sweet music releases
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a s u b d i v i s i o n o f s o u r
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│ » Release No: 0312 » Rating » │ 0 │
├──── ── ─ ─ ── ────────────┤ 9 ██ │
│ » Artist: Skream │ 8 ██ │
│ » Title: Burning Up / Memories Of 3rd Base │ 7 ██ │
│ » Record label: Digital Soundboy (SBOY023) │ 6 ██ │
│ » Genre: Bass │ 5 ██ │
│ » Release date: 2009/08/22 │ 4 ██ │
│ » Street date: 2009/09/14 │ 3 ██ │
│ │ 2 ██ │
│ » Media type: vinyl [x] tape [ ] cd [ ] radio [ ] │ 1 ██ │
│ cover [ ] sfv [x] m3u [x] cue [ ] └──────┤
│ │
│ [02 tracks] [10:29 min] [ 15,2 mb] │
│ │
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│ ## │ Time │ Artist - Title │
├────┴───────┴────────────────────────────────────────────────────────────┤
│ A 5:39 Skream - Burning Up │
│ B 4:50 Skream - Memories Of 3rd Base │
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│ │
│ When Skream came up with his Lets Get Ravey │
│ version of La Roux In For The Kill, he was │
│ inspired by the sound of early 80s Rave days, │
│ and for his first contribution to Shy FX's │
│ Digital Soundboy label, the Croydon producer │
│ takes his homage further into jungle │
│ territory. "Burnin Up" has got it all: female │
│ vocal sample, mid tempo Amen breaks, booming │
│ bassline all combined to perfection, with an │
│ awesome switch half way. Skream has lovingly │
│ updated the exhilarating sound of early │
│ jungle to stunning results. If "Burnin Up" is │
│ a tribute to jungles debut, "Memories of 3rd │
│ Base" is all about the birth of dubstep. A │
│ highly potent minimalist groove with technoid │
│ blips and mutating sub bass, it pays tribute │
│ to the club that shaped the scene in the mid │
│ 00s. With artists like Benny Page and │
│ Breakage constantly producing genre defying │
│ music, and high fly contributions by Caspa │
│ and Skream, DSB offers a unique insight into │
│ the incredible talent of the UK Urban scene. │
│ │
└─────────────────────────────────────────────────────────────────────────┘
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│ └───┘═════════════════ │
│ │
│ This release may contain copyrighted material, however SWEET guarantees │
│ that this material was at least available to one person "on the street" │
│ and that the possession of this material is in no way privileged. │
│ │
│ SOUR has been releasing good quality drum'n'bass, jungle & oldskool │
│ rips to the internet drum'n'bass public since summer 1999. Originally a │
│ small operation, we have now reached levels of international acclaim. │
│ │
│ SWEET is our most recent offspring dedicated to bring you quality │
│ electronic music that is not included in SOURs regular genre list. │
│ │
│ SWEET is dedicated to both the availability and promotion of music to │
│ the public, and our rips are intended to reflect these ideals. │
│ │
│ Specifically: │
│ │
│ . SWEET is dedicated to the promotion of new music that is currently │
│ available to buy. If you like something you hear, you are obliged to │
│ attempt to purchase an original copy. │
│ │
│ . SWEET is dedicated to the promotion of old music that may no longer │
│ be available to buy. │
│ │
│ . SWEET is dedicated to the expansion and infiltration of electronic │
│ music worldwide! We provide a service where none is available, │
│ specifically in many remote countries where traditional distributors │
│ can not afford to target. Also, the availability of electronic music │
│ in an easily accessible form expands the potential for real world │
│ sales to people who may not otherwise have considered buying this │
│ kind of music. │
│ │
│ . SWEET is dedicated to the expansion of the online and offline real │
│ world scenes. With more listeners enjoying what they hear, clubs and │
│ venues can only expect MORE people to attend events; DJ's can only │
│ expect MORE people to pay to see THEM. │
│ │
│ By accident of today's current real world distribution arrangements, │
│ many artists will find that SWEET releases IMPROVE their real world │
│ sales; especially for items only on vinyl. This is the basis upon │
│ which SWEET operates. │
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│ Logo 2002 by ave/bm, Nfo-Design 2002 by seQ & acryl │
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