░░ This is where I fell in love with both Kate Pierson and Cindy Wilson. ░░
░░ And with what skill! The B-52's have always been famous for their ░░
░░ harmonies but on this album, and on this song, they are mind-boggling. ░░
░░ They must have practiced singing this song--God, I don't know--hundreds ░░
░░ of times. More. I try to sing along with them every time and, well, ░░
░░ forget it. ░░
░░ ░░
░░ And again you have the pounding, danceable beat, with horns and guitars ░░
░░ and keyboard. I never get tired of this. It just hasn't happened. There ░░
░░ is no other rock band in the world which sounds like this. Like them, ░░
░░ at their peak. ░░
░░ ░░
░░ The last two songs are excellent, ("Throw that Beat in the Garbage ░░
░░ Can,") and you will love them, but they can not match the ░░
░░ spectacularity of the first four. (Only six songs on the whole thing! ░░
░░ Nooooooo!) ░░
░░ ░░
░░ So what happened here? Was it David Byrne, the producer? I don't know. ░░
░░ I've never been a big fan of him or his band. He played a part though. ░░
░░ Sometimes it is pointless to ask. But they hit greatness here. Somehow. ░░
░░ ░░
░░ They hit it. ░░
░░ ░░
░░ *** ░░
░░ ░░
░░ WHO ARE the B-52's ??? ░░
░░ ░░
░░ The first of many acts to cement the college town of Athens, GA, as a ░░
░░ hotbed of alternative music, the B-52's took their name from the ░░
░░ Southern slang for the mile-high bouffant wigs sported by singers Kate ░░
░░ Pierson and Cindy Wilson, a look emblematic of the band's campy, ░░
░░ thrift-store aesthetic. The five-piece group, which also included ░░
░░ founding members Fred Schneider, guitarist Ricky Wilson (Cindy's older ░░
░░ brother), and drummer Keith Strickland, formed in the mid-'70s after a ░░
░░ drunken evening at a Chinese restaurant; the bandmembers had little or ░░
░░ no previous musical experience, and performed most of their earliest ░░
░░ shows with taped guitar and percussion accompaniment. ░░
░░ ░░
░░ After pressing up a few thousand copies of the single "Rock Lobster," ░░
░░ the B-52's traveled to the famed Max's Kansas City club for their first ░░
░░ paying gig. Subsequent appearances at CBGB brought the group to the ░░
░░ attention of the New York press, and in 1979, they issued their ░░
░░ self-titled debut album, a collection of manic, bizarre, and eminently ░░
░░ danceable songs which scored an underground club hit with a reworked ░░
░░ version of "Rock Lobster." The following year, they issued Wild Planet, ░░
░░ which reached the Top 20 on the U.S. album charts; Party Mix!, an EP's ░░
░░ worth of reworked material from the band's first two proper outings, ░░
░░ appeared in 1981. ░░
░░ ░░
░░ Released in 1982, Mesopotamia arose out of a series of aborted sessions ░░
░░ with producer David Byrne which saw the B-52's largely abandon their ░░
░░ trademark sense of humor, a situation rectified by the next year's ░░
░░ Whammy!, a move into electronic territory. After a Schneider solo LP, ░░
░░ 1984's Fred Schneider & the Shake Society, the group returned to the ░░
░░ studio to record 1986's Bouncing Off the Satellites. On October 12, ░░
░░ 1985, however, Ricky Wilson died; though originally his death was ░░
░░ attributed to natural causes, it was later revealed that he had ░░
░░ succumbed to AIDS. In light of Wilson's death, the group found it ░░
░░ impossible to promote the new album, and they spent the next several ░░
░░ years in seclusion. ░░
░░ ░░
░░ In 1989, the B-52's finally returned with Cosmic Thing, their most ░░
░░ commercially successful effort to date. Marked by Strickland's move ░░
░░ from drums to guitar and club-friendly production from Don Was and Nile ░░
░░ Rodgers, the album launched several hit singles, including the party ░░
░░ smash "Love Shack," "Roam," and "Deadbeat Club." In 1990, Cindy Wilson ░░
░░ retired from active duty, leaving the remaining trio to soldier on for ░░
░░ 1992's Good Stuff. A year later, dubbed the BC-52's, they performed the ░░
░░ theme song for Steven Spielberg's live-action feature The Flintstones. ░░
░░ Wilson returned to the group for a tour supporting the release of ░░
░░ 1998's hits collection Time Capsule. Four years later the double-disc ░░
░░ Nude on the Moon compilation would dive deeper into their catalog by ░░
░░ featuring rare tracks, live recordings, and remixes along with the ░░
░░ hits. The year 2008 found the band returning with a new album for the ░░
░░ first time in 16 years. Released by Astralwerks, Funplex, was a slick, ░░
░░ synthesizer-driven effort produced by Steve Osborne. ░░
░░ ░░
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░░ THIS IS *NOT* A SUBSTITUTE OF THE ORIGINAL. ░░░
░░ --------------------------------------------------------------------- ░░░
░░ ░░░
░░ NB TRACKNAMES: LENGHT: ░░░
░░ ░░░
░░ 01. Loveland 05:02 ░░░
░░ 02. Deep Sleep 03:30 ░░░
░░ 03. Mesopotamia 03:51 ░░░
░░ 04. Cake 05:51 ░░░
░░ 05. Throw That Beat In A Garbage Can 04:32 ░░░
░░ 06. Nip In The Bud 03:32 ░░░
░░ 26:18 min ░░░
░░ --------------------------------------------------------------------- ░░░
░░ TO THE INVOLVED ARTIST(S), CONSIDER THIS AS A FREE WORLDWIDE ░░░
░░ PROMOTION CAMPAIGN. TO THE END (L)USER, SUPPORT ARTIST(S) OR DEL! ░░░
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█▓▒▒█▓▒▒▓▒▒░░▒▒▒▒▒▓▒▒▒▒▒▒░░▒▒░▒▓▒▒▒▒▒▒▒░░░░▒░░░░ ░░▒▒▒▒▒▒ ▀▀▀▓▓▓▓▓▓▒▒ ▒▓░░
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██████▀▀▀▀ ▀ ▀ ▒ ░▒▒░ ▓▓▒▒░ ▓█▓▒ ▀▀▀▀▀▀▀▓███████▓▓▓▒▒░░
▓██▀ "Oi" to: ░▒▒░ ░ ▓▓▒▒░░ ▀▓▓▒▒▒░░░ ▀▀▓██▓▒▒░░
▓█▌ ░▒▒░░ ▀▓▓▓▒▒▒░░ ▀▀▓▓▓▓▒▒▒▒░░ ░▓█▓▒░
▒█░▒▓▓▓▒▒▒▒▒▒▒▒▒▒░░░░░░░░░░░ ░░░ ░ ░░▒▒░░ ▀▀▓▓▓▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓▓▄░░░▓▓░░
▒█ ░░▒▒▒░░░░░▀▀▀▀▀▀▀▀▀▀▓▓▓▄▄▀▀▓▓▄▓▓░░
▒▓ ░ ▀▀▓▓▄░▀▓▓░░
░▓ ▀▓▓░░▓░░
░▓ █▓░▓░░
░▒ 4 HORSEMEN, █▓▓░░
░▒ 801, █▓░░
░▒ ADDiCTED TO MUSiC, APOCALYPSE PRODUCTiON CREW, AUDiO ARCHiVE FORCE, ▓░░
░░ BEAT MASTERS iNTERNATiONAL, BEATS iN CONTROL, ▒░░
░░ CHROMANCE, CiTADEL CREW MP3 DiViSiON, COMPRESS DA AUDIO, ▒░░
░░ CORE OF RESiSTANCE, CRiSiS, CSWCN, ░░░
░░ DA OLDSCHOOL CREW, DEiMOS MP3, DEAFNESS, DECiBEL COURiERS, ░░
░░ DiGiTAL SOUND PROPHETS, DiSSiDENT, ░░
░░ EVERY DAY MP3Z, EViGHET, ░░
░░ FRENCH SOUND PROViDER, ░░
░░ HiGH iNTELLiGENCE TROLLS, ░░
░░ iMAGiNE, iMPULZ, iNDECENT XPOSURE, iNTERNET MUSiC PiRATE GUiLT, ░░
░░ JAZ, ░░
░░ KiLOHERTZ, ░░
░░ LOGOS, ░░
░░ MCKENNA, MiLLENNiUM GENERATiON MUSiC, MiSTAHWAX, MUSiC AND DECiBELS, ░░
░░ MUSiC iN PROGRESS, MUSiC TO MASSES, ░░
░░ NEW WORLD ORDER MP3, NORDiC MUSiC ENSEMBLE, ░░
░░ NUTRiCiOUS HEARiNG SUPPLiES, ░░
░░ OTAKU, ░░
░░ PROViDERS OF SOUND, PSiLOCiBiN, ░░
░░ RABiD NEUROSiS, RADiAL, RARE MUSiC FiNDER, REVOLUTiON, ░░
░░ ROCKERS' BREWiNG CORP, ROTATiON, RUDE BWOY KUTZ, ░░
░░ SCHOOL OF THE OLD, SDL, SMOKE WEED EVERYDAY, STRONGER THAN ALL, ░░
░░ SYNTHESiS MEDiA, ░░
░░ THE FLAME ARROWS MP3, TOUCHDOWN, TWEE, ░░
░░ WALL OF SOUND, WE LOVE WAREZ MP3, ░░
░░ ░░
░░ *ALL* OF OUR FRIENDS AND FAMILY HERE AND GONE... ░░
░░ ░░
░░ ░░
░░ ---------------------------------------------------------------------- ░░
░░ ░░
░░ "Those who do not remember the past are condemned to repeat it." ░░
░░ ░░
░░ George Santayana ░░
░░ ░░
░░ ---------------------------------------------------------------------- ░░
░░ ░░
░░ ░░
░░ ▄▄█▓▀ ▄▄ - IF YOU DON'T LIKE THIS RELEASE THEN ░░
░░ ▄▄▓███▓▓▓░░███▓▓▓▄▄▄ ENFUCKINGCODE IT YOURSELF! ░░
░░ ▄▓████▀░░▒▒▒▒▒▓▓▒▒▒▒▒▒▓█▄▄ ░░
░ ▄▀▀▄░░░▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓██▄ - WE SHIT ON *ALL* SCENE-IDIOTS: ░░
░ ▄░░▒▒▓▓▓▓█▀▀▀▀▀▓▓██▀▓▓▓▓▓▒▒▓█ "H8ERS", NUKERS, PUBBERS, -EON, ░░
░ █▓▓▓▀██▓▀▀▀▄▓▒░░▄██▌░░ ▓▀▓▓▓▓█ MAYBE ON YOU TOO?! ░░
█▓▓▀▄▓█▓▓░░░░█████▓█▓▄▄▄█▓ ▀▓▀▓▓ ░░
█▀ █▓▀▓███▄▄▄███▓▓▓█████▓█▀▄▐▌ █ - WE ONLY BELIEVE CURRENT YEAR CDDAS ░░
█ ▐█████▀ ████▓▓█▌▀██▓▓ ▐▓ IS TEH GOOD MUSIC! ░░
░ ███▀ ▐████▓█▓ ▐▓▀ ▀ ░░
░░ ▓ ███▓███▓ ▀ - WE CONSTANTLY LOOKING FOR 10Gb/s, 500Tbs ░░
░░ ▐███▓▓██▌ W/ 0SEC ATTITUDE THAT CAN'T ACHIEVE MORE THAN SIX ░░
░░ ██▓▓▓▓█▌ MONTHS OF UPTIME. WHQ SPOT AVAILABLE!!!!!!!!!!!!! ░░
░ ▓█▓▒▒▓█ ░░
░░ ██▒▒▒▓█▌ - ICQ US! ░░
░░ ▐█▌░▒▒▓██ ░░
░░ ▐█▌░░▒▓█▌ YOUR **TRUE** PSEUDO-FRIENDS, ░░
░░░ ██▒░▒▓█▌ ▓ ▄■ ░░
░▒░ ▐█▌▓▀▓█▌ ▓▄▓ · WASHED UP SCENESTERS ░░
░▒▒ ░██▌▒▒▓█▓▌▓▒█▀·▄■▄ ▄ ▓▓▄▄▄ 'o9 ░░
░▒▒▌ ▒▒██▒▒▓▓░█▓▒▒▒▀▒▒▄▄ ▄ ██▓▓███▄▄▄▄▄ ░░
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THIS IS NOT PIRACY.