▄▀ ▀ ▀ ▀▄
██ ▄ ▄ ██
▀▓█▄ ▄▓▄ ▄▓▄ ▄█▓▀
▀ ▀▀▄▄▄ █▀▄▄▄ ▀ ▀ ▄▄▄▀█ ▄▄▄▀▀ ▀
▀▀▓█▄ █ ▄▄▀▀░██▄▄ ▄▄██░▀▀▄▄ █ ▄█▓▀▀
▀ ▄ █▓░ █ ███▄ ▀▀███▄███▀▀ ▄███ █ ███ ▄ ▀
▄ █▄ ░█▓░ █ ▀████ ▀█▀ █████ █ ██▓░ ▄█ ▄
▀▓▀ ▄█▀ ▄███ █ █████ █████ █ █▓▓▄ ▀█▄ ▀▓▀
▄▄▓█▄███▀▀ █ ▓████▄ ▄ ▄█████ █ ▀▀█▓█▄█▓▄▄
▄▄█▀▀▀▀ ▄▄▄▄▄ ▄█ ▒██████▄ ███ ▄██████▀ █▄ ▄▄▄▄▄ ▀▀▀▀█▄▄
▄▀ ▄▄███████████▄ ▀▓ ░████░▀██▄███▄██▀░█████ ▓▀ ▄▓▓█████████▄▄ ▀▄
█ ███████████▓▀▓███▄▄▒ ▄████ ▀█████▀ ████▓ ▒▄▄▓▓██▀████████████ █
█ ██████▓▀▀█ ▀███▓░ █████ ▄ ▀█▀ ▄ ████▒ ░▓███▀ █ ▀▀███████ █
█ ▓████▓ ▀█ ▐▓▀ █████▄▀ ██▄ ▄██ ▀▄█████ ▀█▌ ▓ ▀ █████▓ █
█ ░████▌ ▓ ▀ ░ ██████ ▀█████▀ █████▄ ░ ▀ ▀▀ ▒ ▐████░ █
▀ ████▌ ▒ █ █████ ▀ ▀█▀ ▀ █████ █ ░ ▄ ▐████ ▀
▄▀▄████ ░ █ ▀▓▓██ ██▓▓▀ █ ▀▓▀ ████▄▀▄
▀ █████ ▀▀██░▄▄▀▀▄▄ ▄▓▄ ▄▄▀▀▄▄░██▀▀ ▄▄▄▄░ █████ ▀
▄▀ ████ ░ ▀▄ ▄ ▀▀▀▄▄ ▀ ▄▄▀▀▀ ▄ ▄█▀▀▀██▄ ████ ▀▄
█ ░████ ▄ ▓▄ ▀▓▀ ▀█▓▄ ▄▓█▀ ▀▓▀ ▄▓█ ▄ ██ ████░ █
█ ▒████▄ ▀▓▀ ▌██▄ ▄ ██ ██ ▄ ▄███ ▀▄▀ ▄████▒ █
█ ▓██████▄ ▄█████▄ ▀ ▄▀ ▀▄ ▀ ▄█████▄ ▀ ▄██████▓ █
█ █▓███████▄ ▄▄█████▀▀▀▀▀ .;.C M G.;. ▀▀▀▀▀▓▓███▄▄ ▄█████████ █
▀ ▀▀███▄▄▀▀▓▓█████▄████▀▀ ▀▀▓███▄███████▀▀▄▄███▀▀ ▀
▄ ▀▀██▄▄▀▀▓▓████▀▄ ▀▓▄ ▄▓▀ ▄▀▓█████▀▀▄▄██▀▀ ▄
▀▓▀ ▓ ▀██▄ ▀▀▀▀▀ ▓█▄.Council Music Group.▄█▓ ▀▀▀▀▀ ▄██▀ ▓ ▀▓▀
░ ▀▓█ ▄▓▄ ▄▄██▀ ▀██▄▄ ▄▓▄ █▓▀ ░
▀ ▄▀ ▀ ▄▄▄██▀▀ ▀▀██▄▄▄ ▀ ▀▄ ▀
▄▄███▀▀▀ ▀▀▀███▄▄
▀ ▄ ▀ ▄██▀▀ ▀▀██▄ ▀ ▄ ▀
█▀ vince mendoza and the metropole orchestra - el vi ▀█
▀▓▄ ▄▀ ▄ ▄ ▀▄ ▄▓▀
▀▀▄██░▀▀ ▀▀░██▄▀▀
▄▄▄▄▄▄▄█████▓░ ▄▄██▓▀▀ ;.. General infos ..; ▀▀▓██▄▄ ░▓█████▄▄▄▄▄▄▄
▀▀████▄▄░ ▄█▀█▀▀ ▀▀█▀█▄ ▄▄████▀▀
▀██████▄█ █ █ █▄██████▀
▀▀███ ▓ Type ........: album ▓ ███▀▀
▀ ██ ░ Music Style .: latin ░ ██ ▀
▄ ▐█ Release.Date : 2009-08-16 █▌ ▄
▀▓▀ ▐█ Release.Size : 90,5 MB █▌ ▀▓▀
█ Playtime ....: 70:44 min █
▄▄██ ██▄▄
▀ ▄███▀ █ Grabber .....: eac 0.99 beta 4 █ ▀███▄ ▀
▄██▓▀▄▓▄█ Encoder .....: lame 3.97 █▄▓▄▀▓██▄
█████ ▀ █ Label..:.....: ACT Music █ ▀ █████
███▓░ █ Source ......: cdda █ ░▓███
██▓░ █ Tracks ......: 12 █ ░▓██
██▓░ █ Bitrate......: vbr. 179kbps █ ░▓██
███▓░ █ Frequency....: 44,1kHz █ ░▓███
▄ ▀▀██░▄▄ █ Mode ........: joint-stereo █ ▄▄░██▀▀ ▄
▄ ▀▀▀▄▄ ▄▄▀▀▀ ▄
▀▓▀ ▀██▄ ▄▓█▀ ▀▓▀
▄ ▀▓█ ██ ▄
▀ ▄▀ ▀▄ ▀
▄ ▄
▀ ..;.TracKList.;.. ▀
01 ::: la canci≤n del mariquita ::: 04:17
02 ::: historietas del viento i: el viento ::: 04:41
03 ::: historietas del viento ii: viento ::: 05:19
estancado
04 ::: historietas del viento iii: la brisa ::: 06:06
05 ::: la tarara ::: 08:37
06 ::: de los cuatros muleros ::: 06:24
07 ::: sevillanas del siglo xviii ::: 03:45
08 ::: la nana del caballo grande ::: 06:11
09 ::: los peregrinitos ::: 03:34
10 ::: angeles negros ::: 05:28
11 ::: los mozos de monle≤n ::: 09:22
12 ::: la layenda del tiempo ::: 07:00
Total ::: 70:44
░ ..;Release Notes;.. ░
░ After nearly a ten-year break, ░
░ composer/arranger/conductor Vince Mendoza ░
░ returned with the Grammy-nominated ░
░ Blauklang (ACT, 2008). As if intuiting ░
░ that another decade-long gap would be ░
░ excessive, he's back a year later with El ░
░ Viento: The Garcφa Lorca Projectùthis ░
░ time focusing primarily on conducting a ░
░ group of guests alongside Holland's ░
░ Metropole Orchestra, for whom he's been ░
░ chief conductor and artistic leader. Much ░
░ in the spirit of his earlier Jazzpa±a ░
░ (ACT, 1993), El Viento explores the ░
░ marriage of Spanish musicùin particular, ░
░ flamencoùwith jazz, but on a considerably ░
░ larger scale. As ambitious as Epiphany ░
░ (Zebra, 1999), it's perhaps even more so ░
░ in its successful unearthing of nexus ░
░ points previously undiscovered. ░
░ ░
░ Mendoza may have arranged only four of ░
░ the dozen tunes, but his imprint remains ░
░ stamped across the album. The Metropole ░
░ Orchestra is the only full-time symphonic ░
░ jazz orchestra in the world, combining ░
░ symphony instrumentation with big band ░
░ brass and a tremendous rhythm section. It ░
░ provides Mendoza the latitude to use ░
░ boldly sweeping orchestration on "La ░
░ Tarara," a traditional tune that, over ░
░ the course of nearly nine minutes, runs ░
░ the gamut from passionate solo flamenco ░
░ guitar (by guest soloist Daniel MΘndez) ░
░ and symphonic tone poem to Rafael de ░
░ Utrera's cathartically folkloric singing. ░
░ "De Los Cuatros Muleros" strays closer to ░
░ clear jazz, with a swinging pulse from ░
░ Metropole's rhythm section bolstered by a ░
░ powerful big band arrangement juxtaposed ░
░ with gentler orchestral colors. ░
░ "Sevillanas del Siglo XVIII" leans to the ░
░ classical, with singer Eva de Dios ░
░ supported by an orchestra that also ░
░ features Udo Demandt (caj≤n), Arturo ░
░ Ram≤n (palmas) and Daniel Navarro ░
░ (dancing), all of which ensure the piece ░
░ remains tied to the flamenco tradition. ░
░ ░
░ Stemming from a project begun by poet, ░
░ playwright and erstwhile pianist Federico ░
░ Garcφa Lorca (1989-1936), the concept of ░
░ bringing together a collection of Spanish ░
░ folksongs took on greater weight in the ░
░ late '70s, when flamenco singer Camar≤n ░
░ de la Isla set a number of Lorca's poems ░
░ to music for the remarkable La Layenda ░
░ del Tiempo (Polygram, 2000), a landmark ░
░ flamenco album where indigenous music was ░
░ fused with everything from electric ░
░ guitars to sitars. With Dutch ░
░ bassist/pianist/composer Niko ░
░ Langenhuijsen picking up the thread in ░
░ the '90s, an ambitious production was ░
░ mounted in 1998 to celebrate the ░
░ centennial of Lorca's birth. As ░
░ successful as the venture was, it was ░
░ never recorded until Mendoza expressed ░
░ interest a decade later. ░
░ ░
░ Perhaps El Viento's most remarkable ░
░ aspect is its seamless stylistic cross- ░
░ pollination. "La Canci≤n del Mariquita," ░
░ featuring Metropole's electric guitarist ░
░ Peter Tiehuis, could easily fit with Pat ░
░ Metheny's expansively orchestral Secret ░
░ Story (1992/reissued Nonesuch, 2007). ░
░ Still, Metheny's classic may be broad in ░
░ scope, but it can't approach Mendoza's ░
░ remarkable integration of everything from ░
░ authentic flamenco and small/large jazz ░
░ ensemble to effervescent classicism. Few ░
░ but Mendoza and Metropole could pull it ░
░ off, making El Viento: The Garcφa Lorca ░
░ Project as revolutionary as La Layenda ░
░ del Tiempo; an album that reveres all the ░
░ traditions from which it culls, but then ░
░ dispenses with them to create a ░
░ masterpiece of cross-cultural fusion all ░
░ its own. ░
░ ░
░ http://www.allaboutjazz.com/php/article.php?id=32962 ░
▒ ▀ ▀ ▒
▓ ▄▀ ▀▄ ▓
▄ ■ ■ ▄
▀ ▄ ▀
▄▀ █ ▄ █ ▀▄
██ ▀ █ ▄███▄ █ ▀ ██
██▄ █ ▀▓██▀ █ ▄██
▀███▄█▄ ▄██▄ ▌▀▐ ▄█▓▄ ▄█▄███▀
▀▀████▄▄ ▀▓█▀▄ ▐▌ ▐▌ ▄▀██▀ ▄▄████▀▀
▀▀▀███▄▄ ▄ ▐▌ ▐▌ ▄ ▄▄███▀▀▀
aeskii by ▄ ▀▀██▄▄ ▄▀ ▀▄ ▄▄██▀▀ ▄
▀▓▀ ▓ ▀██▄ ▄ ▄▄ ▀▀▀▀▀▀▀▀▀▀▀▀▀ ▄▄ ▄ ▄██▀ ▓ ▀▓▀
k!ND ░ ▀▓█ █▀▀ █▄ ▄█ █▀▀ █▓▀ ░
▀ ▄▀ █▄▄ █ ▀ █ █▄█ ▀▄ ▀
v0.2 ▀ ▄ ▀ ..;. Council Music Group .;.. ▀ ▄ ▀