Pierre_Bartholomee_(Laudantes_Consort-G._Janssens)_-_A_History_Of_The_Requiem_Part_IV-2009-CMG

Section

MP3/FLAC

Group

CMG

Size

72,13 MB

Files

7

Date

2009-08-17

NFO

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    ▀▓▀  ▓ ▀██▄ ▀▀▀▀▀     ▓█▄.Council Music Group.▄█▓     ▀▀▀▀▀ ▄██▀ ▓  ▀▓▀
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           █▀   pierre bartholomΘe (laudantes consort/g. janssens ▀█
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              ▀▀███  ▓ Type ........: album              ▓  ███▀▀
              ▀  ██  ░ Music Style .: classical          ░  ██  ▀
              ▄  ▐█    Release.Date : 2009-08-16            █▌  ▄
             ▀▓▀ ▐█    Release.Size : 72,1 MB               █▌ ▀▓▀
                  █    Playtime ....: 59:00 min             █
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          ▀ ▄███▀ █    Grabber .....: eac 0.99 beta 4       █ ▀███▄ ▀
          ▄██▓▀▄▓▄█    Encoder .....: lame 3.97             █▄▓▄▀▓██▄
         █████  ▀ █    Label..:.....: Cypres                █ ▀  █████
        ███▓░     █    Source ......: cdda                  █     ░▓███
        ██▓░      █    Tracks ......: 07                    █      ░▓██
        ██▓░      █    Bitrate......: vbr. 171kbps          █      ░▓██
         ███▓░    █    Frequency....: 44,1kHz               █    ░▓███
        ▄ ▀▀██░▄▄ █    Mode ........: joint-stereo          █ ▄▄░██▀▀ ▄
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                             ▀ ..;.TracKList.;.. ▀

           01   :::   prΘlude                              :::   05:33
           02   :::   kyrie                                :::   03:53
           03   :::   dies irae                            :::   07:58
           04   :::   urupfu                               :::   16:51
           05   :::   sanctus                              :::   07:17
           06   :::   agnus dei                            :::   05:58
           07   :::   ╔pilogue                             :::   11:30

                                                   Total   :::   59:00

           ░                  ..;Release Notes;..                    ░

           ░        Unlike many liturgical works, Pierre             ░
           ░        BartholomΘeÆs Requiem û probably one of          ░
           ░        the first of the twenty-first century û          ░
           ░        does not draw on Holy Scripture but on a         ░
           ░        human tragedy, that of little Jessica, a         ░
           ░        Rwandan child, the survivor of the               ░
           ░        genocide that slaughtered nearly 800,000         ░
           ░        of her contemporaries, who yet was to            ░
           ░        find death û a death as tragic as it was         ░
           ░        absurd û in her country of asylum, the           ░
           ░        United States of America. However, this          ░
           ░        Requiem, which is both polyglot and              ░
           ░        ecumenical, does not content itself with         ░
           ░        building walls about fragments from              ░
           ░        JessicaÆs correspondence; Pierre                 ░
           ░        BartholomΘe surrounds himself with               ░
           ░        religious texts (from which the name de          ░
           ░        God is absent) and with a phrase from the        ░
           ░        Belgian poet Henri Bauchau, the                  ░
           ░        librettist of his two operas. Pierre             ░
           ░        BartholomΘe, whose discography with              ░
           ░        Cypres has been widely hailed by the             ░
           ░        international press (two ôChocsö from Le         ░
           ░        Monde de la Musique) has produced a work         ░
           ░        of poignancy, of substance, one that is          ░
           ░        less scrupulously intellectual than is           ░
           ░        his custom, and one that finds its place         ░
           ░        within the fine tradition of this                ░
           ░        subjective history of the requiem that it        ░
           ░        brings to a close.                               ░
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       v0.2       ▀ ▄ ▀   ..;. Council Music Group .;..   ▀ ▄ ▀

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